Here is a unique use of sci-fi. For the most part this film is a drama regarding recovering from a tragic event that fundamentally transforms one's life over night. The concept of a doppelganger planet is used as metaphor for how decisions we make create new lives and even selves.

Rhoda Williams (Brit Marling, upcoming THE COMPANY YOU KEEP) is a high school student who has just gotten into MIT. After a night of drinking, she makes the mistake of driving home and along the way hits another car putting college professor John Burroughs (William Mapother, TV's LOST) into a coma and killing his pregnant wife and young son. In an instant, she transforms from a promising future astrophysicist into a convict who must serve four years in prison.

In the most overtly allegorical of C.S. Lewis' NARNIA series, the heroes battle the demons inside rather than white witches or evil kings. While director Michael Apted never mentions any one religion, the Christian undertones of this installment are more apparent than any of the other films. Vanity, jealousy, greed and pride are the villains here.

Lucy (Georgie Henley) and Edmund (Skandar Keynes) dream of returning to Narnia where they were a queen and king. In England, they are stuck as simple teens living with their aunt and uncle during World War II. Instead of battling mythical creatures, they're stuck fighting with their stuffy cousin Eustace (Will Poulter, SON OF RAMBOW). Then one day a painting in their room comes to life and transports them back to Narnia and onto the sailing vessel of King Caspian (Ben Barnes). At first they are unsure why they have been called back, but soon learn of the evil pull of Dark Island, which has been trapping people in its seductive green mist.

During the course of their adventure, the heroes will encounter slave traders, dufflepuds, dragons, magic ponds and a giant sea serpent that makes CLASH OF THE TITANS' Kraken look like a sea slug. Along the way, the evil mist will play on the characters' weaknesses. Lucy wishes she were as beautiful as her older sister Susan (Anna Popplewell). Edmund continues to struggle with feeling like a second wheel, only this time it's not to his older brother Peter (William Moseley), but to the new king Caspian. Eustace is susceptible to… well… just name the sin. The obnoxiously practical young man is mentored by the brave warrior mouse Reepicheep (Simon Pegg, SHAUN OF THE DEAD).

I've been mulling over what to say about Gore Verbinski's first foray into feature animation. Like it's main character it has so many dual identities. Its photoreal animation is a truly original, while its script seems cobbled together from dozens of at right angle sources. The film has adult ideas that few American animated films ever have, but it seems lost at what audience it's really targeting. It's a Western. It's a comedy. It's an existential examination.

A chameleon with no name, who sounds like Johnny Depp doing Don Knotts, is trying to find his muse in a Beckett-esque performance for himself in his terrarium. Then he hits a bump along the road, literally. His tank is thrust out of the back of his owner's car along a desert highway. A squished mystic armadillo called Roadkill (Alfred Molina, SPIDER-MAN 2) tells him to go out into the desert and that everyone needs to cross the road at some point.

How can you not be romantic about baseball? That's what Brad Pitt's Billy Beane says in this great baseball movie, which is more about the business of baseball than the game. And that said the film still does stir the desire to grab some peanuts, popcorn and Cracker Jack and head out to the ole ball game.

The story follows Billy Beane, the general manager of the Oakland A's, as he is forced to rebuild his team after losing three key players to other clubs. The dirty little secret in baseball, that anyone who knows baseball knows, is that the playing field is not level. As Beane says, there are rich teams and there are poor teams and there is 50 feet of crap and then there is the A's. When a trip to visit the Indians' GM about player trades goes badly, he seeks out the quiet guy by the door who seems to make the others listen to him. That guy is Peter Brand (Jonah Hill, CYRUS), an Ivy League economics grad who believes that professional baseball has it all wrong when it comes to staffing teams.

Read my review of WINNIE THE POOH

Disney proves once again why Blu-ray is so great for animation. This 1080p/AVC-encoded transfer of the new WINNIE THE POOH feature shows off the richness of the hand drawn animation. Line quality is detailed throughout. The watercolor backgrounds are painterly. Colors range from the subtle to the striking primaries used for Pooh's shirt for instance. Blacks are inky and consistent. Digital compression issues are nonexistent. The picture is about as flawless as it can get.

The DTS-HD Master Audio 5.1 soundtrack isn't as dynamic as the picture, but that's the nature of the film rather than the quality of the mix. Dialogue, music and sound effects are mixed clearly. The rear speakers are chiefly utilized for the music. The LFE track is used minimally, but effectively when needed such as the Backson sequence. Directionality is subtle as bees buzz or Tigger bounces across the soundscape. Ambience brings in the sounds of the Hundred Acre Wood across all the speakers.

