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Red Giant Headline News

Red Giant Introduces New Volume Licensing Program

Designed for organizations with multiple artists, workstations and facilities, new program features easy-to-manage floating license model for world-class motion graphics and visual effects plug-ins.

National Film Board of Canada Headline News

Torill Kove’s ‘Me and My Moulton’ Wins Canadian Screen Award

Five NFB films honored at 2015 Canadian Screen Awards, recognizing excellence in film, television and digital media.

Television Headline News

One Animation Launches ‘Oddbods,’ Expands Biz Dev Team

New sketch-based CG-animated comedy series lands on Disney XD in the U.S. and the popular PTDR cartoon slot on the Canal+ Kids channel Télétoon+ in France.

Film London Headline News

Film London Spotlights Local Animation Scene with U.S. Execs

In an effort to encourage international co-production, representatives from FreemantleMedia Enterprises, Marvel Television, Cinema Management Group, Tricon Kids and PBS travel to the British capital in a three-day “familiarization” trip.

Genius Brands International Headline News

Genius Brands Int’l Announces New Broadcast, Licensing Partners

Genius Brands International expands its global distribution with new international broadcast, home entertainment and digital licensing partners for ‘Thomas Edison’s Secret Lab’ and ‘Stan Lee’s Mighty 7.’

6 Point Harness Headline News

6 Point Harness Makes a Splash With ‘SpongeBob Movie’

Los Angeles-based animation studio 6PH leverages Toon Boom’s Harmony Software for the two-minute music video finale, “Rap Battle,” in ‘The SpongeBob Movie: Sponge Out of Water.’

box office Headline News

Box Office Report: Will Smith’s ‘Focus’ on Top

Warner Bros.’ R-rated romantic heist movie ‘Focus’ wins the North American box office race with a $19.1 million debut; Microbudget horror film ‘The Lazarus Effect’ rounds up the top five with $10.6 million.

Athena Studios Headline News

Athena Studios Taps Shotgun for ‘Mermaids on Mars’ Feature

Shotgun’s production management, review and tracking tools enable small team of VFX artists to complete the stop-motion film’s 300 shots in just over three months.

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