Amateur artists can submit Star Wars: The Force Awakens-inspired fan art for a chance to be showcased in a Star Wars professional gallery exhibit.
Pixar Animation Studios plans to release its USD software, which enables dramatically increased efficiency across workflows, as an open-source project by the summer of 2016.
After being rejected by critics and audiences alike, 20th Century Fox's ‘Fantastic Four’ sees one of the lowest openings of all time for a big-budget studio super hero movie.
Directed by Tim Miller with VFX from Blur Studio, 20th Century Fox’s ‘Deadpool’ arrives in theaters on February 12, 2016.
Previs supervisor Jim Baker walks us through The Third Floor’s key previs and postvis efforts on the latest Marvel feature.
Paul Feig's ‘Ghostbusters’ remake is moved up one week to July 15, 2016; Stephen King adaptation ‘The Dark Tower’ is set for January 13, 2017.
In honor of the iconic beagle’s 65th birthday on August 10, ‘The Peanuts Movie’ director Steve Martino shows fans how to #DrawSnoopy.
Pixar Animation Studios licenses a suite of image rendering NVIDIA technologies to accelerate production of the studio’s computer-animated feature films and short film content.
Check out the offerings from technology developers at SIGGRAPH 2015, including product demonstrations, Exhibitor Tech Talks & Sessions and User Group meetings taking place throughout the show.
Co-directors Richard Starzak and Mark Burton bring our favorite sheep and his cheeky hijinks to the big screen in their new stop-motion film.
Animation historian John Culhane -- the inspiration for Mr. Snoops in ‘The Rescuers’ and Flying John in ‘Fantasia/2000’ -- dies in his home in Dobbs Ferry, NY at the age of 81.
MPC Film heads to SIGGRAPH 2015 to present crowd, fur, digi-doubles and destruction technology, presenting the company’s visual effects work on movies including ‘Terminator Genisys,’ ‘Exodus: Gods and Kings,’ ‘X-Men: Days of Future Past’ and ‘Cinderella.’
Prime Focus World’s senior stereo supervisor Richard Baker reveals how the team worked with miniature scale in Marvel’s latest superhero blockbuster “Ant-Man,’ starring Paul Rudd.
DWA head Jeffrey Katzenberg calls the studio’s second quarter financial results “solid,” bolstered by the theatrical release of ‘Home’ and expansion of the company’s television and new media businesses.
Sony Imageworks VFX supervisor Dan Kramer helps bring iconic low-res 1980s arcade game characters into the CG world of 2015 in the new Adam Sandler film.
Directed by Trevor Wall for Splash Entertainment, ‘Norm of the North’ features a voice cast including featuring Rob Schneider, Heather Graham, Ken Jeong, Gabriel Iglesias, Loretta Devine, Michael McElhatton, Colm Meaney and Bill Nighy.
Production is underway on Lupus Films’ animated film from Cloth Cat Animation based on Raymond Briggs’ classic graphic novel, ‘Ethel & Ernest.’
Dneg VFX supervisor Alex Wuttke talks lighting, camera arrays and macro photography on Marvel’s latest superhero movie.
German animation and VFX studio embarks on its first CG animated feature, 'Manou the Swift,' with a pipeline that includes Autodesk 3ds Max, The Foundry’s NUKE, Pixologic ZBrush, and Chaos Group’s V-Ray.
Paramount Pictures and Skydance Productions’ $150 million tentpole feature launches to $65 million overseas for an early total of $121 million worldwide.
‘The Collected Works of Hayao Miyazaki,’ including all 11 of Miyazaki’s feature-length masterpieces in one spectacular 12-disc collection, is available on Blu-ray via Amazon.com on November 17, 2015.
The animated prequel to Shunji Iwai’s 2004 live action film shows us the imperfect origin to a great friendship.