Rob Legato and Ben Grossmann divulge the secrets behind Martin Scorsese's first foray into 3-D.
Creator Adam Reed’s spy-spoof deftly brings together espionage, workplace drama, dirty sex and automatic weapons. And turtlenecks.
ILM visual effects supervisor Ben Snow shares his insights on turning sultry underwater vixens into vicious battling mermaids, all in stereoscopic 3-D
The acclaimed director of Belle Epoque tells us about his first foray into animation and this very adult Spanish Oscar contender.
Dr. Toon speaks candidly in his post-mortem of the Fox animated series, Allen Gregory.
The co-director discusses the challenges of making his Oscar-contending indie.
Framestore's Ben Morris describes how they managed to make us believe they never touched a shot in Steven Spielberg's Oscar contender.
Doug Smith of Rhythm & Hues explains how there's more to the latest Alvin and the Chipmunks sequel than the usual furry antics.
ILM's VFX vet tells us about returning to M:I and tackling Brad Bird's first foray into live action.
Weta's Joe Letteri and Jamie Beard revel in Steven Spielberg's The Adventures of Tintin.
Chas Jarrett divulges the latest VFX secrets behind the Guy Ritchie's Sherlock Holmes sequel.
Experts, Columnists, and Featured Bloggers
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- The new subtitle "Conference on Animation, Effects, Games and Transmedia" sums up the essence of the 17th edition of Europe’s largest...
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