Director of the Oscar-nominated short film ‘Head Over Heels’ will develop and make his feature directorial debut with Sony Picture Animation’s ‘The Lamb.’
Lead animator for ‘The Iron Giant’ currently completing post-production for live-action dystopian sci-fi feature, ‘The Chimeran.’
Lawsuit contended that the roots of the anti-poaching agreements went back to the mid-1980s, when George Lucas and Ed Catmull agreed to not raid each other’s employees.
Thirteen-episode run of ‘Dragons: Race to the Edge’ will serve as a prequel to the second installment of the beloved ‘How to Train Your Dragon’ franchise.
The widest release in Universal’s history, ‘Furious 7’ races to a $146.5 million debut at the North American box office and $240.4 million overseas for a massive worldwide launch of $387 million.
Indie filmmaker Alex Ross Perry set to write the script for the live-action adaption of ‘Winnie the Pooh,’ while Elizabeth Martin and Lauren Hynek are hired to write the script for the adaptation of ‘Mulan.’
FMX 2015 conference on animation, effects, games and transmedia to spotlight ‘Minions’ and ‘Assassin's Creed 4.’
The director of classics like ‘Heavy Traffic’ and ‘Fritz the Cat’ opens up to crowd at retrospective screening.
Running April 24 - May 29 in New York City, ‘Animation Showcase: From Celluloid to CGI’ to include panel with LAIKA and sneak peek of Disney-Pixar’s ‘Inside Out.’
Color management and image interchange system targets production, mastering and long-term archiving of motion pictures.
Screening series showcases juried selection of new short and feature-length films by students in the four CalArts School of Film/Video programs.
UK VFX house creates fully CG animated robots, environments and explosions, as well as flying vehicles, a Spitfire plane, a castle fight sequence and dramatic climax involving a giant CG robot spaceship.
Despite many great VFX-driven films ahead, Steve bemoans the state of the VFX “business” responsible for their visual magic.
Produced by Kabam, Fast & Furious: Legacy is an immersive action racing game that lets players become part of the Fast & Furious world.
Tim Johnson’s ‘Home’ marks the best opening for a DWA film since ‘Madagascar 3: Europe's Most Wanted,’ in 2012, and the third-best showing ever for an original DWA title after ‘Kung Fu Panda’ and ‘Monsters vs. Aliens.’
Chuck Peil, co-founder of Reel FX, talks about his studio’s evolution from animation and visual effects service house to mainstream animated feature film studio, the recently released ‘The Book of Life’ and more as part of AWN’s series of exclusive video interviews from FMX 2014.
‘New York Times’ bestselling series, ‘Fancy Nancy,’ optioned for original animated TV movie and series slated for premiere in 2017 on Disney Junior.
The veteran DreamWorks Animation director discusses the film’s eight-year journey from children’s book to big screen.
The New York indie animator riffs on her struggles with depression, film financing, gender bias and the challenges of making her first feature film.
Directed by Kelly Asbury, Sony Pictures Animation’s forthcoming untitled ‘Smurfs’ feature is produced by Jordan Kerner and co-produced by Mary Ellen Bauder.