India-based Graphiti Multimedia has completed a :20 spot for Titan AlarmClocks using Cambridge Animation Systems' Animo and 3D Studio MAX software.In the commercial, the prince from the "Sleeping Beauty" fairy tale uses analarm clock to wake the princess. Sunil Shetty directed.
Los Angeles-based Class-Key Chew-Po Commercials and Absolutely ProductionsLimited have created "Lunch Order," a spot for Procter & Gamble's Head &Shoulders Menthol shampoo. The spot features an animated "Jittery Julian"who transforms into a confidant "Cool Jules" after using the shampoo.Class-Key Chew-Po's Stig Bergqvist directed for Agency Saatchi &Saatchi/London.
The Association of Independent Commercial Producers' (AICP) Eighth AnnualAICP Show, The Art & Technique of the American Television Commercial,debuted at The Museum of Modern Art in New York City on June 9th, and willtour in the United States and internationally until April 2000. The showconsists of about fifty live-action and animated spots. Selections weremade by more than 400 judges throughout the US, as well as a panel composedof members of the industry from advertising agencies, production companies,
New York-based Spontaneous Combustion has created the CGI for "It All Starts with ABC," a :15 spot for Post Alpha Bits cereal created to accompany PBS' ARTHUR. In the spot the camera slowly pulls back from Alpha-Bits-like letters to reveal that they are part of words on a page, and that this page is in a book, and that this book is part of a stack which grows past a UFO in outer space. The spot used Adobe After Effects to create matte paintings which were nested inside one another to create the cosmic zoom effect. 3D Studio Max was used to create the books.
San Francisco-based The Attik has finished "Deep Sea," a :30 PSA for The Monterey Bay Aquarium. The spot contrasts the depth of the ocean with the highest points above sea level such as the Empire State Building and Mount Everest. It combines live-action vignettes, taken from stock footage, with computer rendering. Simon Dixon directed for Agency Goldberg Moser O'Neill Adverting.
New York-based J.J. Sedelmaier Productions created "Dream Job," a :10 film for NBC's TODAY SHOW's Al Roker, which shows the morning talk show's weatherman together with sun and cloud characters. J.J. Sedelmaier directed.
San Francisco-based (Colossal) Pictures has completed "I Scream" for Kraft Foods Marshmallow Alpha-bits. Directed by Charlie Canfield for Agency Ogilvy & Mather L.A., the spot is about a group of marshmallow vowels joining up for a rowdy "I scream for ice cream" game. The spot uses traditional cel and computer animation. San Francisco-based Giant Killer Robots did the CGI.
London-based Passion Pictures has created a :60 spot for Virgin Cola,"Roller Girl," which features a roller-blading 2D animated heroine designedand conceived by Jamie Hewlett, creator of TANK GIRL. The spot was directedby Robert Valley and Chris Hauge for agency Rainey Kelly Campbell Roalfe.The spot was first pencil drawn and hand painted before being computerpainted in Toonz, with traditionally painted and airbrushed backgroundsadded.
Loop Filmworks has completed "The Honeymoon Suite," a stop-motion animatedspot for HBO. Directed by David Chartier, the spot features aBrooklyn-accented bellhop who guides a newlywed couple through theirhoneymoon suite. The couple are uninterested in what the bellhop says untilhe mentions that the room comes with HBO.
Passion Pictures has created a new fully computer generated spot starringWilly Wonka (WILLY WONKA AND THE CHOCOLATE FACTORY). Launching Rowntree'snew Wonka Xploder chocolate bar, the :20 spot shows Wonka and his chocolatefactory where teams of robots stir vats of bubbling chocolate, and brightlycolored machines create delicious chocolates. Willy tests his newinvention, the Wonka Xploder, on two boys who are inside a sealed testingroom. The boys are startled when the chocolates explode and the secret
J.J. Sedelmaier Productions has created "Lintbrush," a :30 spot for QuiltedNorthern bathroom tissues. Directed by J.J. Sedelmaier, and designed byBonnie Timmons, the 2D animated spot shows quilters at work while theydiscuss the amount of lint in other tissue brands, as compared to QuiltedNorthern tissues.
San Francisco-based (COLOSSAL) PICTURES has created a hand-drawn 2D :30animated spot for Old Navy Tie-dye shirts that is done in a retro-style.George Evelyn directed "Pool Party," which features a pastiche of early1930s rubber-hose style animation, and is especially reminiscent of UbIwerks and color Van Beuren shorts. The spot opens with a black and whitescene of children and animals moping around a deflated backyard pool, andbegins to change to color when two kids arrive wearing Old Navy Tie-dye
Los Angeles-based Class-Key Chew-Po Commercials has created a series of"Agent M" spots for McDonald's. Directed by Walter Santucci (EVIL CAT), the2D animated spots feature two characters, Agent M and his partner Sidecat.Their goal is to find and acquaint the public with the great food bargainsat McDonald's. Agent M, voiced by Adam West (BATMAN), is a detective withthe cool confidence of James Bond, but with the clumsiness of InspectorClouseau. Sidecat, voiced by Taurean Blacque (HILL ST. BLUES), saves theday when his boss screws up.
Will Vinton Studios has produced two 3 Musketeers candy bar spots forM&M/Mars Inc. The spots, "Trailer" and "Corruption," each with :15 and:30 versions, feature 3D stop-motion animation of the Three Musketeercharacters scaling castle walls and fighting off evil guards. The spotswere directed by Matthew Brunner, produced by Sara Mullock, and animatedby Mike Johnson, Tony Merrithew, and Jean Poulot for agency UniworldGroup Inc.
