This month, Andrew Farago reviews Keith Reynolds Can't Make It Tonight, Shaman, Sweet Dreams and Wallace and Gromit: A Matter of Loaf and Death.

In the first part of our in-depth Watchmen coverage, we get an overview from Alex McDowell, the production designer, and John DJ DesJardin, the overall visual effects supervisor.

In this sixth and final excerpt from The Official Luxology modo 301 Guide, author Daniel Ablan shows how to sculpt landscapes.

Andrew Farago reviews three of the Oscar nominees for Best Animated Short along with two others: The Heart of Amos Klein by Michal and Uri Kranot, Lavatory Lovestory by Konstantin Bronzit, La maison en petits cubes by Kunio Kato, Sweet & Sour by Eddie White and This Way Up by Smith & Foulkes.

Andrew Farago reviews four short films about struggling with work and career paths: Hot Seat by Janet Perlman, Mutt by Glen Hunwick, The Necktie (Le noeud cravate) by Jean-François Lévesque, Oktapodi by Julien Bocabeille, François-Xavier Chanioux, Olivier Delabarre, Thierry Marchand, Quentin Marmier and Emud Mokhberi.

Andrew Farago reviews four short films: Drux Flux by Theodore Ushev, The Old, Old, Very Old Man by Elizabeth Hobbs, Sandbox by Avi Ofer and The Waif of Persephone by Nick Cross.

Andrew Farago reviews five short films: I Slept with Cookie Monster by Kara Nasdor-Jones, L'Eau Life by Jeff Scher, Nannyless by Anna B?aszczyk, Varmints by Marc Craste and Glago's Guest by Chris Williams.

Andrew Farago reviews four short films: A-Z by Sally Arthur, The Gloaming by Andy Huang, KJFG No. 5 by Alexei Alexeev and Skhizein by Jérémy Clapin.

Andrew Farago reviews five short films: The Breakout by Arnaud Demuynck, John and Karen by Matthew Walker, The White Wolf by Pierre-Luc Granjon, The Bridge by Vincent Bierrewaerts and A Mouse's Tale by Benjamin Renner.

Andrew Farago reviews five short films: Chainsaw by Dennis Tupicoff, Hot Dog by Bill Plympton, Mammon by Robin Fuller, Styri (Four) by Ivana Sebestová and Vaterschaftstest (Paternity Test) by Katherine Landgrebe.