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Blogs

LEOLO (1993) (****)

Leolo (Maxime Collin) was born Leo. But in the fantasy world he has created for himself his father (Roland Blouin) is not really his father, but is really an Italian man who masturbated on a crate of tomatoes and then… you’ll need to see the movie to learn the rest.

Leolo’s real father is eccentric, demanding that everyone in the family has to have a bowel movement everyday no matter what. There is a history of mental illness in the family and Leolo, a very smart kid, desperately lives in his fantasy world to keep himself from going insane as well. His mother (Ginette Reno) is a simple woman, who smothers her children. His grandfather (Julien Guiomar) once tried to drown Leolo. Leolo’s older brother Fernand (Yves Montmarquette) is the dimmest of them all, but after getting a bloody nose from a bully he lifts weights day and night so that he’ll be able to intimidate people. Leolo’s sister Rita (Genevieve Samson) is the first of his siblings to suffer from the family curse and be institutionalized.

Blogs

HOWARDS END (1992) (****)

Based on the novel by E.M. Forster, this film’s look at elite society’s hypocrisy and lack of responsibility is as poignant today as it was in the early part of the 20th Century when this story takes place. The film begins with rich Paul Wilcox (Joseph Bennett, SWING KIDS) dumping his middle class fiancée Helen Schlegel (Helena Bonham Carter, A ROOM WITH A VIEW). Some time later out of sheer coincidence, the Wilcoxs rent a flat in London across the street from the family home of the Schlegels.

In an effort to make amends, the eldest Schlegel, Margaret (Emma Thompson, SENSE & SENSIBILITY), befriends the matriarch Wilcox, Ruth (Vanessa Redgrave, MURDER ON THE ORIENT EXPRESS), who speaks nothing of wonders about her childhood home — the country estate called Howards End. Ruth is a dreamer, who takes to the liveliness of the Schlegel siblings, which also include the academic Tibby (Adrian Ross Magenty). We soon discover that Ruth is ill and she passes away.

Blogs

EXCALIBUR (1981) (**1/2)

Considered by many as the best screen version of the King Arthur legend, the dated picture lacks the epic scale and heart to bring the legend to life. The film begins with Uther Pendragon (Gabriel Byrne, MILLER’S CROSSING) receiving Excalibur from the Lady of the Lake. With the sword and the help of the wizard Merlin (Nicol Williamson, ROBIN AND MARIAN), he defeats Cornwall (Corin Redgrave, ENDURING LOVE) to become rightful king of England. But his lust for Cornwall’s wife Igrayne (Katrine Boorman, HOPE AND GLORY) brings about a deal to give his first son to Merlin.

Then we jump ahead to Arthur (Nigel Terry, TROY) as the squire who pulls Excalibur from the stone and nobly ascends the throne. But quickly his arrogance brings him in conflict with knight Lancelot (Nicholas Clay, 1987’s LIONHEART), who is looking for a true king to follow. Because of his duty to the crown, Arthur neglects his wife Guenevere (Cherie Lunghi, THE MISSION), who falls for Lancelot. In the meantime, Arthur’s half-sister Morgana (Helen Mirren, CALENDAR GIRLS) plots against Arthur, tricking him into impregnating her with a son named Mordred (Robert Addie, TV’s RED DWARF). As the kingdom begins to decay, it comes down to Knight Perceval (Paul Geoffrey, GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES) to find the Holy Grail and bring peace and prosperity back to England.

Blogs

DRUGSTORE COWBOY (1989) (****)

This is the film that really put director Gus Van Sant (GOOD WILL HUNTING) on the map and it still stands as his best film to date. Bob (Matt Dillon, CRASH) is a leader of a crew of thieves who rob drugstores mainly to fuel their own drug habits. Dianne (Kelly Lynch, CURLY SUE) is his wife and chief accomplice in the robberies. Rick (James LeGros, LOVELY & AMAZING) is his dedicated toadie and Nadine (Heather Graham, BOOGIE NIGHTS) is their newest member who doesn’t know when to keep quiet.

