The 3rd Annual Golden Marble Awards will honor excellence in children's advertising. Judges include: Alice Germanetti, Sr. Partner Creative Director Ogilvy & Mather; John Barry, Creative Director J. Walter Thompson; Joe Bacal, Co-Chairman & Creative Director Griffin Bacal; Dave Shea, Sr. VP Creative Director Saatchi & Saatchi; Chris McKee, Chief Creative Officer The Geppetto Group and Doug Zarkin, VP GWhiz Youth Marketing. The Golden Marble Awards will be presented at a lunch ceremony as part of a 2-day conference on breakthrough marketing to kids entitled "Advertising to Kids." The television commercial product categories are Best Electronic/Video Game Commercial, Best Doll Commercial, Best Action Figure Commercial, Best Game Commercial, Best Creative Play Commercial, Best Toy Commercial-General, Best Breakfast Food Commercial, Best Snack Food Commercial, Best Beverage Commercial, Best Food Commercial-General, Best Clothing/Apparel/Accessories Commercial, Best Non-Food Packaged Good Commercial, Best Commercial for a Television Program, Home Video or Movie, Best Commercial for a Television Network or Programming Block and Best Entertainment Venue Commercial. Other awards include Best Cinema Advertising, Best On-line Advertising, Best Animation Company (Cel), Best Animation Company (SFX), Best Commercial Directed to Parents of Preschoolers, Best Overall Campaign and Best Public Service Advertising.

Folimage, the creators of the 1995 Cartoon D'Or winner LE MOINE ET LE POISSON (THE MONK AND THE FISH), is showing an exhibition of their world-famous work. The traveling event screened in Valence, France earlier this year and moved to Annecy at the beginning of the Annecy Animation Festival. The event features scripts, storyboards, original drawings, sets, models and puppets.

Read about Folimage's other Cartoon D'Or winning film, L'ENFANT AU GRELOT/CHARLIE'S CHRISTMAS, by the director himself Jacques-Rémy Girerd in Animation World Magazine in English or French.

The 24th International Festival of animated film is now accepting entries for animated short films, television series, commissioned films and student films. Entry forms are now available on the festival web site. The three selection committees will gather in Annecy March 2-12, 2000 in order to choose the 5 features and 10 programs of shorts which will compose the official competition together with the 3 or 4 school and graduation film programs and the 8 TV & commissioned film programs, representing in total more that 30 hours of viewing. After honoring Japanese Animation in 1999, the festival will celebrate a century of animation, in an unprecedented tribute to all forms of the art. The festivities even include the participation of Richard Williams. The triple Oscar-winning animator, regarded by many in the industry as a modern master, will offer a three-day Animation Masterclass on the principles of animation, June 3-5, 2000. The MIFA expo (International Animated Film Market) will be open June 7-10, 2000, and feature a sizable new technologies area. The MIFA conference themes and speaker names will be available soon on the festival web site. Participation forms for the scientific conference NPAR 2000 (First International Symposium on Non Photorealistic Animation and Rendering, June 5-7, 2000) will be ready in February.

The Rhode Island School of Design (RISD) will host a three-part multi-disciplinary exhibition titled "RISD FILM: A Celebration of Contributions to the Film Industry." Curated by Burleigh Smith, head of the Film Program at the Museum of Fine Arts, Boston, "RISD FILM" will feature works by such noted RISD alumni as Gus Van Sant '75, Martha Coolidge '68, Mary Lambert '74, Bob Richardson '79, Jean De Segonzac '75 and Seth MacFarlane '95. The event will include an invitational afternoon event for industry executives, agents, managers and media; an evening fundraising event at the DGA on June 8; and a special public screening at Santa Monica College on June 10. The afternoon exhibition at the DGA will be 6 hours in its entirety, divided among the three screening rooms by animation/features, advertising/television/music videos and shorts/independents. The industry screening is scheduled from 2 - 5 pm. The fundraiser's festivities on Thursday evening from 7 - 10 pm will feature a compilation screening of selected works from the exhibition. MacFarlane, whose senior thesis at RISD evolved into the current version of FAMILY GUY, of which he is creator and executive producer, will serve as Master of Ceremonies. All proceeds from this event will be used for scholarships for film, animation and video students at RISD.

The Singapore Animation Fiesta 2000 will highlight creativity in animation. The festival will feature screenings of top animation from around the world as well as workshops and forums. Sponsored by Temasek Polytechnic, the event will feature screenings ranging from Toei, Japan's largest animation studio, to Betty Boop, and from Aardman animation to the edgy wonders of Barry Purves. Workshops during the festival will center on stop-motion with clay, 3D Studio Max, creating human models in Maya and Anime-style drawing. Barry Purves, Digital FilmWorks' Chris Leone and Digital Anvil's Chris Olivia will all be conducting master classes. The forums will focus on computer games, video game modeling techniques and violence in anime.

The DH Institute of Media Arts is hosting a one-day Drawing Workshop instructed by Glenn Vilppu. This class will introduce attendees to Basic Drawing and Figure Construction. The time will be 11 am - 3 pm, with a lunch break from 12:30 - 1 pm. The tuition will be US$75 for non-students and $60 for students. Vilppu is an instructor at Disney and Warner Bros. Feature Animation, as well as the American Animation Institute, UCLA, DreamWorks and Rhythm & Hues.

Want to get a hold of Glenn Vilppu's instructional drawing books? Visit the AWN Store at www.awn.com/awnstore.

The Vancouver Effects and Animation Festival (VEAF) will showcase all types of effects work and animation during its six-day celebration. Everything from realistic water effects to traditional cel animation work. Some of the categories are: Commercials (animated), Commercials (effects), Feature Film (animated), Feature Film (effects), Music Videos (animated), Music Videos (effects), Short Films, Titles, Idents, PSAs and Stings, Simulations, Education and Training videos, Student work, CD-Roms and Web sites.

The Nantucket Film Festival is dedicated to screenwriters. The event will feature film screenings, staged readings, morning chats with writers, panel discussions, forums and an awards ceremony for best writer, feature and short. This year screenwriter Paul Schrader (TAXI DRIVER, MISHIMA) will be honored. The sponsors for the event are Entertainment Weekly, NBC, Showtime, iCast and Listerine.

Cartoon Master, sponsored by Cartoon the European Animation Association, will delve into the expanding opportunities on the Internet. The focus of the event will be to take a look at the legal terrain of the Web and how it affects producers. In the first session on Friday, the program will define what new media is and how it will affect professionals in production, distribution and ownership. Later on Friday, the discussion will focus on how television programming will be affected by the new medium. The first session on Sunday will center on the field of rights on the Net. Finishing up the event will be a discussion on Internet rules, legislation and territory development.

In its 17th year, the Showbiz Expo and Conference is a major spot for companies to showcase their production products and discuss the future of the entertainment industry. Among this year's seminars will be "Digital Hollywood: Bringing Entertainment Project Management into the New Millennium." The event will be hosted by Creative Planet and feature a look at how new technology will transform the efficiency of entertainment production. Another seminar of interest is "Storyboards For People Who Can't Draw." The discussion will be lead by James O. Fraioli, the author of STORYBOARDING 101. On Saturday, the expo will hold "Compositing Live-Action and Animation." The seminar will be moderated by Mark Simon, author of STORYBOARDS: MOTION IN ART and owner of AARGH! Animation Inc. On Sunday, there will be a seminar entitled "Live-Action Special Effects." Various other seminars will center on production, direction, scriptwriting and much more.