The final numbers from this weekend's box office have been tallied, and it was a close one! Although Disney officials predicted the traditionally animated duo LILO & STITCH will take the number one spot over the powerful combination of Tom Cruise and Steven Spielberg, it was not to be. It was down to the wire, but Spielberg's MINORITY REPORT, with primary visual effects by ILM, prevailed, edging out LILO & STITCH for the number one spot with $35.7M.
The CGIScooby isn't the only startling effect in Warner Bros. feature filmSCOOBY DOO. Spooky Island features a host of ghosts and SanFrancisco visual effects house Giant Killer Robots (GKR) delivered120 visual effects shots, most involving the "spirits" of the film'scharacters. When the villain Mondavarius and his team of evil-doerssteal the spirits of the Mystery, Inc. gang, the artists at GKR hadto bring those spirits to life. Working with point cloud scans of the
Three new releases took the top three spots at this weekend's box office. Number one was the live-action comedy SCOOBY DOO, featuring an all CGI Scooby courtesy of Rhythm & Hues and Warner Bros. Feature Animation. The Mystery Inc. crew debuted with $56.4M, making SCOOBY DOO the third highest grossing debut this year, after EPISODE II and SPIDER-MAN. In second place was the thriller THE BOURNE IDENTITY with a strong $27.6 debut. In third was the John Woo-helmed World War II pic WINDTALKERS, with visual effects by Cinesite, earning $14.5M for the weekend.
Seen SPIRIT? Looking to get an animation fix before LILO AND STITCH arrives in theaters? Then check your local cineplex for the independent feature THE DANGEROUS LIVES OF ALTAR BOYS, which features nearly 20 minutes of animation by Todd McFarlane. The coming of age drama is set to open in selected U.S. theaters on June 14, 2002. Based on the 1992 debut novel by Chris Fuhrman and directed by Peter Care, the film stars Kieran Culkin and Emile Hirsch as budding comic artists who are constantly at odds with their strict Catholic school teacher, Sister Assumpta (Jodie Foster).
He's no Michael Jordan, but Brendan Fraser (THE MUMMY, GEORGE OF THE JUNGLE) has signed on to be the live-action star in Warner Bros. Pictures new live-action/animation feature film LOONEY TUNES: BACK IN ACTION (what no SPACE JAM II?). Production is scheduled to begin on July 29, 2002, in southern California and Las Vegas, Nevada, with animation production at the Warner Bros. Animation facilities in Sherman Oaks, California.
The CIA thriller THE SUM OF ALL FEARS, with visual effects by Rhythm & Hues, came in at number one again this weekend, earning $18.7M for a two-week total of $61.7M. The Ya-Ya's battled the Clones to take second, as chick-flick THE DIVINE SECRETS OF THE YA-YA SISTERHOOD earned $16.3M in its debut weekend and STAR WARS: EPISODE II, with visual effects by ILM, dropped to third with $13.8M and a four-week cume of $254.9M.
Vinton Studios has created a computer animated short that will screen at the opening of the SIGGRAPH 2002 Animation Theater. WASHED UP stars a scruffy looking beach bum who is shown getting spruced up for his trip to Texas for SIGGRAPH 2002. He puts on his cowboy hat and boots, and even a Texas star embossed pocket protector. As the story unfolds, it is revealed that he is actually stranded on a desert island and in his haste has forgotten the most important part of his outfit -- his pants.
Comic book and outer space heroes lost to a CIA operative in this weekend's box office, with action-thriller THE SUM OF ALL FEARS taking the top box office spot. Based on a novel by Tom Clancy with visual effects by Rhythm & Hues, the film took in $31.2M. SUM's number one debut added up to second place for STAR WARS: EPISODE II, with the attacking clones earning $20.6M this weekend, representing nearly a 60% drop from last weekend's 3-day box office. Ouch. This gives the space saga, with visual effects by ILM, $232M after three weeks in theaters.