Bob is constantly hounded by Gentry (BLADE: TRINITY), a cop who has been arresting him for years. Bob’s mother (Grace Zabriskie, THE GRUDGE) is ashamed of him and wishes that he would just grow up. After an ill-advised incident with the law, Bob and the crew head out on the road. They live for the moment and as Bob will say later in the film, they get high to rid themselves of the burden of even having to tie their shoes.

Blogs

CANNIBAL HOLOCAUST (1980) (**1/2)

Up until recently, I never heard of this film even though it is one of the most notorious films ever made. And rightfully so. Director Ruggero Deodato and his crew were actually brought to court over the film’s extremely real looking violence and the film has been banned in nearly 60 countries. The film is ugly, bloody and savage, but it is not without some merit.

A film crew of four disappears while filming legendary tribes in the deep jungles of South America. Prof. Harold Monroe (Robert Kerman, DEBBIE DOES DALLAS) ventures to South America to discover what happened to the filmmakers. Along with his guide Chaco (Salvatore Basile), the weak stomached professor witnesses the brutal and violent rituals of the native tribes before discovering the bones of the missing filmmakers along with their film footage.

Blogs

THE BAD NEWS BEARS (1976) (***1/2)

THE BAD NEWS BEARS follows many underdog sport film clichés. However, it distinguishes itself with honesty and a keen eye for detail. Looking back on the film from today’s perspective some may not realize how original the film was.

A councilman (Ben Piazza, MASK) sues the city to allow all boys to who want to play baseball to be allowed to play baseball. This team — the Bears — is a collection of outcasts, which no parent wants to coach. Councilman Whitewood hires former minor league pitcher turned drunken pool cleaner Morris Buttermaker (Walter Matthau, THE ODD COUPLE) to coach the kids.

At first, Buttermaker puts forth no effort in coaching the kids — until they are humiliated in their first game. To help the team out, Buttermaker recruits wicked pitcher Amanda Whurlitzer (Tatum O’Neal, PAPER MOON), who is the daughter of his former girlfriend. Later, the town thug Kelly Leak (Jackie Earle Haley, BREAKING AWAY) joins the team when he is insulted by ultra-competitive coach Roy Turner (Vic Morrow, TWILIGHT ZONE: THE MOVIE).

Blogs

THE AWFUL TRUTH (1937) (***1/2)

This “screwball comedy” won its director Leo McCarey (DUCK SOUP) an Oscar for best director, which is very rare for a comedy film.

Jerry Warriner (Cary Grant, NORTH BY NORTHWEST) has been running around the city on vacation when his wife Lucy (Irene Dunne, I REMEMBER MAMA) thinks he is in Florida. He tries to cover it up by getting a fake tan at the gym. When he gets home, he discovers that Lucy was away for the weekend with her music teacher Armand Duvalle (Alexander D’Arcy, TOPPER TAKES A TRIP). He can’t forgive her or trust her ever again.

So they file for a divorce — even fighting over visitation rights to their dog, Mr. Smith. While they wait for the divorce to become final, Lucy moves in with her aunt Patsy (Cecil Cunningham, ABE LINCOLN IN ILLINOIS) and meets the rich oil tycoon Dan Leeson (Ralph Bellamy, TRADING PLACES), whose Southern ways seem quite at odds with Lucy’s metropolitan lifestyle. Nonetheless, Lucy and Dan get engaged to the irritation of Jerry, who ends up dating showgirl Dixie Belle Lee (Joyce Compton, THEY DRIVE BY NIGHT) and socialite Barbara Vance (Molly Lamont, MR. SKEFFINGTON).

Blogs

THUMBSUCKER (2005) (***)

This coming of age dramedy follows the trials and tribulations of Justin Cobb (Lou Taylor Pucci, THE CHUMSCRUBBER), a shy 17-year-old, who still sucks his thumb. Like several other recent coming of age tales like GARDEN STATE and THE CHUMSCRUBBER, the film deals with the over-medication of Generation Y as well as other aspects of drug use.

