Jenny Fulle, Visual Effects Producer and Founder of The Creative-Cartel, and Rory McGregor, CEO of Cospective, announce an integration between Cospective’s cineSync review and approval technology and The Creative-Cartel’s JOUST digital workflow management system.
Article Type: Book Excerpt
In the first part of a three-part chapter excerpt, Stephen Burns begins with a tutorial on creating the initial landscape using auto align layers.
In this excerpt, ride along with transportation designer Dwayne Vance as he shows us how he creates really cool cars.
In this excerpt, Torsten Wolber leads readers through the steps from initial sketch to finished digital painting.
In the excerpt, Spawn artist Brian Haberlin takes readers through how he brings the comic to colorful life.
In the latest excerpt, Ken A. Priebe interviews stop-motion vets Larry Bafia and Webster Colcord about working on Claymation classics like the California Raisins.
In the excerpt, artist Waheed Nasir gives tips on using Painter and shows how he created his "Those Gloomy Hours" piece.
In the excerpt, artist Andreas Rocha talks about his initial exploratory phase of a painting in Corel Painter.
In the latest excerpt, Ken A. Priebe delves deeper into effects, including an in-depth look at the eye compositing for the Oscar-nominated short Madame Tutli-Putli.
Kelly L. Murdock delves into using the Wacro panel, creating smoothing and material groups and adding atmosphere effects.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe discusses the use of bluescreen and advanced compositing.
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe shows readers how to bring visual effects to their stop-motion work.