Past Events :: Exhibits

FIA, International Animation Festival

Starts: Oct 25, 2010 - Ends: Oct 26, 2010
Submission Deadline: Oct 10, 2010
Location: Montevideo, Uruguay
Website: http://www.fiauy.com

International Animation Festival, FIA´10:

Universidad ORT Uruguay, organizer of FIA´, is pleased to invite animators, producers and specially students and graduates of animation schools to present works to be selected for an exhibition and subsequent awarding between the 25th and the 26th of October of 2010 in Montevideo, Uruguay.

Objective:
Universidad ORT Uruguay aims to spread and to exhibit animations produced by students and graduates of animation, independent animators and international producers and also seeks to provide a space for artistic and technological reflection in this discipline.

Participation:
Any animated short movie, regardless its type or content may participate. The participation in the festival is open to students and graduates of animation schools, animation producers, advertising agencies and independent animators, in order to present works to be selected for an exhibition and subsequent awarding between the 25th and the 26th of October of 2010 in Montevideo, Uruguay.

The deadline for reception of all materials is going to be the 30th of September of 2010.
Sign up can be done through the web site of the festival, by post or personally.

Production Summit 2010

Posted In | Event Category: Visual Effects | Event Type: Conferences, Exhibits | Site Categories: Events
Starts: Oct 23, 2010 - Ends: Oct 23, 2010
Navigating Tomorrow's Business Models

The Entertainment Industry is going through a tsunami of change. It's almost impossible to know how to plan for the coming year, much less five years down the line. New technologies, globalization, shrinking post schedules and vast proliferation of new distribution platforms, almost on a daily basis, have dramatically affected how to plan for survival and success in the future. 

Technology

While the expanded use of technology both energizes and streamlines existing systems, it also creates new challenges and complexity that spirals up and down the production chain. Often these technologies upset the traditional status quo and create chaos as the cost and production benefits remain unproven. But eventually it pushes and changes business models as filmmakers tell their stories in increasingly creative and immersive ways, ultimately impacting the all important bottom line.

Globalization

Globally competitive operations and markets relentlessly push companies to cut costs and streamline their operations while simultaneously producing more with less. How can we best navigate and adapt to this new reality? Is it best to affiliate or partner with one or more international entities? How can you create efficient worldwide pipelines without always starting from scratch and spending a fortune? How does one establish trust? 

Post Schedules

As post schedules grow ever shorter, on time delivery of crucial elements needed to meet a movie’s marketing needs and even its opening date becomes riskier than ever. The risk is especially pronounced when it comes to tent-pole projects that have spent millions of dollars marketing the project over the course of months or even years. With these pressures growing on each and every project, will a huge blockbuster eventually miss its opening date? What will happen if it does? What impact does this relentless time constriction and ever expanding shot count have on companies and artists who work to meet those deadlines and demands? Is there an opportunity here or just more strain to survive? 

Distribution

Fewer and fewer films are being made. The ones that are being made are mostly ‘branded’ properties. And distribution platforms are undergoing significant change -- traditional and IMAX movie theaters, phones, computers, kiosks and direct to home via Netflix and countless other ways are already part of the mix -- with more on the way. How does this impact you and how can you plan to compete successfully in the future? How can you capitalize on this? How will it impact your business? And how important is this?

Summary

How do you fit in? Now is not the time to stand still and do nothing. This is not the time to watch from the sidelines. This is not the time to become a dinosaur. How can we get Creatives,Technologists and those holding the purse strings to work together to create a future for us all?

New York Comic Con 2010

Starts: Oct 08, 2010 - Ends: Oct 10, 2010
Submission Deadline: Oct 08, 2010
Location: New York, New York, USA
Website: http://www.newyorkcomiccon.com/

New York Comic Con is the East Coast's biggest and most exciting popular culture convention. Our show floor plays host to the latest and greatest in comics, graphic novels, anime, manga, video games, toys, movies, and television. Our panels and autograph sessions give fans a chance to interact with their favorite creators. Our screening rooms feature sneak peeks at films and television shows months before they hit either big or small screens. And with dedicated professional hours, New York Comic Con is a market place, bringing together the major players in the entertainment industry. New York Comic Con is the second largest pop culture convention in America and the only one that takes place in the comic book, publishing, media, and licensing capital of the world -- Gotham City.

IBC 2010

Posted In | Event Category: Animation, Business / Management, Documentaries, Features, Live Action, New Media, Television | Event Type: Exhibits, Trade Shows | Site Categories: Events
Starts: Sep 09, 2010 - Ends: Sep 14, 2010
Location: Amsterdam, Netherlands
Website: http://www.ibc.org

IBC is the premier annual event for professionals engaged in the creation, management and delivery of entertainment and news content worldwide. In 2009, the show attracted more than 45,000 attendees from 140 countries around the world, exhibiting more than 1,300 of the world's key technology suppliers and showcasing a debate-leading conference that, among other vital sessions, brought together the ASC and the BSC digital camera tests and offered pioneering insight into the latest developments in stereoscopic 3D.

