New version of Premiere Pro CC to include auto-aware Virtual Reality that seamlessly detects and applies the correct setting to stereoscopic and monoscopic media; After Effects CC to feature new Cinerender technology from MAXON.
Studio 100 celebrates its 20th birthday with major announcements at BLE, including the addition the new CG-animated series produced by EuropaCorp and directed by Luc Besson.
3D technology developer posts “terrific second quarter results driven by growth in new model subscriptions, the end of perpetual license sales, and diligent cost control.”
Home entertainment release of Rainmaker Entertainment’s adaptation of the iconic video game franchise includes interviews with cast and crew, including veteran director Kevin Munroe.
New mocha planar tracking plugin delivers GPU acceleration and streamlined workflows to OFX hosts including The Foundry’s NUKE and Blackmagic Design’s Fusion.
The 27,000-square-foot state-of-the-art production space features a 4K pipeline and space for 250 artists.
Company to showcase powerful new features like Voronoi Fracturing, Interactive Knife Tools and Substance Engine connectivity at IBC 2016 in Amsterdam.
NVIDIA releases the full source code for VR Funhouse along with a brand-new mod editor called the VR Funhouse Mod Kit now available through the Epic Games launcher.
Italy’s VIEW Conference celebrates its 17th anniversary with full program of keynote presentations, production sessions, workshops, talks and more.
Release includes several new rendering features, Alembic support for importing vertex animations, dynamic shadow optimization for mobile, and improvements to the VR Editor; non-linear cinematic editor Sequencer also receives major upgrades.
Animatirik’s performance capture system integrates CG assets from the film with live performances in real-time to help plan intricate fight scenes for the latest DC Universe installment.
Award-winning digital studio based in Brisbane, Australia creates the latest star-studded installment of the most awarded commercial series in Japanese history.
Virtual Reality experience from the imagination of acclaimed film director Jon Favreau takes advantage of room-scale technology to immerse users in an enchanted fantasy world.
Pixar Animation Studios feature directed by Andrew Stanton makes an encore appearance in more than 2,900 theaters nationwide this Labor Day weekend.
Former Illumination Entertainment vice president of talent to help grow the Montreal studio and harness a new phase of expansion, seeking out and cultivating new projects, artists, writers and directors.
VFX house contributes a range of seamless effects for ‘My Mutant Brain,’ director Spike Jonze’s stunning new short film starring Margaret Qualley for Kenzo's new perfume, KenzoWorld.
Originally slated for a DVD release, 70-minute feature directed by Stephen Donnelly and Olly Reid is a reboot of Mattel’s ‘Monster High’ franchise.
International distributor CAKE signs a number of new deals with broadcasters in key territories for hit animated space-themed PBS KIDS series from Wind Dancer Films.
Award-winning live-action creative studio specializing in commercials and music videos returns to its roots creating high-quality motion graphics and broadcast design.
IATSE opens invitation to former Arc Productions and Nitrogen Studios employees to help recover lost wages and meet with legal counsel.
Veteran visual effects talent most recently worked on ‘Hotel Transylvania 2’ for Sony Picture Imageworks and ‘The Maze Runner’ and ‘Night at the Museum 3: Secret of the Tomb’ for Method Studios.
Consumer products for ITV Studios Global Entertainment’s new CG-animated series are poised to launch in France, the Nordics and Benelux.
From a skeletal ectoplasm-spewing-monster to a Heavy Metal ghoul, Deluxe-owned VFX house helps bring some of the film’s most memorable supernatural characters to life.
Material Definition Language (MDL) authoring now possible in a design industry first; Linux support increases compatibility with VFX pipelines.
AWN’s resident Miscweant questions LAIKA chief Travis Knight about his directorial debut, ‘Kubo and the Two Strings,’ his approach to filmmaking, and his roots in stop-motion animation.