Justin is on a first name basis with his parents Audrey (Tilda Swinton, THE LION, THE WITCH & THE WARDROBE) and Mike (Vincent D’Onofrio, MEN IN BLACK). His relationship with his mother is as if he were her girlfriend. His father’s interaction with him is usually ridicule for his oral fixation problem. Justin’s New Age orthodontist Perry Lyman (Keanu Reeves, THE GIFT) tries hypnosis on Justin to get him to let go of this thumb. This incident initiates Justin’s fall, rise, fall and rise throughout the rest of the film.

Blogs

SERENITY (2005) (***)

Based on the short-lived TV series FIREFLY, BUFFY creator Joss Whedon brings his sci-fi Western to the big screen. Viewers do not need to have any knowledge of the series to enjoy this fun space opera that recaptures with sly word play that made the original STAR WARS trilogy so good.

Malcolm Reynolds (Nathan Fillion, BLAST FROM THE PAST) is the captain of a space ship named Serenity. Him and his crew rob Alliance payrolls as a profession. Hitching a ride is young doctor Simon (Sean Maher, 2001’s BRIAN’S SONG) and his teenage, psychic sister River (Summer Glau, SLEEPOVER), who may know a government secret, which puts her on the hit list of Alliance assassin the Operative (Chiwetel Ejiofor, DIRTY PRETTY THINGS). Mal’s crew includes his right hand mate Zoe (Gina Torres, THE MATRIX RELOADED), Zoe’s husband and pilot Wash (Alan Tudyk, DODGEBALL), dimwitted, tough guy Jayne (Adam Baldwin, THE PATRIOT) and lovesick mechanic Kaylee (Jewel Staite, CHEATS).

Blogs

RED EYE (2005) (***)

Wes Craven’s newest film is a nice, tightly woven thriller that is surprisingly plausible. For the most part the characters do what these individuals — if real — could really pull off.

Lisa Reisert (Rachel McAdams, THE NOTEBOOK) is a hotel manager returning from a funeral. On her way home, she meets seemingly kind Jackson Rippner (Cillian Murphy, 28 DAYS LATER) until he reveals that he will have an associate kill Lisa’s father, Joe (Brian Cox, X-MEN 2), unless she moves the homeland security chief William Keefe (Jack Scalia, TV’s DALLAS) from his regular room to a room overlooking the water.

Trapped on the plane with a paid assassin, Lisa has to stay calm and use her wits to save her father as well as Keefe and his family. McAdams is thoroughly believable in her role and Murphy is adequately creepy in his role. I like how the film weaves in other passengers on the plane into the plot without losing focus of the conflict between Lisa and Jack.

Blogs

OLIVER TWIST (2005) (***1/2)

Why do another version of OLIVER TWIST, some say. Why redo HAMLET on the stage? Different versions of classic tales from varying filmmakers can be interesting and enlightening. You wouldn’t want a new film version of OLIVER TWIST every year, but it has been long enough since the last one that in the right hands it’s warmly welcomed.

For director Roman Polanski, who was an orphan himself, the film was a passionate project that he did for his children. However, this isn’t a watered down version of the harsh tale of Oliver Twist (Barney Clark, THE LAWLESS HEART), the good-hearted orphan who is led astray by the people who are supposed to be looking after him.

The film follows the story pretty faithfully as far as I remember. Oliver comes to live at an orphanage and once he asks for more porridge, he is deemed a troublemaker and sold off to an undertaker, who is forced by his wife to beat the young lad. After which, Oliver sets out on his own for London, where he is found by the young pickpocket the Artful Dodger (Harry Eden, PETR PAN), who takes Oliver to study thievery under the hunched miser Fagin (Ben Kingsley, GANDHI).

Film Events

BAFTA Awards

By Guest (not verified) | Sunday, February 19, 2006 at 11:00am
Begins: February 19, 2006

The British Academy Film recognizes that it is essential to reward and nurture the immense diversity and talent demonstrated by filmmakers producing short film and animation. Shorts offer both new and established talent alike the chance to create experimental and innovative films and, by rewarding excellence within these fields, BAFTA aims to raise the profile of these talented individuals and of shorts in general.

The awards for Short Film and Short Animation are presented annually at The Orange British Academy Film Awards in February.