Twentieth Century Fox has announced February 14, 2003 as the new release date for DAREDEVIL, the next comics-to-film epic. Moving the debut from January to February to take advantage of opening over the four-day (U.S.) Presidents' Day holiday, the studio can only be hoping to grab the record-breaking box office that other comics-inspired superhero (SPIDER-MAN) has been spinning over the past few weeks. DAREDEVIL stars Ben Affleck in the title role, a blind vigilante with ultra-heightened other senses and incredible acrobatic abilities.
DreamWorks' SPIRIT: STALLION OF THE CIMARRON couldn't win the holiday box office race, but it came in a respectable fourth. Facing up to the challenge of STAR WARS: EPISODE II "ATTACK OF THE CLONES" second weekend and the tenacious hold of SPIDER-MAN, SPIRIT trotted into fourth place with $23M and generally good reviews, meaning this might be one traditionally-animated pony you can bet on for a solid summer box office.
The eagerly anticipated second act of George Lucas' space drama, STAR WARS: EPISODE II "ATTACK OF THE CLONES" has debuted with the highest weekday box office ever. Posting better opening day receipts than its predecessor EPISODE I, which debuted with $28.5M, EPISODE II opened in theaters at midnight on Thursday, May 16 and racked up a record-breaking $30.1M for the day. Although SPIDER-MAN still holds the one-day opening record with $39.3M, it opened on a Friday, which is considered a weekend day.
Composer James Venable will be going into the studio this month to score Cartoon Network's first feature THE POWERPUFF GIRLS MOVIE, which opens July 3, 2002. The film, directed by Craig McCracken, is based on the television series that chronicles the adventures of girl superheroes. The score incorporates both orchestral and electronic compositions. Venable is best known for scoring THE POWERPUFF GIRLS television series on the Cartoon Network, which also features a blend of traditional orchestral sound and non-orchestral techno.
Marvel's comic book superhero spun yet another record, along with massive box office receipts as SPIDER-MAN dominated the number one spot for the second weekend in a row. The film, with visual effects by Sony Imageworks, earned $72M in its second frame for a total gross of $223.6M, making it the fastest film ever to reach the $200M mark. SPIDER-MAN crossed $200M on Saturday May 11th, 9 days after it was released. This beats the previous record held by STAR WARS: EPISODE I which took 13 days to earn $200M.
SPIDER-MAN's record-breaking success means movie-goers can look forward to many more superhero flicks at the box office in the coming years, including another installment of the trials and tribulations of Peter Parker and his arachnid alter ego. Marvel Enterprises recently announced it received a seven-figure advance for the sequel to SPIDER-MAN, which will reunite stars Tobey Maguire and Kirsten Dunst and director Sam Raimi, and is scheduled to hit screens in 2004.
Grossing a whopping $114.8M in its debut weekend, Sony Pictures' action- adventure SPIDER-MAN, with visual effects by Sony Imageworks, dominated the box office this weekend, setting all kinds of records along the way. Along with becoming the highest grossing debut in motion picture history, (besting previous record holder HARRY POTTER AND THE SORCERER'S STONE, which debuted with $90.3M in November 2001), the film also had the best single day gross (Saturday, May 4, 2002: $43.6M vs. HARRY POTTER's $33.5M) and became the fastest film to cross $100M, reaching that milestone in just three days.
Topping the box office for the second weekend in a row, THE SCORPION KING, with visual effects by Centropolis FX, took in $17.6M for a two-week total of $60.8M. However, THE SCORPION KING should be on the look out for SPIDER-MAN, who will no doubt dominate the box office next weekend, when it debuts on May 3rd. Psychological drama CHANGING LANES took second place again this weekend, earning $9M with $44.6M to date. Two new releases took third and fourth place with weak debuts.
