With the live-action comedy, BRING IT ON still claiming the #1 spot, New Line’s THE CELL jumped up a spot to second in the U.S. box office charts over the Labor Day holiday. The serial killer mind trek, with primary visual effects by Toybox, grossed another US$9.1 million, raising its cume to $46.4 million. Also moving up a slot to third, SPACE COWBOYS showed that old guys have box office pull with a gross of $8.3 million. The aged astronauts, with primary visual effects by ILM, have wrangled up a total of $74.2 million thus far.

Famed graphic artist and novelist Jean "Moebius" Giraud, the man behind the dark designs in the ALIEN series, will be hatching his own 3D animated feature entitled, THRU THE MOEBIUS STRIP. "It’s been a life-long dream of mine to create a feature film of my own," said Giraud. "Although it’s an unknown adventure in some ways, this film presents an opportunity for me to express my many different signature attitudes." The main backer of the film is Global Digital Creation Group.

The X-MEN are gaining more ground in international theatres with top seat debuts in France, U.K. and Brazil. In France, the superhero saga racked up an impressive US$5.83 million in its opening weekend. Holding steady at #2, America’s summer smash, MISSION: IMPOSSIBLE 2, amassed another $2.65 million, bringing its French cume to $23.18 million. THE PERFECT STORM sank from first to fourth, with a gross of $2.33 million, raising its French cume to $6.77 million. Falling a spot to land in sixth, GLADIATOR garnered $861,846, advancing its French cume to $29.59 million.

Quincy Jones Media Group and Gerber Pictures have teamed with Warner Bros. to bring the Looney Tunes characters back to the big screen in a feature film currently known as "untitled Looney Tunes car project." According to the DAILY VARIETY, the pic will use classic characters, like Bugs Bunny and Daffy Duck, in live-action sequences much like the 1996 film, SPACE JAM. Ken Kaufman, co-writer of Warner’s SPACE COWBOYS, has been brought on to write the script. Quincy Jones president Joel Simon and Gerber head Billy Gerber are set to produce the film. Overseeing the project for Warner Bros.

Aspiring actors can breathe a collective sigh of relief. The news item, originally reported in the HOLLYWOOD REPORTER and then trickled down through many media sources, that director Andrew Niccol had chosen to create a CGI lead for his next dramatic film, SIMONE, is incorrect. Apparently, the REPORTER confused production information with the plot, which tells the story of a producer (Al Pacino) whose lead actress walks off the set. He then replaces her with a life-like CGI actress which he tries to pass off as real.

This week’s international box office saw big premieres for X-MEN and GONE IN 60 SECONDS and the quick disappearance of THE PATRIOT. In the U.K., X-MEN hit it big with a stellar US$7.08 million three-day take. The mighty mutants had the second highest opening of the year behind TOY STORY 2 and the eighth highest in the country’s history. Holding on at #2, STUART LITTLE landed another $1.11 million, lifting its British cume to $20.24 million. GONE IN 60 SECONDS slipped from first to third, with a gross of $952,847, raising its British cume to $7.95 million.

David Hayter, the only writer credited on screen for the blockbuster hit X-MEN, has been brought in to scribe the sequel to PITCH BLACK and rewrite THE HULK. PITCH BLACK 2 continues where the first film left off and will be produced by Interscope, producers of the original. PITCH star Vin Diesel has been signed to return. Currently, THE HULK project has scripts from Michael Tolkin (THE PLAYER, DEEP IMPACT) and Mike France (CLIFFHANGER). Hayter will morph the two HULK versions into one script like he did for X-MEN.

With the summer money flow slowing down, THE CELL captured the top spot in another fairly low ticket sale weekend in the U.S. The ALICE IN WONDERLAND meets SILENCE OF THE LAMBS thriller, with primary visual effects by Toybox, grossed US$17.52 million. Showing that old guys have legs, SPACE COWBOYS settled in third with a gross of $9.48 million. Falling a spot behind the debut of the stage comedy film THE ORIGINAL KINGS OF COMEDY, COWBOYS, with primary visual effects by ILM, has rounded up $53.78 million thus far. Rising a slot to finish fifth, WHAT LIES BENEATH floated another $6.76 million.

Warner Bros. has set into motion pre-production on a live-action rendition of BATMAN BEYOND. Tapped to direct the picture is Boaz Yakin, director of PRICE ABOVE RUBIES and the upcoming REMEMBER THE TITANS. The most exciting news is that long time BATMAN/SUPERMAN and BATMAN BEYOND writers Paul Dini and Alan Burnett have been asked to scribe the feature. No budget has been set, but AIN’T IT COOL NEWS has rumored that funds will be determined based on the script Dini and Burnett write.

Roy Disney has agreed to help director Richard Williams restore his masterpiece, THE THIEF AND THE COBBLER, to the version he had originally intended to make. The heart-wrenching saga of the THIEF began after Williams’ success on WHO FRAMED ROGER RABBIT? With the backing of Warner Bros., the filmmaker set out to finish his then 20 years in the making feature about a mute cobbler and an unsuccessful thief. The stipulation attached to the project was that Williams must finish the film for a 1992 release. The production fell behind schedule and Warner Bros.