This month we are talking about everyone's pal - television. We are featuring a profile of veteran animation director and producer Eric Radomski. We are also taking a long hard look at primetime animation and trying to figure out what went wrong this year. In addition, we will showcase five shows that are extra special for many reasons. They include France's "Belphégor," Oxygen's "X-Chromosome," the U.K.'s "Butt-Ugly Martians," Tom Snyder Productions and Disney's "Teacher's Pet."

At MIPCOM, Cosgrove Hall Films has christened its new media division, Cosgrove Hall Digital (CHD) with the launch of its new Website: www.chd.uk.com. CHD will be run by managing director Iain Pelling and day-to-day operations will be overseen by Jon Rashid. The new division will create digital content for Websites, broadcast transmissions and CD-Roms. Currently, CHD is working on a pre-school series entitled WILD AND WONDERFUL, and a children’s series for ITEL entitled ALBIE.

At MIPCOM, Cosgrove Hall Films has launched their new pre-school series FETCH THE VET. Based on an original concept by children’s author Stephen Thraves, FETCH THE VET tells the story of the day-to-day life of veterinarian Tom Fetch. The series was commissioned by CITV and is co-produced by Flextech Rights Ltd. and ITEL. Currently, 26 11-minute installments have been completed. In promotion of the series, Cosgrove Hall Digital has created a FETCH Website at www.fetchthevet.com.

MIPCOM, the International Film and Programme Market for TV, Video, Cable and Satellite, hits Cannes, France on October 2 – 6, 2000. MIPCOM facilitates programme sales, deals, new contacts and joint ventures on a global basis. MIPCOM includes a five-day TV industry tradeshow, including a conference progamme on Television in the New Economy called MIPCOM: The International Trading Floor. MIPCOM brings together producers, distributors, broadcasters, Webcasters, worldwide cable and satellite operators, buyers, co-producers and investors from around the globe.

MIPCOM, the International Film and Programme Market for TV, Video, Cable and Satellite, hits Cannes, France on October 2 - 6, 2000. MIPCOM facilitates programme sales, deals, new contacts and joint ventures on a global basis. MIPCOM includes a five-day TV industry tradeshow, including a conference progamme on Television in the New Economy called MIPCOM: The International Trading Floor. MIPCOM brings together producers, distributors, broadcasters, Webcasters, worldwide cable and satellite operators, buyers, co-producers and investors from around the globe.

According to the new issue of the trade magazine ANIMATION UK, a range of new TV productions are in preparation in Britain. HAMILTON MATTRESS is a "stop-frame comedy drama" about an Aardvark and his caterpillar companion. The director is Barry Purves, celebrated director of films including NEXT and SCREENPLAY, while the writers are John Webster and Anna Farthing. The film will be made by Harvest Animation, commissioned by BBC1, with global TV/video rights handled by Link and Egmont Animation.

* Tuesday, October 3, 2000. Cannes, France.


Entry Deadline: September 15, 2000.

* Saturday, September 30 – Friday, October 6, 2000. Cannes, France.

11,111 participants representing 2,776 companies from 100 countries

gathered in Cannes for the 37th edition of MIP TV which closed on

Friday April 14, 2000. The countries most represented in terms of

stands were: France (191), US (188), UK (177), Canada (85) and

Germany (76). In terms of participating companies the countries most

represented were: UK (443), France (422), US (372), Germany (173) and

Canada (139); more than 500 of them came from media and Internet

November is another packed, globe trotting issue as Animation World takes a
look at the exciting arena of animated feature films. Heikki Jokinen
reveals the health of the European feature market and its high hopes for
the future. Ilene Gannaway takes us inside the production of Sony
Imageworks' next wower, "Stuart Little." From story to technical
innovations, Ilene gives us the inside scoop on how Imageworks is turning a
CGI mouse, into one of the family. Andrew Osmond debates whether or not