The Saturday Night Live film unit editor discusses crazy production schedules and his multi-city post-production workshop tour.
Article Type: Interview
The overall VFX supervisor on James Gunn’s new Marvel action hit discusses the film’s main visual effects sequences.
The ‘Arthur Christmas’ writer and director talks about her pioneering new studio looking to make world class CG features in London.
Method VFX supervisor Nordin Rahhali talks about the whirlwind of visual effects his team whipped up for Steven Quale’s new disaster pic.
MPC’s previs supervisor Duane Floch discusses three different POVs and lots of apes used to create the Colony Attack scene in Matt Reeves’ hit sequel.
'Black Dynamite' co-creator Michael Jai White shares his thoughts on the edgy, action-packed and brilliantly executed Adult Swim animated series Season One DVD.
The Third Floor supervisor Eric Carney walks us through the previs on Gareth Edwards’ hit reboot of the Japanese classic.
Previs supervisor Mark Nelson walks us through almost 18 months of previsualization on Rob Stromberg’s hit film.
Experimental hand-made animator Steven Woloshen riffs on his new film, 1000 Plateaus and the fascinating world of scratch film animation.
Director Patrick Osborne and Production Designer Jeff Turley deliver Disney’s tasty new animated short film to an eager Annecy Festival audience.
Digital Domain’s Kelly Port and Darren Hendler discuss the blood, sweat and motion capture work that went into the visual and digital effects of Maleficent.
Watch an exclusive clip from season four -- set to premiere on June 15th -- and read AWN’s interview with series creators Christy Karacas and Stephen Warbrick in which they discuss the show’s genesis and development, as well as what viewers can expect from the new season.
MPC Vancouver’s visual effects supervisor Seth Maury discusses the creation of an anti-heroine’s magical world.
The VFX supervisor discusses how MPC helped director Gareth Edwards bring the iconic monster to the big screen.
Previs supervisor Austin Bonang explains the extensive use of previsualization on Bryan Singer's latest installment of the X-Men franchise.
MPC’s visual effects supervisor discusses the challenges of bringing Bryan Singer’s critically acclaimed film to the screen.
The Third Floor’s previs supervisor discusses the extensive use of previs, techvis and postvis on Sony’s latest superhero hit.
Paris’ NAKED Compagnie and New York’s ROOF Studio team up in the Cloud to produce a prolific series of eight second CG bumpers.
LOOK Effects’ visual effects supervisor discusses feather systems, a pulsating apple and the Garden of Eden in Darren Aronofsky’s latest film.
Brian Henson takes us behind the judge’s table for the Jim Henson Creature Shop Challenge season one finale.