Emmy award-winning CGI and digital solutions company Mackevision creates some of the most iconic scenes in the smash-hit HBO series, including the city of Braavos and King’s Landing.
Alongside the increasingly complex evolution of three fully-grown CG fire-breathing dragons, VFX house Pixomondo leverages Cospective’s cineSync review and annotation tool for global production pipeline for HBO’s ‘Game of Thrones.’
Released by Dover Studios co-founder Andrew Hazelden, Autodesk Maya plug-in RocketComp instantly connects Maya to 10 of the most popular desktop compositing applications in use today.
The Walt Disney Company picks up first two seasons of award-winning CGI/live action hybrid series ‘Annedroids ‘for Central and Eastern Europe, the Middle East, South and Sub-Saharan Africa.
Unleash the lighter side of The Force with this action-packed release that comes with four complete episodes and a bonus alternate ending.
Join the Editors’ Lounge on Friday, July 31st for demonstrations on the latest features in DaVinci Resolve and Fusion Studio.
Hsin-Chien Huang’s performance art piece creates visual sculptures from dancer movements with 3D printed keepsakes made from motion capture data.
Deadline’s new wizard enables secure communication using customers’ Google Cloud Platform account information to create a VPN connection between the user’s workstation and cloud account.
Ten-minute computer animated short, centered on the story of a caterpillar named Boro, is being developed for screening at the Ghibli Museum in Tokyo.
The Little Red-Haired Girl from Blue Sky’s ‘The Peanuts Movie’ makes her big CG debut with the help of voice actor Francesca Capaldi.
Iloura VFX supervisor Glenn Melenhorst discusses the return of Ted, the politically incorrect talking teddy bear that stars in Seth MacFarlane’s adult comedy sequel.
Illumination Mac Guff director Kyle Balda discusses the challenges of bringing Illumination’s CG-animated feature, ‘Minions,’ to the screen.
The co-director of Illumination Entertainment’s highly anticipated animated spin-off details the challenge of giving the loveable yellow sidekicks of ‘Despicable Me’ and ‘Despicable Me 2’ their own film.
Software update introduces important advances in physically based rendering for VFX and CG animation.
London-based VFX house delivers 1,000 VFX shots for BBC mini-series ‘Jonathan Strange & Mr Norrell,’ including 3D environments, crowd simulations, water, mud and sand effects simulation, modelling and texturing, matte painting, animation and 2D work.
Based on the characters created by Ross Bagdasarian, ‘Alvin and The Chipmunks: The Road Chip’ is directed by Walt Becker and arrives in theaters everywhere on December 23, 2015.
Montreal-based visual effects studio combines practical elements with CG to create a realistic look for Brad Bird’s ‘Tomorrowland,’ including digital matte painting, bluescreen compositing, scene enhancements, CG effects and simulation.
Director Sanjay Patel draws from his own experiences for the film’s story, which follows his journey from a California kid watching cartoons to a man respecting his father's Indian traditions.
MPC VFX Supervisor Sheldon Stopsack examines the ins and outs of digitally recreating an iconic action hero for Paramount’s ‘Terminator’ franchise reboot.