Coming on the heels of an announcement that the latest Disney/Pixar collaboration, MONSTERS, INC., has become the second highest grossing animated film of all-time, the two companies have announced their next three films. First up is FINDING NEMO. Set in Australia's Great Barrier Reef, the film follows two fish, a father and his son Nemo, who become separated undersea. FINDING NEMO is set for release in summer 2003, and is written and directed by Andrew Stanton, co-director and co-screenwriter of A BUG'S LIFE. It stars the voice talent of Albert Brooks, Ellen DeGeneres and Willem Dafoe.
Disney/Pixar's MONSTERS, INC., has usurped SHREK to become the second highest grossing animated film of all-time (behind only Disney's THE LION KING). The film has earned $504 million to date, comprised of $253 million in domestic box office receipts and $251.2 million in international box office receipts, where it has set records in Japan ($59.1 million, the most successful U.S. animated film ever), England ($53 million), Mexico ($20.1 million) and Spain ($13.5 million). Commenting on the announcement, Dick Cook, chairman of The Walt Disney Studios, said, "MONSTERS, INC.
With the largest April opening in history, THE SCORPION KING, with visual effects by Centropolis FX, topped the box office this weekend. Starring The Rock, this "prequel" to THE MUMMY franchise earned $36.2M in its debut. The weekend's other new release, MURDER BY NUMBERS, debuted in third with a tepid $9.5M while last week's number one film, CHANGING LANES, took second place with $11.2M and $32.8M to date. Disney's THE ROOKIE climbed a notch to fourth place with $6.3M and a four week total of $53.7M, while ICE AGE dropped two spots to land in sixth place with $5.7M and a cume of $159.5M.
LEGO Media, the entertainment division of the LEGO Company, has selected animation studio Creative Capers Entertainment to produce BIONICLE: THE MASK OF LIGHT, a 70-minute, CGI-animated direct-to-video feature scheduled to debut in September 2003. The project is LEGO Medias first production based on original characters and story lines created by the LEGO Company. The story of BIONICLE: THE MASK OF LIGHT takes its inspiration from the folklore of many cultures and features six bio-mechanical heroes, called the Toa, who come from the island of Mata Nui.
The new psychological thriller CHANGING LANES topped the box office this week, despite a strong performance from PANIC ROOM, which fell to second in its third week. CHANGING LANES debuted with $17.5M, while PANIC ROOM, with visual effects by ComputerCafe, scared up $11.3M for a three-week total of $74.1M. The girl buddy comedy THE SWEETEST THING took the third spot with $10M. Showing that family-friendly films are holding their own at the box office, ICE AGE is in fourth place after five weeks in release.
Pixel Liberation Front (PLF) has provided a unique previsualization service for PANIC ROOM. PLF created animatics representing nearly two-thirds of the film, allowing director David Fincher to design much of the film's action and determine how it would be shot before the production began. PANIC ROOM is a thriller set in a New York City townhouse. In order to escape a trio of thieves searching for a hidden fortune, a mother and daughter take refuge in the townhouse's "panic room," a fortified shelter built to guard against home invaders.
The Tribeca Film Festival and The Children's Aid Society (CAS) will co-host the exclusive New York premiere of STAR WARS: EPISODE II ATTACK OF THE CLONES three days before the film is scheduled to open nationwide. On Sunday, May 12, 2002 the festival will host private screenings for Children's Aid Society youngsters and for the children and families affected by September 11th. The afternoon screening will be a fundraising premiere to benefit The Children's Aid Society. Ticket sales for the afternoon CAS benefit screening have officially begun.
The Walt Disney Studios has acquired all domestic theatrical, home entertainment and television rights to Hayao Miyazaki's animated blockbuster SPIRITED AWAY, Japan's all-time top grossing film with a total to date of 29.3 billion yen ($234 million). The film, which recently received the coveted Golden Bear Award at the Berlin Film Festival, is scheduled to be released theatrically in the U.S. fall 2002. Pixar's John Lasseter will serve as creative consultant for the newly dubbed version.