Warning: The upbeat tone of this article might come as a shock to some readers potentially rendering them speechless, teary eyed and moderately aroused.
Column: The Animation Pimp
A selection of intimate writings that didn’t make it into the final ‘Lipsett Diaries’ animated short.
Shouting, swearing and outright bitchiness signal another year of festival submission review and selection for The Pimp.
Chris Robinson chats with the highly opinionated animator, director, teacher and long-time artist for The Animation Pimp articles and book.
It wouldn’t be a stretch to compare the current Canadian indie animation scene to that of Canadian men’s hockey.
Sitting through David OReilly’s digital punk animations feels a wee bit like the non-stop hallucinations of your last journey on mushrooms.
The animation Pimp riffs on the topic of laughter and its importance in our lives. Especially when things are less than peachy.
It's about an old animator... 90 plus now... and it's written LIKE listening to a 90 year old talk... random and all over the place... like my sister.
This time Mr. Pimp is giving you the floor to ask about various rumors and legends about the OIAF over the years.
The Animation Pimp dishes up a rather cynical, vulgar and surprisingly hostile list of his favorite and not so favorite animated feature films.
An Aussie, a Brit, a Latvian and an Israeli walk into a bar - The Animation Pimp discusses the issue of why animators are making such big, fat films.
In the last Animation Pimp column, Chris Robinson looks to the stars to see what animation means to him.
The Animation Pimp looks back on his introduction to the life of the Ottawa Animation Film Festival.