The Simpsons' David Silverman.Only at OIAF can you get a chance to talk about the crazy Balloon Boy escapade with veteran Simpsons director David Silverman, and get to compare that incident with a Simpsons episode where prankster Bart pretends to be little Timmy, a boy who has fallen down a well. Happily, like Bart/Timmy, Balloon Boy was safe and sound the whole time.

Silverman talks about his work on The Simpsons – both he TV series and movie – with great affection and enthusiasm. “The Simpsons challenges the intellect and stimulates the intellect,” he says. This, despite the fact that the show relies on what he calls a “double act” routine – with one big idiot leading a lesser idiot.

When asked if another Simpsons feature is in the offing, Silverman replies, “I’m sure in future there will be. Right now, we’re too busy on the show.”

Silverman advises that The Simpsons series is being adjusted for HD format. “Backgrounds had to be redesigned and updated, and that involves a lot of fine line work,” Silverman says.

In 2000, Silverman departed Simpsons territory and co-directed Dreamworks’ The Road to El Dorado and in 2001, he co-directed Pixar’s Monsters, Inc. “I had been working on The Simpsons for 10 years, and I thought, ‘This can’t last forever’,” Silverman recalls. As it turned out, after those gigs, Silverman returned to The Simpsons’ comfortable couch for another extended run.

The premiere of PETE’S ODYSSEY went extremely well last Friday night, October 9th at Bloomsfield College in New Jersey. It has taken me a week to come back to Earth and resume my daily tasks.  Here's a "making of" video clip.

Astro Boy: The Movie

Astro Boy has not only met Imagi Animation Studios, but also the gaming team of High Voltage Software and D3Publisher. However, before you dive into any cultural recycling pit, an ounce of context is required.

David Silverman talks to a packed house at TAC.

It’s a good life when your job involves watching cartoons.

Attendees at the Day 2 Television Animation Conference (TAC) address got to watch some seriously funny cartoons. David Silverman, animation director and producer long associated with The Simpsons, let Homer talk for him through selected clips screened during his speech. And with grainy black-and-white footage showing comedic inspiration as a backdrop, Silverman went on to explain the origin of Homer’s famous “D’oh!”—culled from the exclamations of such comic greats as Oliver Hardy and the Three Stooges.

Silverman also recalled how he got involved with The Simpsons back when it was first created as part of The Tracey Ullman Show. Silverman credits his admiration for the work of Matt Groening (Life in Hell) for his decision to work on the show.

“We didn’t know if The Tracey Ullman Show would get picked up or if The Simpsons would get picked up as part of the show,” Silverman recalls. “We worked hard… all hours of the night. We were trying to please ourselves.”

Years later, that philosophy still holds as Silverman has continued work on The Simpsons show – directing 22 episodes – as well as directing The Simpsons Movie. Other credits include working with DreamWorks on The Road to El Dorado as co-director and with Pixar on Monsters Inc. as co-director.

Provocative Ottawa 09 poster.

OIAF 2009 got off to a brisk start in equally brisk Ottawa weather of just 5°C or 41°F.

Still, it was toasty inside the Chateau Laurier hotel, where the 6^th annual Television Animation Conference (TAC) got underway. Ottawa mayor Larry O’Brien made opening remarks at the TAC breakfast, welcoming delegates to the sold-out conference and remarking on the growth of the animation industry and inviting more animation companies to set up shop here.

TAC’s Day 1 keynote speaker, Josh Selig, founder and president of NYC-based Little Airplane Productions, spoke to the capacity crowd about creating personal projects that animators “want to do and are born to do” rather than those “that networks want to buy.”

This philosophy has proved a winning one for Selig, who has created such series as The Wonder Pets! (Nick Jr.) and 3^rd & Bird (BBC and Treehouse, Canada).

During his TAC keynote, Selig screened a new Little Airplane project, Small Potatoes, which featured some very cute potatoes singing about the power of imagination. The concept was recently shopped at MIP, and Selig tells AWN, “I have a buyer for that show.”

Selig described a little of Small Potatoes animation style. “We used photo puppetry for The Wonder Pets! but we sculpted the potatoes and animated them in after effects,” he says. When creating Small Potatoes, Selig fused writing the script and writing the music, which is all recorded in-house at Little Airplane.

David O’Reilly's Please say something won the Cartoon d'Or at Cartoon Forum 2009.

The 20^th annual Cartoon Forum took place September 22-25 in the beautiful town of Stavanger, Norway, capital of the coastal fjord-filled county of Rogaland. The premier European co-production forum for animation for TV and new media platforms takes place each year in a different city and affords participants the opportunity to present their project to all the key players of the animation industry. Always marked by a convivial atmosphere, the event in this milestone year had an especially positive and cohesive vibe, with attendees seemingly enjoying simply being together to share their common enthusiasm.

I got to spend some time fiddling around with the new South American level in Resident Evil: The Darkside Chronicles that was just recently announced at the Tokyo Game Show. Hit the jump to see what it's like.

Nabari

The warring states period and the age of the samurai may have ended long ago, but the ninja are alive and kicking, working in the shadows. They call their world “Nabari.” And the men and women of Iga are at war amongst themselves to control it. Unfortunately, all hope rests with Miharu Rokujou, a teenager more interested in running a restaurant than the fact that a secret art, one containing all ninja knowledge, resides inside him. 

Magikano

Haruo Yoshikawa is not an exciting guy. In fact, the only thing he excels at is being average! School, family, social life, it’s all one big daily rut. Nevertheless – in true anime style – all that comes to a screeching halt when Ayumi comes riding into town on her broom. Yes, I said broom! This Lolita is a witch.