The visual effects giant is reportedly looking at opening a facility in the U.K. to take advantage of foreign tax subsidies.

Visual effects house Pixomondo announces plans to close its Berlin offices on May 31.

An award-winning team of motion graphics designers and animators leverage MAXON’s CINEMA 4D software application to visualize and design the complex in-camera and on-screen motion-graphics sequences in Universal Pictures’ “Oblivion.”

The One Club announces the addition of Parisfx to the Creative Week 2013 program in order to showcase the most creative and innovative French companies in digital arts and VFX.

Leviathan wins the FITC Best Animation Award for “Wooden Toy,” and the WorldFest Platinum Remi Award for Visual/Special Effects for the short film “Lilith.”

As the final night of its VFX Convergence craft series, the Academy of Motion Picture Arts and Sciences presents a panel discussion on how matte paintings and set extensions allow films to be enriched by creating entire worlds never built or seen before.

“Iron Man 3” opens to a massive $198.4 million overseas, bigger than “Avengers.”

Production Pipeline Expo will showcase a DreamWorks Animation session on the Art of “The Croods” and “Turbo” and a Pixomondo session about the FX work included within Universal Pictures’ hit film “Oblivion.”

Europe's most influential conference on digital entertainment concludes with more than 3,200 professionals, students and journalists in attendance.

To usher in the new app from the NYC Taxi and Limousine Commission, Click 3X teams up with Cooke&Co CD/Copywriter Marty Cooke to create the spot “Variations on a Hail.”