A Short History of IBC

The first IBC was held in 1967, in the Royal Lancaster Hotel in London. There were just 32 exhibitors and 500 conference delegates, and of course broadcasting was a very different business.

What would have been the reaction of those first 60s delegates had they been told that by 2009, not only would they have a computer on their desk but that it would be capable of editing high-definition video, or that they would carry a telephone in their pocket wherever they went which would also be a video camera?

The first IBC came about because a group of manufacturers wanted to organise an exhibition, but its initial success meant it needed to be organised more formally. From 1968 it was managed by the Institution of Electrical Engineers (IEE) – now the IET, following the merger between IEE and IIE in 2006 - with advice from the RTS, as an event by the industry for the industry. This also meant that the conference became a vital part of IBC.

From the Royal Lancaster Hotel IBC moved first to the Wembley Conference Centre and then to Brighton on the south coast of England, where it eventually occupied exhibition space in the Conference Centre, the Majestic Hotel and the Grand Hotel.

But by 1990, the lack of exhibition and meeting space - and a chronic shortage of hotel rooms - had reached crisis point. Under the leadership of John Wilson, IBC embarked on a programme of dramatic change.

IBC became an independent body, owned by six partner bodies: IABM, IEEE, IET, RTS, SCTE and SMPTE, with a full-time professional staff. The strong association with these leading trade bodies, and the committee structures for exhibition and conference, ensured that the event was still run by the industry for the industry, but the dedicated staff meant that the organisation could be much more flexible and responsive.

IBC also moved from the UK to the Netherlands. After very careful research into venues capable of meeting the very specific demands of IBC, the Amsterdam RAI was chosen, hosting its first IBC in July 1992 (the normal September dates not being available that year). From 1994 IBC became an annual event, and it has remained in Amsterdam ever since.

Today, IBC’s management is continually looking at ways to develop the event to meet the rapidly changing needs of the industry. It has extended its reach, for example, becoming one of the most influential events in digital cinema worldwide, thanks to its ability to demonstrate to the very highest standards as well as host top-level debates. Recently it has added dedicated zones covering mobile television, IPTV and digital signage.

IBC remains the leading event on the global stage for everyone involved in content creation, management and delivery. By remaining close to its industry roots it continues to deliver a conference and exhibition which are comprehensive, stimulating and relevant to the real needs of its visitors.

Manga Kamishibai: The Art of Japanese Paper Theater, 1930 to 1960

Posted In | Event Category: Animation | Event Type: Exhibits | Site Categories: Art, Events, Illustration
Starts: Aug 23, 2010 - Ends: Aug 23, 2010
Location: Brooklyn, New York, USA
Website: http://observatoryroom.org/

An Illustrated Lecture and artifact demonstration by Eric P. Nash, author of Manga Kamishibai: The Art of Japanese Paper Theater
Date: Monday, August 23rd
Time: 8:00
Admission: $5
Presented by Morbid Anatomy and part of the Oxberry Pegs Presents series
...Books will be available for sale and signing

Before giant robots, space ships, and masked super heroes filled the pages of Japanese comic books–known as manga–such characters were regularly seen on the streets of Japan in kamishibai stories. Manga Kamishibai: The Art of Japanese Paper Theater tells the history of this fascinating and nearly vanished Japanese art form that paved the way for modern-day comic books, and is the missing link in the development of modern manga.

During the height of kamishibai in the 1930s, storytellers would travel to villages and set up their butais (miniature wooden prosceniums) on the back of their bicycles, through which illustrated boards were presented. The story boards–colorful, hand-painted, original art drawn with the great haste that signifies manga, glued on cardboard and lacquered to protect them in the rain–told stories ranging from action-packed westerns to science-fiction stories to ninja tales to monster stories to Hiroshima stories to folk tales and melodramas for the girls. Golden Bat, a supernatural, cross-eyed, skull-faced superhero; G-men; Cinderella; the Lone Ranger; and even Batman and Robin starred in kamishibai stories. The storytellers acted as entertainers, acting out the parts of each character with different voices and facial expressions, and sometimes too, they became reporters, when the stories were the nightly news reports on World War II. Kamishibai was so popular and widespread, that when television hit Japan in the mid-1950s, it was known as denki kamishibai–electric paper theater.

Tonight, author Eric P. Nash will tell the story of kamishibai as detailed in his gorgeous new book Manga Kamishibai: The Art of Japanese Paper Theater. He will also bring in a genuine kamishibai set from the 1930s and make copies of his book available for sale and signing.