Frank Gladstone, Head of Artist Development at DreamWorks, and Clifford Cohen, founder and president of AnimAction, have joined forces as members of UNICEF's International Animation Consortium for Child's Rights to create an animated PSA that addresses the Right to a Name and a Nationality. The PSA will be screened on June 4 at the Annecy Film Festival in Annecy, France. Also at the Festival, Mr. Cohen will speak about "How Animation Can Change People's Thinking."
TOPIX/Mad Dog has completed the animation for "Stick People," a :30 spot,with a :15 lift. The colorful, playful spot, which promotes Crayola ColorWipeoffs, removable water-based magic markers, for TBWA/Chiat Day (Toronto,ON) and Binney & Smith Canada (Markham, ON), rolled out throughout CanadaMarch 15th and will continue to air through the end of the year. In it, aboy's stick figure drawings come to life. "With Photoshop I drew thefigures, frame by frame, so that it's a bit like cel animation, but not
Tricky Pictures has created "One and Only," a promo for the new Noggin TVnetwork. Noggin is an educational channel that is a joint venture betweenNickelodeon and Children's Television Workshop, and is currently subscribedto by nearly two million homes. The spot uses mixed-media and incorporatesfaces of real children with painted bodies in an outer space scene wherethe Noggin logo doubles as a planet being explored. The kids plant a flagon the planet, which doubles as a face. Ann Marie Fleming designed and
The adventures of Toucan Sam continue in a 30 second spot made by SimExDigital Studios for Leo Burnett/Chicago. The spot, entitled "Frog/Idol,"promotes Kellogg's Marshmallow Blasted Froot Loops.
"Frog/Idol" is a continuation of last summer's "Marshmallow Temple/ExtremeAdventure." In it, Toucan Sam falls through a temple floor into anunderwater cavern. There he discovers an enormous frog idol, and swims intoits mouth. Once he surfaces, a multitude of frog marshmallows jump towardshim.
A team from HELIUM PRODUCTIONS, INC. and TWO HEADED MONSTER has created a new computer animated spot for Starburst which immerses the viewer in a simulated water environment designed for absolute believability. The animators used SGI Octanes, Side Effects' Prisms, and Pixar's Photorealistic Renderman software to create the realistic physics of water splashing and swirling. At Helium Productions, John Scheafer was creative director. At Two Headed Monster Christopher Willoughby was creative director and Ruth Schiller produced.
The San Francisco office of CURIOUS PICTURES has created a pool of fivespots for Round Table Pizza through Wieden & Kennedy (Portland, OR). Thereare four 15-second spots - "Steam Dance," "Rooster," "Full," and "Freedomof Speech" - along with a 30-second spot, "Tornado." The commercials weredirected by Michael Bade and designed by Seattle-based alternativecartoonist Peter Bagge (HATE), marking his first foray into both animationand television. Featuring various characters, the commercials guarantee the
THE INK TANK has produced "Hockey Monkey," a mixed-media music video forNickelodeon's KA-BLAM!, which will air this spring. The 1-minute, 30-secondpiece follows a group of live-action adults who are in search of a monkey.Unbeknownst to them, the animated monkey is in an ice hockey match with agroup of cut-out animated kids. For The Ink Tank, R.O. Blechman wascreative director; Brian O'Connell, executive producer/co-director; JesseGordon, live-action director/cameraman; Maciek Albrecht, cut-out
San Francisco-based RADIUM has animated more than a half-dozen 3Dcomputer-generated building block characters for "Toys," a nationaltelevision spot promoting Wrigley's Juicy Fruit Gum. Conceived by BBDO(Chicago, IL), the 30-second spot revolves around a group of toy figuresthat spring to life in pursuit of the sweet taste of Juicy Fruit. Thecommercial blends 3D animation, 2D effects, live-action and cel animation.Radium created the tiny plastic blok characters as 3D elements. Afterwards,
Marketing and communication company Pittard Sullivan (Culver City, CA)engaged SIMEX (Santa Monica, CA) to help create a new full-motion, computeranimated logo to accompany all of King World's programs. The animated logofeatures a star burst animated in Alias|Wavefront PowerAnimator. FromPittard Sullivan, Reid Thompson directed, and Jim Capp and Debra Kaufmanproduced. Nick Bates was the visual effects supervisor and George Mendozawas the executive producer at SimEx Digital Studios.
Hollywood-based CLASS-KEY CHEW-PO COMMERCIALS, in conjunction with Ogilvy & Mather, has created the newest Cocoa Pebbles cereal spot starring Fred Flintstone and Barney Rubble. The 30-second commercial, directed by Raul Garcia, features a traditionally-drawn Fred and Barney placed in a computer-generated 3D video game environment, and eventually jumping into a live-action setting. The video game environment and other characters were created in Maya NT software. The 2D and 3D live action were combined using both Flame and Toon Boom software.
Chicago, Illinois-based TRICKY PICTURES has produced a 20-second main title animation sequence for Nickelodeon's I AM POEM series. In addition, Belgian director and animator Dirk van de Vondel, represented by Tricky Pictures, was selected from more than 200 candidates to create a visual adaptation of "I Used To Be," one of the 15 poems in the series. Produced by Nickelodeon's Creative Lab to serve as interstitial programming, I AM POEM is a new series of short-form films based on original kids' poetry.