Visual effects company Framestore wins two awards for Best Visual Effects at the Clios, taking silver for Qualcomm Snapdragon “Coming Soon” and bronze for the groundbreaking simulation VFX used to dismantle the Nissan Altima in “Wouldn’t It Be Cool.”

e-on announces the availability of Vue 11.5 xStream and Infinite.

Rogue State turns to LightWave 11.5 3D software to conquer CG dragons and 220 visual effects shots for “Dracano.”

Thinkbox software releases Stoke MX particle reflow tool for Autodesk 3ds Max.

The visual effects giant is reportedly looking at opening a facility in the U.K. to take advantage of foreign tax subsidies.

Digital Domain and Pixomondo tell us about working on Joe Kosinski's follow-up to Tron: Legacy.

Visual effects house Pixomondo announces plans to close its Berlin offices on May 31.

An award-winning team of motion graphics designers and animators leverage MAXON’s CINEMA 4D software application to visualize and design the complex in-camera and on-screen motion-graphics sequences in Universal Pictures’ “Oblivion.”

Leviathan wins the FITC Best Animation Award for “Wooden Toy,” and the WorldFest Platinum Remi Award for Visual/Special Effects for the short film “Lilith.”

As the final night of its VFX Convergence craft series, the Academy of Motion Picture Arts and Sciences presents a panel discussion on how matte paintings and set extensions allow films to be enriched by creating entire worlds never built or seen before.