Eric P. Nash has been a researcher and writer for the New York Times since 1986. He is the author of several books about art, architecture, and design, including Manga Kamishibai: The Art of Japanese Paper Theater, MiMo: Miami Modernism Revealed, and The Destruction of Penn Station. His work has also appeared in The Wall Street Journal, The San Francisco Chronicle and Discover magazine.

Full event info can be found here: http://observatoryroom.org/2010/08/02/kamishibai/

DreamWorks Animation presents "Moonshine"

Posted In | Event Category: Animation | Event Type: Exhibits | Site Categories: Art, Events
Starts: Aug 14, 2010 - Ends: Aug 14, 2010
Location: Alhambra, California, USA
Website: http://www.gallerynucleus.com

From forty-five talented and prolific DreamWorks Studio art directors, production and character designers, and visual development artists, Moonshine features personal artwork that is made during the precious little times of day when the contributors are not working on stunning upcoming movies such as Puss in Boots, Shrek Forever After, The Croods, Kung Fu Panda 2, MegaMind, The Guardians of Childhood, Scared Shrekless, and Kung Fu Panda Holiday.

• Raffle contest for original art and a tour of DreamWorks Animation Studio (1 winner + 3 guests)

• Pre-order the MOONSHINE book on opening night, and get 10% off

• Complimentary "moonshine" served

• $2 admission = 1 raffle ticket (additional raffle tickets available)

Learn more and preview the book here: http://www.gallerynucleus.com/gallery/exhibition/251

Disney Visual Development Artists bring you "Peck n' Paw & the Black Mirror" Art Exhibit/Book Release

Posted In | Event Category: Animation | Event Type: Exhibits | Site Categories: Art, Books, Events
Starts: Aug 07, 2010 - Ends: Aug 07, 2010
Location: Alhambra, California, USA
Website: http://www.gallerynucleus.com

Some of the fantastic talent from Disney's visual development team has joined together to release an independent art book. This collection of personal work features the unique illustrated visions of over 20 artists.

Meet the artists and get your book signed. Original art from the book and other new work will be on display and available for sale. Raffle prizes include original artwork and signed copies of the new release. Free admission.

Learn more and preview the book here: http://gallerynucleus.com/event/265

SIGGRAPH 2010

Starts: Jul 25, 2010 - Ends: Jul 29, 2010
Location: Los Angeles, California, USA
Website: http://www.siggraph.org/s2010/

Now in its 37th year, the SIGGRAPH conference is the premier international event on computer graphics and interactive techniques. SIGGRAPH 2010 is expected to draw an estimated 25,000 professionals from five continents to Los Angeles, California

Who

The SIGGRAPH conference attracts the most respected technical and creative people from all over planet Earth. The SIGGRAPH community includes people everywhere who are excited by research, science, art, animation, gaming, interactivity, education, and the web. SIGGRAPH 2010 is sponsored by The Association for Computing Machinery (ACM), an educational and scientific society uniting the world's computing educators, researchers, and professionals to inspire dialogue, share resources and address the field's challenges.

What

The SIGGRAPH conference and exhibition is a five-day interdisciplinary educational experience including a three-day commercial exhibition that attracts hundreds of exhibitors from around the world. SIGGRAPH is widely recognized as the most prestigious forum for the publication of computer graphics research. In addition to SIGGRAPH's leading-edge technical program, the conference's installations provide close-up views of the latest in digital art, emerging technologies, and hands-on opportunities for creative collaboration.

The conference also hosts the international SIGGRAPH Computer Animation Festival, showcasing works from the world's most innovative and accomplished digital film and video creators. Juried and curated content includes outstanding achievements in time-based art, scientific visualization, visual effects, real-time graphics, and narrative shorts. Since 1999, the festival has been an official qualifying event for the Academy of Motion Picture Arts and Sciences Best Animated Short Film award.

Where

Los Angeles Convention Center, Los Angeles, California, USA

When

Conference: 25 - 29 July (Sunday through Thursday)
Exhibition: 27 - 29 July (Tuesday through Thursday)

Lecture and Screening by Bob Camp, Co-creator of Ren and Stimpy

Posted In | Event Category: Animation | Event Type: Discussion, Exhibits, Non-competitive Festivals, Screenings | Site Categories: Cartoons, Events
Starts: Jul 09, 2010 - Ends: Jul 09, 2010
Location: Brooklyn, New York, USA
Website: http://observatoryroom.org/2010/07/02/camp/

Lecture and Screening by Bob Camp, Co-creator of Ren and Stimpy
Date: Friday, July 9th
Time: 8:00 PM
Admission: $5                                                                                                                                                   
Day Five of The Oxberry Pegs Series


Wow! Bob Camp is coming to Observatory this Friday, July 9th. You know him as co-creator of the Ren and Stimpy show, the template for modern screwball cartoons, but you might not know all the other hat’s Bob wears. Bob is a cartoonist/illustrator, comic book artist, writer, story artist, designer, director and producer. He has worked on many TV series as well as feature films for such studios as Warner Brothers, Fox and Nickelodeon. Bob has been nominated for two Emmys, a Cable Ace award, and an Annie for his work on the “Ren and Stimpy” animated series. He was an illustrator at Marvel Comics on many comic titles including GI Joe, Crazy Magazine, Marvel Age, Bizarre Adventures, Savage Tales, Conan the Barbarian and The Nam. He has done covers, comics and editorial illustrations for Family Weekly magazine and The National Lampoon. Bob is presently developing concepts for film, TV and the internet.