Your appreciation of this AVC transfer relies heavily on knowing the source of this indie sci-fi drama. Filmed with a 720p camera on a next to nothing budget, the picture contains a great deal of grain that increases exponentially under low lighting conditions. One scene in the snow at night really highlights its digital origins. Banding and aliasing often creep up in higher contrasted scenes. Color are muted and natural, which fits the cool mood. But when compared to the DVD version, clarity is greatly increased with the grain issue minimized. All things considered this 1080p release is about as good as this material can look.

The DTS-HD Master Audio 5.1 soundtrack is as minimalist as the film's story. The front speaker heavy endeavor again underlines the indie origins. Sound effects are few and the electronic score drones on throughout on all channels. However, it never drowns out the dialogue, which is always clear. The balance between what elements there are is good.

THE AVENGERS (***1/2)

Marvel has been building to this movie ever since the comics company started bringing their heroes to the big screen on their own. Nothing like this has ever really been attempted before. The build up to this mash up includes IRON MAN, IRON MAN 2, THE INCREDIBLE HULK, THOR and CAPTAIN AMERICA. Besides the great original IRON MAN, this accumulation is the best of the lot and the best multiple superhero film ever made. For those kinds of films, it has set the new bar much higher.

Loki (Tom Hiddleston, WAR HORSE), following his banishment from the mythical realm of Asgard, plots vengeance again his brother Thor (Chris Hemsworth, SNOW WHITE AND THE HUNTSMAN). He makes a devilish deal with a mysterious alien race to command their army against Earth, which Thor has dedicated himself to protect. Nick Fury (Samuel L. Jackson, PULP FICTION) fears a giant interstellar attack and believes, as do the other members of his elite government agency S.H.I.E.L.D., that humanity will need a team of superheroes to win.

Of all the sports to grace the screen, boxing has easily inspired the greatest films. Now director David O. Russell has added another to the ranks of RAGING BULL, ROCKY and MILLION DOLLAR BABY. But like all of those films, the reason this film is great is not because it’s a boxing movie. This is a story of family and how for some they can either help them raise their arms in victory or punch them below the belt.

Micky Ward (Mark Wahlberg, THE DEPARTED) has been a promising boxer for years, but always staying at the promising level. Some have started to believe he’s simply a stepping stone for other boxers to fight in order to move up the ranks. He learned everything he knows about boxing from his older brother Dicky Eklund (Christian Bale, THE MACHINIST), who at one time knocked down Sugar Ray Leonard. Now he’s an unpredictable crack addict. Micky’s career has always been a family affair. His mother Alice (Melissa Leo, FROZEN RIVER) is his manager, but Micky begins to wonder if they have his best interests in mind after they put him up against a boxer 20 pounds heavier.

Fate or chance, which rules our lives? Is there a higher power that is guiding our path or is everything just a series of random choices that lead us through our lives. Is it a combination of the two? The big moments are charted out, while we have the illusion of free will in the smaller choices. Is there some cosmic force that would stop us if we wandered off the path? These are some of the questions presented in this romantic fantasy thriller.

David Norris (Matt Damon, GREEN ZONE) was the youngest man ever elected to the House of Representatives. He's a heavy favorite for the senate, but an immature prank tanks his campaign. In the hotel bathroom, working on his concession speech, he meets dancer Elise Sellas (Emily Blunt, THE DEVIL WEARS PRADA), who is hiding out from security because she crashed a wedding at the hotel. They have an instant connection. He gets her number. They share a passionate kiss. But the men in hats are going to intervene.

Joe Cornish's film begins with a group of teens, predominately black, mugging a white woman. Then they witness something fall from the sky and when they go to investigate are attacked by a horrible alien creature. In a lesser film like this one, those black kids would be dead before the title card popped up. But that's not what happens in Cornish's spitfire horror sci-fi comedy. You know right from the start that this film is working on a different level.

Moses (John Boyega) is the de facto leader of this gang. An intimidating looking 15-year-old who looks a lot older than he is. The woman they rob is Sam (Jodie Whittaker, VENUS), a nurse who lives in the same poor neighborhood as the boys. During this fateful night, it will not be the only time their paths cross. More aliens are coming and the teens decide they need to defend their block.