How to Succeed in Animation
Thirdly, I have always been fascinated with Magic, and from a very early age I seemed to grasp what magic really is. My close friend and colleague, actor Allen Swift, is also a magician, and he put the principle into simple language: “In magic,” he informed me,” the moment of Action, and the moment of Effect are always different.” Magic is an entertainment based on deception.
I suppose it were my inclinations to motion, music and magic that led me to become an animation filmmaker. Motion, Music, and Magic are three pillars of Show Business, (following closely in importance just behind Money, Maliciousness, and Madness. These same elements operate even in the formerly obscure corner of Show Business that we occupy: “mere movie cartoons.”
But movie cartoons are now big business – very big business. That aspect of it however, I have managed to avoid. I’ve had some flings at it, but what I’ve been mainly doing is still relatively obscure Little Business. After dabbling at the Big Time, luck and fate guided me into a different direction. I’ve spent the largest part of my career adapting children’s picture books as short animated films. My main fans are underpaid grade school teachers and librarians.
It happens that my line of work, making animated films, is all about motion. After all, it is part of an art & craft formally known as Motion Pictures, “Movies.”
If a Movie suddenly stops, it is no longer a movie. A movie must be in motion or it’s just a still image, or a blank screen. Ordinary objects have three dimensions, length, breadth and height. But movies - and music - exist in a fourth dimension: the dimension of Time. If a musical instrument - or an orchestra, phonograph record, CD, tape, iPod, iPad, or whatever may be producing music – suddenly stops – the music totally vanishes! One might even extend this thought to a book. A book is just a wad of paper sitting on a shelf, until the actual time it is being read. While a book is being read, the pages turned, it too can be said to be in motion. When you stop reading it, it reverts to just being a dead wad of paper. Hey, if our hearts stop or we cease to breathe, we are dead. Life is Motion, and a good motion picture comes the closest of any art to the representation of life in motion.
So when I am thinking about a film as I am making it, I am thinking about motion. I’m not just thinking about a series of images. I must think about how they flow together as relay runners - one scene picking up the baton from a previous scene, and passing it on to the next, and always thinking about the final scene. I’m heading for it in constant motion.
Thinking about the dimension of time requires a special mental adjustment. A popular phrase we often hear is about this or that “point in time.” The fact is, there is no such thing as a “point in time.” No matter what we are doing or not doing, time is always in motion. The only physical thing I can think of, as an analogy of time, is a river.
If we stand on a bridge and look down at a river, it flows past us. If we come back the next day, or even an hour later, that river may still have the same name, but it is in fact an entirely different river – all new water. If we jump into the river, we may flow with it, but in the case of time, we cannot flow with it. It is always flowing past us. So there is no such thing as “now.” We cannot grasp at “now.” “Now” is constantly becoming “Then.”