Samsung and Cheil Worldwide tap Stardust to create a new graphic campaign that explores key features of the latest Samsung Galaxy S5 phone.
Hasbro and UPROAR tap Clockwork VFX to create World Where You Can Buy Anything, a new spot for Monopoly Junior.
Three examples of the director’s stop-motion animation and directorial prowess are included in the prestigious “Motion Factory” show, running now through August 10 at La Gaîté Lyrique in Paris, France.
Sebastian Strasser wins the Animated Com Award main prize, awarded for the best applied animation in the fields of advertising, spatial communication and technology, with Vodafone “Add Power.”
Visual effects house Zoic Studios transports sports enthusiasts straight into the action in the 30-second Kinect Sports Rivals spot “You” for Microsoft out of Antfarm.
Nexus directors Conor Finnegan and Johnny Kelly have been selected to showcase their work as part of the exhibition Motion Factory, les ficelles du monde animé.
Moo Studios reveals the three latest spots of the Artfully Crafted campaign for Blue Moon Brewing Group.
Carbon VFX goes Inside the Helmet giving viewers a peek inside the head of driver Lewis Hamilton in a new promo for NBC Sports Group.
Visual effects house Zoic Studios morphs a seemingly ordinary lunch date into an explosive entrance in the surprisingly full-throttle 30-second “Arrival” for Scion.
Calabash Animation heads to the office with “Cubicle,” making the point that Lucky Charms are not just for kids.
Executive Producer Eric Mueller joins Minneapolis-based design, animation and VFX company Gasket Studios, where he is working on spots for General Mills & Cheerios, McDonald’s, Sony PlayStation and Mayo Clinic, as well as a branded film for Subaru.
eyeball creates over 600 hand-drawn illustrations for Sabina Sciubba’s new Viva L’Amour music video.
Animation and visual FX studio BENT Image Lab produces a new broadcast spot for The Oregonian in newspaper stop-motion.
Creative communications agency Bray Leino partners with Aardman animations to produce the latest TV campaign for iglü.
Bicoastal digital production and design studio Big Block produces a live-action shoot, virtual obstacle course and animated drone fleet for “Subaru WRX STI vs. the Drones.”
Newly-signed Passion Pictures directors againstallodds release “Gladly Tuesday,” a new commercial created by Boston advertising agency Hill Holliday for Bank of America made in the style of the 1930s-era Popeye cartoon.
Troika signs Creative Director Seton Kim to lead creative for the Entertainment & Sports client roster.
The design studio Bl:nd teams up with SpotCo to produce a hand-drawn film for Sting’s new Broadway show The Last Ship.
Hornet director Yves Geleyn directs a powerful animated PSA, Monster in the Closet, for non-profit States United to Prevent Gun Violence.
Hiccup Media welcomes international fashion director John Poliquin, and announces a redesigned website that highlights the company’s approach, their clients and their work.
Tool welcomes award-winning Executive Producer Christopher Neff to their Digital team as Executive Producer, Digital.
Galaxy 61 celebrates its 10th anniversary with a re-branding and a new website showcasing the company’s capabilities that are tailored to animation and VFX-driven projects with big ideas and small budgets.
MPC LA partners with Deutsch LA and RESET Director Johnny Green to launch a new campaign for HTC that unveils the new HTC One M8 smartphone with the help of Gary Oldman.
Frankie simplifies the remote video review-and-approval workflow at Drive Thru, allowing the company to streamline the creation and approval process of commercials in the era of remote postproduction workflows.