Joseph Gilland questions the demise of 2D/3D debate and wonders where animation is headed for the next generation of artists, in this month’s “The Animated Scene.”

Many animators dabble in other art forms like writing or fine art. Joseph Gilland writes about balancing creative outlets in this month’s “The Animated Scene.”

In this month’s “Animated Scene,” Joseph Gilland gives readers a sneak peek at his upcoming book, Elemental Magic: The Classical Art of Hand-Drawn Effects Animation.

In this month’s “Animated Scene,” Joseph Gilland contemplates whether the animation industry’s relationship with animation education facilities is a marriage made in heaven, or an unholy matrimony.

In this month’s “Animated Scene,” Joseph Gilland addresses the reality of “paperless animation production,” which used to make his blood curdle.

In this month’s “The Animated Scene,” Joseph Gilland profiles his meeting with Norman McLaren and working on international animation crews.

This month in the Animated Scene, Joseph Gilland looks at the facing extinction of hand-drawn special effects animation.

In checking out the Animated Scene this month, Joseph Gilland passes down some of his nearly 30 years of experience to the next generation of animators.

In the first edition of the new monthly column, The Animated Scene, Joseph Gilland talks about balancing the eclectic mix of personalities on an animated project to create a successful team.