Oscar winning animator Daniels Greaves is looking to kickstart a new short film. 

 

Toon Boom Animation Inc, a worldwide leader in digital content and animation creation software, sent a donation check to Perry S. Chen, a 13-year-old award-winning animator in 7th grade from San Diego, and his mother and producer Dr. Zhu Shen, becoming animation industry’s first corporate sponsor to Perry and Zhu’s new and most personal animation film “Changyou’s Journey,” about Dr. Changyou Chen, Perry’s father, a biotech CEO and cancer drug researcher, who lost his brave fight against metastatic skin cancer in 2012 at the age of 49.  Perry and Zhu received Toon Boom’s donation on the date of what would have been Changyou’s 50th birthday.

It's fucking cold here. Bone seeping. Even colder in the hotel room - especially when you forget to turn the heat on. Head down to breakfast at the Apollo in. 

Chew on This reports live from the 2013 Holland Animation Film Festival.

 

Mix stunning aerial pageantry from the best Cirque du Soleil shows with up close stereoscopic 3D camera work produced by legendary filmmaker James Cameron (Avatar, Titanic) and directed by Andew Adamson (Shrek), throw in a love story and wrap it all together with CG transitions and you have Cirque du Soleil: Worlds Away, which is now available on Blu-ray and Blu-ray 3D. 

“It wouldn’t be the first time a labor of love arrived stillborn.” That was the closing line to a 1980s Film Comment article about animator Richard Williams’ ongoing quest to complete his long-gestating animated feature The Thief and the Cobbler.

The author of that article was close; what ultimately (and briefly) made it into the theaters as Arabian Knight wasn’t just stillborn; it was an abortion.

A fellow named Kevin Schreck has made a spot-on doc documenting Williams’ personal heart of darkness, aptly titled Persistence of Vision. It’s been popping up here and there (evidently he’s been working on it a few years himself) and I was fortunate enough to catch it at a recent Manhattan screening.

16 top episodes culled from all three seasons of J.G. Quintel’s Emmy® Award-winning series Regular Show have just been released on DVD by the folks at Cartoon Network.  Needless to say, that’s 16 great opportunities to share in the hijinks of Mordecai and Rigby, our friendly neighborhood blue jay and raccoon, bored stiff park groundskeepers, best friends and consummate slackers.  The show is one of the few animated series that works both for kids and adults without alienating either.  We had an opportunity to talk to J.G. (The Marvelous Misadventures of Flapjack, Camp Lazlo) about the show’s success and the challenges faced in creating an animated television series.

 

As you can imagine, in my position at AWN, I receive a lot of DVDs.  Many great films, many not so great films. So it’s always a treat when the postman delivers a DVD of a film you really enjoyed and have been waiting to watch up close and personal in all its splendiferous Blu-ray-ness deliciousness (sorry, been watching too many Diners, Drivers and Dives lately).  I’ve been waiting with great anticipation for my copy of Wreck-It Ralph to hit the mailbox. Thankfully, it finally arrived.  I haven’t been this happy since my eldest daughter took over her car payment. 

As an unabashed fan of the film, I can honestly say, with all bias and lack of objectivity, that the high-def Blu-ray version is exquisite.  What a treat to watch on a big screen TV, comfy couch, warm slippers, hot popcorn and trusty bottle of Makers Mark in hand.  Not even my poor old mutt Cassie, polluting the family room with such toxic ferocity I thought Union Carbide moved in next door, could spoil my moment of animation fanboy bliss.

 

 

One of the most common questions I’m asked by aspiring screenwriters is  How do I break into the business?  What I’m going to suggest you do is actually fairly easy.  But it does takes a degree of talent and a lot of persistence

Like the man in the photo, “SALESMAN, Short, Fat, Bald, Single, Broke, Needs Real Job” you can paint whatever picture you like of yourself that does not mean you will get a job.  How you see yourself and how others see you may mean the difference between getting a “real” job offer and one you make up inside your head.  How you paint your job picture is up to you but realize you get what you put out there like it or not.