So, drop by around 8pm this Friday, and Bob will show some cartoons, tell stories of his varied and lengthy career in animation and comics and answer your questions.

Free Popcorn, while supplies last!

Bob Camp's Filmography
Kick Buttowski Suburban Daredevil (Current) DisneyXD- storyboard artist
Leaf Men (2009-2010) Blue Sky/Fox- storyboard artist
Sym-bionic Titan (2009) Cartoon Network- storyboard artist
Kick Buttowski Suburban Daredevil (2008-2009) DisneyXD- storyboard artist
Robotboy (2006-2007) TV series Cartoon Network/France 3- Director
Legend of the Leaf Men (2006) Blue Sky/Fox- development artist
Ice Age II: The Meltdown (2005) Blue Sky/Fox- storyboard artist
Robots (2004) Blue Sky/Fox- storyboard artist
Looney Tunes: Back in Action (2003) Warner Bros.- storyboard artist
Scooby Doo (2002) Warner Bros.- storyboard artist
Grim and Evil (2002) Cartoon Network- storyboard artist
Jackie Chan Adventures (2002) Colombia/Tristar- story artist
Jimmy Neutron: Boy Genius (2001) Paramount- storyboard artist
Cats and Dogs (2001) Warner Bros.- storyboard artist
Osmosis Jones (2001) Warner Bros.- storyboard artist
Lucky Lydia (2000) pilot for Cartoon Network- writer, co-director, executive producer
How the Grinch Stole Christmas (2000) -Imagine/Ron Howard- storyboard artist
Cow and Chicken (1997-9) Cartoon Network- storyboard artist
Space Goofs (1995-6) Gaumont Multimedia/Fox- writer, storyboard artist, co-story supervisor, and voice director)
The Ren & Stimpy Show (1990-5) Nickelodeon- Co-creator, storyboard artist, writer, director, producer, supervising director
Tiny Toon Adventures (1989) Warner Bros.- storyboard artist
The New Adventures of Beany and Cecil (1989) DIC- storyboard artist

More info here: http://observatoryroom.org/2010/07/02/camp/

Florida Supercon: South Florida's Comic, Animation, Anime, Video Game, Fantasy and Sci-Fi Festival

Starts: Jun 18, 2010 - Ends: Jun 20, 2010
Submission Deadline: May 05, 2010
Location: Miami, Florida, USA
Website: http://www.supercon.tv

FLORIDA SUPERCON: South Florida's Comic Book, Anime, Animation, Video Game, Fantasy and Sci-Fi Convention returns June 18-20, 2010 to the Doubletree Miami Mart Airport Convention Center in Miami, FL.

Florida Supercon is a 3 day festival dedicated to Comic Books, Anime, Animation, Video Games, Fantasy and Sci-Fi featuring celebrity guests, comic book creators, voice actors, industry guests, cosplayers, artists, writers, panels, Q&A's, films & shorts, costume & cosplay contests, vendors, parties, anime, workshops, video gaming and more! 2010 is the 5th annual Florida Supercon.

 

The Florida Supercon Film Festival is a festival dedicated to films that would be appreciated by our diverse genre audience. We are looking for Animation, Horror, Horror Comedy, Documentary (about genre subjects), Comedies with a genre twist, Fantasy, Magic Realism, Science Fiction and Spoof. American films will be screened side by side with international entries the weekend of June 18-20, 2010 in Miami, FL. at Florida Supercon: South Florida's festival of Comic Books, Anime, Animation, Sci-Fi and Video Games.

Films will be judged in the following specific categories:
1)  Feature Films (over 50 minutes)
2)  Short Films (under 50 minutes)
3) Internet / Web Based Short (Short Made for Internet distribution and exhibition)
4) Documentary Film (Full Length or Short Format Documentary Film)
5)  Student Competition (Films made by students who are either enrolled in a school, or were enrolled during the films’ production.)
 This section will be broken into the following categories
(a)  High School: Films directed by students attending high school, generally stretching from ages 15-18
(b) Undergraduate: Films directed by students enrolled in a college level program
Graduate students may enter in the regular Feature Film or Short Film categories