Ed Hooks, author of 'Acting for Animators,' discusses the main elements of good acting and how animators bring life to an animated film.
New NSFW teaser is timed to coincide with a work-in-progress screening at this year’s SXSW festival in Austin, TX.
Duncan Burbridge, executive producer at The Third Floor, discusses how previs helped director Joss Whedon realize his creative vision on Marvel's 'Avengers: Age of Ultron.'
SolidAnim's on-set virtual tracking and visualization system SolidTrack helps previsualize visual effects for director Alex Proyas’ fantasy film featuring ancient Egyptian deities.
Toronto-based post house creates the ‘Olympus Has Fallen’ sequel’s high-action airborne sequences using Blackmagic Design’s Fusion Studio.
Look development supervisor Michelle Robinson, animation supervisor Kira Lehtomaki, technical director Heather Pritchett, and XGen leadership team member Ying Liu discuss the technology behind Walt Disney Animation Studios’ latest feature.
Director Mark Osborne confirms that France’s most expensive animated feature to date has been pulled from U.S. theaters one week ahead of its release.
Jon Peddie and Kathleen Maher discuss how computer graphics and VR technologies affect the entertainment industry.
Sound designer and feature film supervising sound editor to lead the company’s expansion into sound design for gaming and immersive experiences.
Boutique effects house creates opening ‘Hive’ sequence and Cornhill chase sequence for Millennium Film’s crime/action-thriller.
Overall VFX supervisor dishes on his stunning Academy Award win for best achievement in visual effects on Alex Garland’s sci-fi thriller.
Walt Disney Animation Studio's Hank Driskill, Adolph Lusinsky and Brent Burley discuss the impact their new rendering system, Hyperion, had on production of the animated feature 'Big Hero 6.'
‘Shaun The Sheep: The Movie’ wins Best Long Form Animation; Martin Freeman wins Best Voice Performance for ‘Stick Man’; ‘Stick Man’ and ‘The Amazing World of Gumball’ pick up two awards each.
New trailer for the stop-motion/CG-animated hybrid feature showcases dramatic camera work, elaborate visuals and epic-scale storytelling.
Veteran animator and story artist discusses the challenges of helming DreamWorks Animation’s latest hit in the ‘Kung Fu Panda’ feature film franchise.
Rob Bredow, VFX supervisor and head of new media at Industrial Light & Magic / Lucasfilm, talks about the work his team is doing with virtual reality and what it means for the film industry.
Coinciding with the original film’s 10th anniversary, animated sequel directed by ‘Hotel Transylvania’ 1 & 2 story artist and Genndy Tartakovsky protégé Henry Yu is set to be released in 2017.
U.K. premiere scheduled for May 2016; new three-year deal includes additional animated films featuring the popular preschool brand.
Cable network details plans to head into the new season with more than 650 episodes of new and returning series, including ‘Rusty Rivets,’ ‘The Loud House,’ ‘Bunsen is a Beast!,’ ‘Mysticons,’ ‘Welcome to the Wayne,’ ‘Pinky Malinky,’ and animated TV movies ‘Albert’ and ‘Hey Arnold!’
Animated feature directed by Christian Desmares and Franck Ekinci opens in New York on March 25th followed by nationwide expansion on April 8th.
Paul Debevec, chief visual officer at the USC Institute for Creative Technologies, discusses some of his lab's recent research work, potential legal concerns over digital doubles and what excites him most about virtual reality.
Key executive to lead independent motion picture and television production company’s expansion into the children's television space following the launch of animated series ‘Ready Jet Go!’ on PBS Kids.
Zoic Vancouver delivers 150 visual effects shots for action sequel directed by legendary fight choreographer Yuen Wo-Ping and starring Donnie Yen and Michelle Yeoh.