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 <title>Tracking Marc: Compositing</title>
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<item>
 <title>Protesting for Visual Effects</title>
 <link>http://www.awn.com/blogs/tracking-marc/protesting-visual-effects</link>
 <description>&lt;!--paging_filter--&gt;&lt;!--paging_filter--&gt;Visual Effects workers finally took to the streets in a protest march during the 2013 Academy Awards. But is their message clear?&lt;p&gt;&lt;a href=&quot;http://www.awn.com/blogs/tracking-marc/protesting-visual-effects&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.awn.com/blogs/tracking-marc/protesting-visual-effects#comments</comments>
 <pubDate>Mon, 25 Feb 2013 14:09:15 -0800</pubDate>
 <dc:creator>mweigert</dc:creator>
 <guid isPermaLink="false">124664 at http://www.awn.com</guid>
</item>
<item>
 <title>Where are the stardards?</title>
 <link>http://www.awn.com/blogs/tracking-marc/where-are-standards-how-come-film-industry-always-behind-adopting-and-creating-n</link>
 <description>&lt;!--paging_filter--&gt;&lt;!--paging_filter--&gt;How come that every cheapo 100-Dollar point-and-shoot digital still camera automatically records EXIF data (metadata) about lens size, F-Stop, etc., and I can put any autofocus lens on every 500-Dollar SLR camera out there, and it does the same, but the 20/50/180,000-Dollar (or the I&#039;m-so-expensive-you-can-only-rent-me) digital film cameras don&#039;t have that? 
&lt;p&gt;&lt;a href=&quot;http://www.awn.com/blogs/tracking-marc/where-are-standards-how-come-film-industry-always-behind-adopting-and-creating-n&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.awn.com/blogs/tracking-marc/where-are-standards-how-come-film-industry-always-behind-adopting-and-creating-n#comments</comments>
 <pubDate>Mon, 31 May 2010 00:39:39 -0700</pubDate>
 <dc:creator>mweigert</dc:creator>
 <guid isPermaLink="false">89151 at http://www.awn.com</guid>
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<item>
 <title>Bluescreen vs Greenscreen</title>
 <link>http://www.awn.com/blogs/tracking-marc/bluescreen-vs-greenscreen-how-choose</link>
 <description>&lt;!--paging_filter--&gt;&lt;!--paging_filter--&gt;Marc explains the difference between bluescreen and greenscreen (except for the obvious, that is). And why and how do you choose green over blue?&lt;p&gt;&lt;a href=&quot;http://www.awn.com/blogs/tracking-marc/bluescreen-vs-greenscreen-how-choose&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.awn.com/blogs/tracking-marc/bluescreen-vs-greenscreen-how-choose#comments</comments>
 <pubDate>Sun, 02 May 2010 04:43:26 -0700</pubDate>
 <dc:creator>mweigert</dc:creator>
 <guid isPermaLink="false">88266 at http://www.awn.com</guid>
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<item>
 <title>Shooting HDRI</title>
 <link>http://www.awn.com/blogs/tracking-marc/shooting-hdri</link>
 <description>&lt;!--paging_filter--&gt;&lt;!--paging_filter--&gt;Marc talks about shooting stills to create High Dynamic Range Images (HDRIs).&lt;p&gt;&lt;a href=&quot;http://www.awn.com/blogs/tracking-marc/shooting-hdri&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.awn.com/blogs/tracking-marc/shooting-hdri#comments</comments>
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 <pubDate>Sun, 11 Apr 2010 03:33:00 -0700</pubDate>
 <dc:creator>mweigert</dc:creator>
 <guid isPermaLink="false">87658 at http://www.awn.com</guid>
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<item>
 <title>Why we need to innovate</title>
 <link>http://www.awn.com/blogs/tracking-marc/film-vs-digital-or-why-we-need-innovate</link>
 <description>&lt;!--paging_filter--&gt;&lt;!--paging_filter--&gt;Marc ponders the question why we need to innovate, and must not keep the status quo.&lt;p&gt;&lt;a href=&quot;http://www.awn.com/blogs/tracking-marc/film-vs-digital-or-why-we-need-innovate&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.awn.com/blogs/tracking-marc/film-vs-digital-or-why-we-need-innovate#comments</comments>
 <pubDate>Sun, 21 Mar 2010 08:43:34 -0700</pubDate>
 <dc:creator>mweigert</dc:creator>
 <guid isPermaLink="false">87016 at http://www.awn.com</guid>
</item>
<item>
 <title>ARRI ALEXA and RED MysteriumX camera test</title>
 <link>http://www.awn.com/blogs/tracking-marc/worlds-first-side-side-arri-alexa-and-red-mysteriumx-camera-test</link>
 <description>&lt;!--paging_filter--&gt;&lt;!--paging_filter--&gt;For our current film, Roland Emmerich&#039;s &quot;Anonymous&quot;, we just finished up three days of camera testing with the ARRI Alexa prototype and the RED Mysterium X.
&lt;p&gt;&lt;a href=&quot;http://www.awn.com/blogs/tracking-marc/worlds-first-side-side-arri-alexa-and-red-mysteriumx-camera-test&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.awn.com/blogs/tracking-marc/worlds-first-side-side-arri-alexa-and-red-mysteriumx-camera-test#comments</comments>
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 <pubDate>Fri, 05 Mar 2010 11:03:54 -0800</pubDate>
 <dc:creator>mweigert</dc:creator>
 <guid isPermaLink="false">86489 at http://www.awn.com</guid>
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