ICE AGE, 20th Century Fox’s first foray into CG animated features, topped the charts this weekend and had the third largest opening for an animated feature ever, behind TOY STORY 2 and MONSTERS, INC. and the largest March opening in U.S. box office history. Debuting with $47.8M, the prehistoric beasts crushed the competition, with second place RESIDENT EVIL scaring up just $18.2M. Based on the video game of the same name, RESIDENT EVIL features visual effects by AMX Studios Ltd. and MagicMove. Third place was held by the DeNiro/Murphy buddy comedy SHOWTIME with $15.4M.

Santa Monica-based visual effects house R!OT recently created visual effects shots for the current Warner Bros. release QUEEN OF THE DAMNED. The 114-shot workload of 3D computer graphics, digital matte paintings and 2D compositing was completed using SoftImage|XSI, Maya and Inferno as well as Armada, R!OT’s artificial intelligence system (AI) for character/object animation and texture management. Originally used for the studio’s work on THE ONE, the application was co-developed by R!OT and SoftImage as a solution for scenes with extensive animated geometry.

Twentieth Century Fox has acquired the rights to DRAGONBALL and plans to produce a live-action feature film based on the manga property. DRAGONBALL began as a graphic novel and has become a multimedia phenomenon, including home video, video games and the popular DRAGONBALL Z animated series currently airing on Cartoon Network. The various DRAGONBALL properties relate an epic story between good and evil, involving super-powerful beings from another planet, known as the Saiyans, who protect Earth from the forces of darkness.

THE TIME MACHINE, the latest adaptation of H.G. Wells classic sci-fi novel about the futuristic land of the Morlochs, was number one this weekend, earning $22.6M in its debut. The film, with visual effects by Digital Domain and ILM, was directed by Simon Wells (PRINCE OF EGYPT), H.G. Wells great grandson. The Vietnam war drama WHEN WE WERE SOLDIERS, with visual effects by Digital Domain, dropped to second, bringing in $14.2M for $40.5M. Disney’s RETURN TO NEVER LAND is still staying well within the top ten in its fourth week earning $4.5M for a total of $41.5M to date and sixth place.

Two weeks ago HART’S WAR barely made a blip in the box office and quickly dropped out of the top ten, but viewers seem ready to welcome a new military drama. WHEN WE WERE SOLDIERS, with visual effects by Digital Domain, made a big debut this weekend, earning $20.2M. In second place was the teen flick 40 DAYS AND 40 NIGHTS with $12.5M. Last week’s number one film THE QUEEN OF THE DAMNED, with visual effects by Grey Matters FX and Manex, suffered a major drop this weekend, falling all the way to sixth place earning just $5.8M a 60% drop from last weekend.

The British equivalent of the Academy Awards, the BAFTAs, were presented on February 24, 2002 at the Odeon Leicester Square in London. THE LORD OF THE RINGS won five awards, including Best Film, Best Director and Best Visual Effects. SHREK took the prize for Best Adapted Screenplay, beating four live-action films including LORD OF THE RINGS and Golden Globe adapted screenplay winner A BEAUTIFUL MIND. SHREK is nominated for an Academy Award in this same category. The BAFTA Award for Best Short Animation went to Suzie Templeton for her film DOG.

Platinum Studios and Catch 23 Entertainment will co-produce a live-action feature film based on writer Alex Simmon’s graphic novel series BLACKJACK. BLACKJACK debuted in 1996, and the series details the exploits of independent African-American soldier of fortune Arron Day – a man called "Blackjack" – as he roams the globe seeking adventure and warding off danger.

QUEEN OF THE DAMNED, the latest screen adaptation from Anne Rice’s VAMPIRE CHRONICLES, took a bite out of this weekend’s box office debuting at number one. The thriller, with visual effects by Grey Matters FX and Manex, earned $15.1M. QUEEN’s sexy vampires handily beat last week’s number one film, the Denzel Washington-starrer JOHN Q, with visual effects by The Effects Group. The hostage drama came in second with $12.5M for a cume of $39.8M.

A new photography exhibition spotlighting thirty film industry women is currently on display at the Academy of Motion Picture Arts and Sciences and features portraits of three noted women of animation. "Great Women of Film: Photographs by Helena Lumme and Mika Manninen" is intended be a celebration of the film industry's current female talents and includes women from a wide variety of professions and crafts in the motion picture industry.

Cowboy Pictures is presenting a tribute to Pixar Animation Studios featuring four feature film classics from Disney/Pixar: TOY STORY, A BUG’S LIFE, TOY STORY 2 and MONSTERS, INC. The retrospective will run February 23 - March 17 in Los Angeles at the Laemmle Sunset 5 and February 24 - March 10 at The Quad in New York. All screenings are free. In New York on Tuesday, February 26, director John Lasseter will host a special evening introducing the screening of MONSTERS, INC. and two of Pixar’s short films, LUXO JR. and 2001 Academy Award nominee FOR THE BIRDS.