With a weekend take of $30M, the newly-released thriller PANIC ROOM, with visual effects by ComputerCafe, took the top box office spot, but ICE AGE stayed in second place and crossed the $100M mark, making it the first 2002 release to reach that milestone. The animated buddy comedy earned $18.1M for a three-week cume of $116.8M. Disney’s THE ROOKIE swung into third place with $16M, while last week’s number one film BLADE II, with visual effects by Framestore CFC, fell three spots to fourth, earning $13.2M for a total of $54.9M.

An alien resurrection and another dose of sword-wielding vampires went up against last weekend’s box office behemoth ICE AGE, and the vamps of BLADE II tapped a vein with audiences to extract $33.1M for the top box office spot. ICE AGE slipped to second, but still earned $31.1M for a mammoth two-week total of $88.3M. The 20th Anniversary re-release of E.T. THE EXTRA TERRESTRIAL, including updated visual effects by ILM, landed with a respectable $15M in third place, and last week’s number two film RESIDENT EVIL, with visual effects by AMX Studios Ltd.

On March 24, 2002 at the brand new Kodak Theater in
Hollywood, California, the Academy of Motion Picture
Arts and Sciences announced the winners of this
year's Oscars. For the very first time, an award was
given in the category Best Animated Feature, and the
winner was DreamWorks’ SHREK. Taking home the prize
for Best Animated Short was Pixar’s FOR THE BIRDS. Another animated film was represented when Randy Newman won the Oscar for Best Original
Song for the MONSTERS, INC. theme “If I Didn’t Have
You.”

Threshold Entertainment, producers of the MORTAL KOMBAT film franchise, has acquired the rights to NINJA SCROLL from Japanese anime studio Madhouse. Threshold is currently in development on a $60 million live-action feature film based on the 1994 anime film by director Yoshiaki Kawajiri (VAMPIRE HUNTER D). The company hopes to cultivate the property into their next martial arts franchise and plans to produce a television series, live stage tours and video games based on the film.

ICE AGE, 20th Century Fox’s first foray into CG animated features, topped the charts this weekend and had the third largest opening for an animated feature ever, behind TOY STORY 2 and MONSTERS, INC. and the largest March opening in U.S. box office history. Debuting with $47.8M, the prehistoric beasts crushed the competition, with second place RESIDENT EVIL scaring up just $18.2M. Based on the video game of the same name, RESIDENT EVIL features visual effects by AMX Studios Ltd. and MagicMove. Third place was held by the DeNiro/Murphy buddy comedy SHOWTIME with $15.4M.

Santa Monica-based visual effects house R!OT recently created visual effects shots for the current Warner Bros. release QUEEN OF THE DAMNED. The 114-shot workload of 3D computer graphics, digital matte paintings and 2D compositing was completed using SoftImage|XSI, Maya and Inferno as well as Armada, R!OT’s artificial intelligence system (AI) for character/object animation and texture management. Originally used for the studio’s work on THE ONE, the application was co-developed by R!OT and SoftImage as a solution for scenes with extensive animated geometry.

Twentieth Century Fox has acquired the rights to DRAGONBALL and plans to produce a live-action feature film based on the manga property. DRAGONBALL began as a graphic novel and has become a multimedia phenomenon, including home video, video games and the popular DRAGONBALL Z animated series currently airing on Cartoon Network. The various DRAGONBALL properties relate an epic story between good and evil, involving super-powerful beings from another planet, known as the Saiyans, who protect Earth from the forces of darkness.

THE TIME MACHINE, the latest adaptation of H.G. Wells classic sci-fi novel about the futuristic land of the Morlochs, was number one this weekend, earning $22.6M in its debut. The film, with visual effects by Digital Domain and ILM, was directed by Simon Wells (PRINCE OF EGYPT), H.G. Wells great grandson. The Vietnam war drama WHEN WE WERE SOLDIERS, with visual effects by Digital Domain, dropped to second, bringing in $14.2M for $40.5M. Disney’s RETURN TO NEVER LAND is still staying well within the top ten in its fourth week earning $4.5M for a total of $41.5M to date and sixth place.

Two weeks ago HART’S WAR barely made a blip in the box office and quickly dropped out of the top ten, but viewers seem ready to welcome a new military drama. WHEN WE WERE SOLDIERS, with visual effects by Digital Domain, made a big debut this weekend, earning $20.2M. In second place was the teen flick 40 DAYS AND 40 NIGHTS with $12.5M. Last week’s number one film THE QUEEN OF THE DAMNED, with visual effects by Grey Matters FX and Manex, suffered a major drop this weekend, falling all the way to sixth place earning just $5.8M a 60% drop from last weekend.

QUEEN OF THE DAMNED, the latest screen adaptation from Anne Rice’s VAMPIRE CHRONICLES, took a bite out of this weekend’s box office debuting at number one. The thriller, with visual effects by Grey Matters FX and Manex, earned $15.1M. QUEEN’s sexy vampires handily beat last week’s number one film, the Denzel Washington-starrer JOHN Q, with visual effects by The Effects Group. The hostage drama came in second with $12.5M for a cume of $39.8M.