Design agency HUSH creates an artistic and immersive way for media executives to experience the NewFront debut of ‘The New York Times.’
Category: Internet and Interactive
HIT Entertainment names Amazon as exclusive U.S. home for globally prominent kids franchise across all entertainment content and consumer products.
Render farm management software helps company meet topical timelines for internationally famous news clips.
Featuring an interactive timeline of the history of ‘Sleeping Beauty,’ rare treasures from the Disney archives, explorable environments from the world of ‘Maleficent,’ cast and crew interviews, never-before-seen concept art, storyboards and sketches, exclusive photos and featurettes, fun facts, character profiles and more.
Genius Brands International redesigns signature Baby Genius brand characters as part of overall brand re-launch in 2014; character illustrations created by celebrated ‘David & Goliath’ founder and artist Todd Goldman.
In collaboration with data journalist Simon Rogers and creative agency Roundhouse, technology studio Universal Everything creates an immersive data narrative experience exploring the power of big data.
SIGGRAPH 2014 announces an augmented reality/virtual reality contest in order to showcase the best augmented/virtual reality experiences to date.
Trunk Animation directors Alasdair + Jock create a 43-minute animation to accompany the album stream for Coldplay’s new album, ‘Ghost Stories.’
North America’s leading anime distributor gains digital, streaming and home media rights for legendary anime.
National competition launched by Aardman Animations and Nominet Trust will teach digital skills to a new generation of budding game designers.
MTV bolsters its slate of digital content with the re-launch of the ‘Liquid Television’ animation franchise, executive produced by Chris Prynoski.
From the guy who asked “What if Star Wars was a Tarantino film?” comes a new twist on Disney’s blockbuster animated musical: “If Frozen was a Horror Movie.”
In Part 1 I explained how I pitched one series with $13,000 worth of artwork and another with two sentences on the fly, and I sold the two sentences. But why did my two-sentences sell? What was it about the concept? What made it so good? ...
WIZZdesign combines SFX and live action to bring Oasis soft drink brand’s fruity characters to life in The Berryfly Effect.
The Flinstones are heading back to the big-screen in an all new animated film from Warner Bros. with Chris Henchy set to write the script and Will Ferrell and Adam McKay executive producing.
Blockbusters Frozen and Marvel’s Thor: The Dark World help boost The Walt Disney Company’s profits, which rose by 27% during the second quarter to $1.9 billion.
DreamWorks Animation launches a new YouTube family channel called DreamworksTV overseen by Brian Robbins, founder and CEO of DreamWorks-owned AwesomenessTV.
Sebastian Strasser wins the Animated Com Award main prize, awarded for the best applied animation in the fields of advertising, spatial communication and technology, with Vodafone “Add Power.”
Marking the launch of director Kelly Asbury’s official production blog, The Blue Print, Sony Pictures Animation unveils concept art from the as-yet untitled fully CG animated Smurfs feature.
A successful Kickstarter campaign launches the new stop-motion animated web series House of Monsters by Dawn Brown.