'The Advanced Art of Stop-Motion Animation': Visual Effects - Part 3
In the latest excerpt, Ken A. Priebe delves deeper into effects, including an in-depth look at the eye compositing for the Oscar-nominated short Madame Tutli-Putli.
In the latest excerpt, Ken A. Priebe delves deeper into effects, including an in-depth look at the eye compositing for the Oscar-nominated short Madame Tutli-Putli.
Kelly L. Murdock delves into using the Wacro panel, creating smoothing and material groups and adding atmosphere effects.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe discusses the use of bluescreen and advanced compositing.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe shows readers how to bring visual effects to their stop-motion work.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe delves into character animation.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe talks with Pete Kozachik, ASC.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe finishes his discussion of digital cinematography.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe begins his discussion on digital cinematography.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe continues his lesson on building puppets, focusing on face armatures, replacement faces and rapid prototyping.
Kelly L. Murdock finishes the discussion of working with files and accessing content paradise from Poser 8 Revealed.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe continues his lesson on building puppets, focusing on silicone and plastic casting.
Kelly L. Murdock begins the discussion of working with files and accessing content paradise from Poser 8 Revealed.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe continues his lesson on building puppets, focusing on puppet anatomy.
Kelly L. Murdock concludes his overview of editing and posing figures in Poser 8 in this excerpt from Poser 8 Revealed.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe begins his lesson on building puppets.
Kelly L. Murdock continues his overview of editing and posing figures in Poser 8 in this excerpt from Poser 8 Revealed.
In the third excerpt from chapter one of the book The Advanced Art of Stop-Motion Animation, Ken A. Priebe finishes his history of stop-motion features.