Iron Man 3 may be more angst-ridden, but there were a lot more suits to be battle-tested.

The Oscar®-winning director’s new film is thought-provoking, intense and dare I say, hilarious.

A stellar Motion Picture Academy VFX Convergence program shines a welcome spotlight on the world of previsualization.

James Gartler walks us through 11 visually tantalizing films hitting the box office this Spring.

VFX house Cinesite completes over 100 shots for the Marvel Studio’s production “Iron Man 3.”

The Nation teams up with Innovid to create the captivating campaign, “Brands in Wonderland.”

Producer Tim Dillon joins MPC New York from Nexus Interactive Arts.

Disney and Marvel’s “Iron Man 3” earns a record-breaking $21.5 million in China on Wednesday, topping Marvel’s “The Avengers” as the highest opening day in the country’s box office history.

The Academy hosts the final event in its three-week VFX Convergence craft series, “From Matte Paintings to Full Environments and Set Extensions,” moderated by visual effects branch governor Craig Barron and visual effects branch member Theresa Rygiel.

Bill Desowitz reports back from Pixar about how global illumination is powering the upcoming Monsters University and The Blue Umbrella.

Spin VFX wins BAFTA award for best visual effects in the Television Craft category for its work in the TV mini-series “Titanic.”

Visual effects company Framestore wins two awards for Best Visual Effects at the Clios, taking silver for Qualcomm Snapdragon “Coming Soon” and bronze for the groundbreaking simulation VFX used to dismantle the Nissan Altima in “Wouldn’t It Be Cool.”

Imaginary Forces tackles the MTV Movie Awards with iconic and exhilarating blockbuster homages in 13 category animations.

Wacom launches the Cintiq 22HD touch, a new addition to its expanding interactive pen display portfolio, which combines multi-touch with Wacom’s renowned pen technology.

e-on announces the availability of Vue 11.5 xStream and Infinite.

Rogue State turns to LightWave 11.5 3D software to conquer CG dragons and 220 visual effects shots for “Dracano.”

Psyop teams with ROKKAN to create “The Tales from Dunwall,” an animated prequel for the game “Dishonored.”

Thinkbox software releases Stoke MX particle reflow tool for Autodesk 3ds Max.

The visual effects giant is reportedly looking at opening a facility in the U.K. to take advantage of foreign tax subsidies.

Digital Domain and Pixomondo tell us about working on Joe Kosinski's follow-up to Tron: Legacy.