Television Events

Writing Animated Comedy for Television

By Guest (not verified) | Sunday, February 19, 2006 at 11:00am
Begins: February 19, 2006

ScreenplayLab is host " Writing Animated Comedy for Television." The screenwriting event will feature Cartoon Network executive Heather Kenyon. The free event will run from 3:00 to 6:00 pm at Raleigh Studios, 5300 Melrose Ave., Hollywood, California. RSVP at www.ScreenplayLab.com.

Blogs

MARCH OF THE PENGUINS (2005) (***1/2)

Not quite as good as WINGED MIGRATION, but definitely in the same ballpark. Morgan Freeman narrates his French documentary about the arduous habits of the emperor penguin.

Living in Antarctica, in the harshest environment on Earth, these penguins endure unthinkable torment in the march to procreate. The flightless birds begin their mating ritual by walking (and sometimes sliding) 70 miles to an area where they were all born. Each season, a male and female penguin find each other and develop a bond to bring a new penguin into the world.

Once the egg is laid, the male penguins take care of the young, allowing the tired mothers to find food. During the entire ordeal, males will go upwards of five months without eating. Because of the extreme cold, the penguins instinctively huddle into one large mass, which always moves.

Events

Gnomon Workshop: Live

By Guest (not verified) | Saturday, February 18, 2006 at 11:00am
Begins: February 18, 2006

The Gnomon Workshop is presenting its second workshop weekend, running from 10:00 am to 7:00 pm. The weekend features speakers in and out of the Gnomon Workshop library, presenting on subjects including creature design, Photoshop, Painter 9, Shake, concept design and poly modeling. In addition, attendees also get a chance to meet some highly accomplished artists who will take you inside their own personal projects, businesses and processes.

Events

Marauding Rabbits, Starry-Eyed Girls, Battling Boys, Ordinary Ladies: Japanese (American) Manga

By Guest (not verified) | Friday, February 17, 2006 at 11:00am
Begins: February 17, 2006

"Marauding Rabbits, Starry-Eyed Girls, Battling Boys, Ordinary Ladies: Japanese (American) Manga in Review is a symposium overview of the manga industry in America. Speakers include Stan Frederik L. Schodt, Sakai, Kinko Ito and Matthew A. Thorn. This event runs all afternoon in room Hahn 101 at Pomona College. Please contact Professor Lynne Miyake at 909-621-8931 for more information.

Animation Headline News

Aaron Simpson New JibJab Animation Production & Development VP

Emmy-nominated animation producer Aaron Simpson joins JibJab Media as vp, animation production and development. Simpson will oversee JibJab's animation productions, including projects for the Internet and mobile devices, as well as an animated feature film.

Media Headline News

Editshare Launches Next Gen Collaborative Editing & Shared Media Storage Systems

EditShare will be unveiling the next generation (version 4.0) of its award-winning EditShare family of systems at NAB 2006, (booth SL 1410). Available by the end of Q2 2006, EditShare version 4.0 will bring users a host of new productivity enhancing features, including support for uncompressed HD, faster hardware and larger hard drives, and a new scalable architecture.

Headline News

Mimzy Adults Cast for Kids Sci-Fi Flick

New Line Cinema has cast Rainn Wilson (NBCs THE OFFICE) and Joely Richardson (FXs NIP/TUCK) in its sci-fi family film, MIMZY, according to THE HOLLYWOOD REPORTER. New Line Cinema co-ceo Bob Shaye is set to direct.

The story follows two siblings, who discover a box of toys sent from the future, which gives them strange abilities. Wilson will play a science teacher and Richardson is the siblings' mom.

The studio is hoping to begin production in Vancouver in March.

Tobey Emmerich will shepherd for the studio.

Studio Headline News

Norway's First CG Feature To Hit Theaters in April

Produced by Storm Studio, SLIPP JIMMY FRI (FREE JIMMY), Norway's first CG animated feature, is set to premiere in Norway on April 21, 2006. Written and directed by underground cartoonist Christopher Nielsen, the films $16 million budget also makes it the country's most expensive film production to date.

British actor/comedian Simon Pegg (SHAUN OF THE DEAD) wrote the English screenplay and the English-versions voice cast features Woody Harrelson, Kyle MacLachlan, Samantha Morton, Simon Pegg and Jim Broadbent.

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