Universal and Illumination Entertainment's environmentally themed Dr. Seuss' The Lorax held first place at the box office for the second week straight, earning $39.1 million for a total of $122 million.
Jean Giraud, one of France's leading comics artists, has died in Paris at the age of 73.
Production company Digital Frontier used thinkingParticles, one of the flagship VFX products developed by cebas Visual Technology, to create the visual effects for Japan’s 3D computer-animated CG film, “TEKKEN Blood Vengeance 3D.”
Dimension Films confirmed that it has removed “Halloween 3D” from the release calendar.
How do you tackle one of the most seminal works in science fiction history? The Oscar-winning director describes how he grappled with the challenges of bringing Edgar Rice Burroughs’ epic tale to the big screen.
Tradition Studios, the new animated feature film studio of Digital Domain Media Group, announced that Mike Markowitz has signed on to write its next animated feature.
I thought this film had stunning visual effects. The backgrounds look like watercolor paintings and the scenes of the garden and the assortment of wildflowers in the yard were beautiful. The film could use some improvements though.
Cinesite completed over 800 visual effects shots and converted over 87 minutes into 3D for Disney’s “John Carter.”
It’s baa-ack! The days are getting longer and warmer, but the real sign of spring’s incipient arrival is of the return of the New York International Children’s Film Festival.
New Line is moving forward with “Journey 3,” signing deals with “Journey 2” director Brad Peyton and writers Brian Gunn and Mark Gunn.
Tickets for the world premiere of “Ice Age Live! A Mammoth Adventure,” presented by Twentieth Century Fox Consumer Products and Stage Entertainment Touring Productions, go on sale on March 9.
Immersive design consortium 5D | Institute will kick off their world-building design discussion series in Los Angeles on March 13, 2012 with ʻ5D | FLUXʼ presented in association with Autodesk and USC School of Cinematic Arts.
The Easter Bunny’s hare apparent leaves his ancestral home on Easter Island to pursue pop superstardom in the hilarious comedy HOP, coming to Blu-ray™ and DVD on March 23, 2012.
Los Angeles-based Therapy editor Doobie White and partner design/animation company Visual Creatures teamed up to inject a spark of blazing intensity into Columbia Pictures and Hyde Park Entertainment’s recently released 3D feature “Ghost Rider: Spirit of Vengeance.”
Warner Bros. has secured the rights to Bolivar, an upcoming graphic novel from publisher Archaia Entertainment, with Irish filmmaker Kealan O’Rourke attached to write and direct the project.
An intricate drama hailed as one of the finest ever made for television, John le Carré’s classic Cold War-era spy drama Tinker, Tailor, Solider, Spy debuts on Blu-ray from Acorn Media on April 24, 2012
USC ICT , Icon Imaging Studio , Lightstage LLC and House of Moves (HOM) collaboratively pioneered a new process to create digital doubles for the recently released Journey 2: The Mysterious Island.
Universal and Hasbro are back in business on “Ouija.”
Fred Patten discusses Studio Ghibli's lush new book detailing the production art of their latest feature film.
The new trailer for the long awaited sci-fi action comedy “Men in Black III” hit the web early Monday, giving a deeper look at the back-in-time adventure that sends Will Smith’s Agent J to the swinging 1960s.
Now in it’s ninth year, the Annual Pre-NAB Panel Discussion and gripe fest will be held Friday, March 30th beginning at 6:30 pm.
Academy Award-winning concept artist Ralph McQuarrie died on Saturday at the age of 82.
Universal and Illumination Entertainment's environmentally themed Dr. Seuss' The Lorax debuted this weekend to $70.7 million, one of the best opening weekends ever for an animated movie, and by far the best opening of the year.
Ben Tennyson and his alter-aliens to star in his first ever CG-animated television movie, Ben 10 – Destroy All Aliens, on Cartoon Network channels globally.
The director of the latest Dr. Seuss adaptation discusses the challenges of bringing Ted Geisel's darkest and most personal work to the big screen.
