Read my review of A CHRISTMAS CAROL.

Whether you hate performance capture or like it, this Blu-ray release will only support your opinion no matter what it is. That’s because the crystal clear presentation shows off everything. The color palette is rich with festive reds and golds in the cheery moments. The darker scenes are balanced wonderfully as well. Blacks are bold and there is no digital problems as characters emerge from the dark into light. Overall the picture shows no signs of aliasing, banding or any other kind of digital distortion.

The audio equals the picture very well. The soundscape utilizes the more action filled moments well. In one screen Scrooge is overwhelmed with chimes and clocks and we understand his feelings. Directionality flows nicely across speakers as characters move across the environment. The soundtrack is presented in DTS-HD MA 5.1 lossless.

Read my original review of THE EXORCIST!

This Blu-ray release transfers both the original theatrical cut and the 2000 never before seen cut into 1080p for the first time. For a film from the 1970s, the look is impressive in HD. While wide shots contain noise, many close-ups and medium shots are pristine. Dirt and damage has been cleaned up almost completely. Details pop in things like fabrics. For the most part more details emerge in the brighter lit scenes. The picture problems are fleeting. Black levels are a bit inconsistent and some shots are soft.

As for the sound, the extended cut is presented in DTS-HD Master Audio 6.1 surround and the original cut is DTS-HD Master Audio 5.1 surround track. The soundscape was intended to mix the bombastic with moments of eerie silence. The LFE emphasizes the unearthly sound moments from furniture flying across the room and the unnatural voices that possess Regan. The 360 experience is nice as unsettling sounds emerge from the rear speakers than sweep across the room like an apparition. Like the picture transfer, most of the problems with canned or hollow sounds are most likely a result of the aging originals.

Henry Selick's children's film is dark in both its tone and look. That is translated over into the new 1080p release from Disney. The color palette is muted, so one doesn't get the pop that animation often brings to Blu-ray. The images don't have the same depth as other animated films on Blu-ray do as well. I believe this is certainly more to do with the source than the transfer. Just looking at the standard definition trailer you can see a huge improvement. The picture is much clearer than the murky DVD transfer. There is noise throughout, especially in the live-action sequences, but no artifacting or banding. I'm not convinced this is the best the film could look, but it's the best available for home viewing to date by far.

The DTS-HD Master Audio 5.1 provides for a nice immersive experience. The scene where the peach rolls away stood out for me. The LFE channel boomed as the giant fruit broke free and started to move. As James and the bugs are flung around inside the peach, the audio gave a good sense of forward movement as objects crash in the foreground and roll toward the back speakers. The dialogue is clear and balanced well with the Randy Newman score.

The special features, however, are no improvement over the DVD. The DVD making of doc really puts the promotional in promotional featurette. It only provides basic information about the production. Very weak sauce… and it's too short too. Additionally from the DVD is the awful looking "Good News" music video and a standard-def trailer. The only new feature to the Blu-ray is a "Spike the Aunts" Interactive Game. It's entertaining for about one play at best and the design looks slapped together.

From Warner Bros. Animation comes another beautiful looking HD release. The most memorable element is the vibrant colors. Darkly lit sets often find their way to bright locations whether it be the glow orange ooze bubbling in vats or train stations. Flashbacks to happier times utilize a wider color palette, helped by the presence of Robin’s costume. I say this with every one of these DC Direct titles, but animation looks so good in 1080p and Warner Direct serves it up well. The picture is so crystal clear that it makes for increased engagement. The stormy title sequence looks amazing. Just seeing the episodes of BATMAN: THE ANIMATED SERIES on the disc one can see the difference high definition makes in picture quality. Now this isn’t a perfect release. There is some banding in backgrounds, but I never noticed artifacts, aliasing, pixelation or noise like I read in other reviews. But the problems are minor in the larger scope of the release.

The DTS-HD Master Audio 5.1 surround track is dynamic. I was impressed the directionality of the soundscape. Machine gun blasts sound like they’re buzzing past you. It really helps make the sound seem more robust than it really is. This isn’t the most immersive experience, but it feels like a full sonic world, which is important for animation. One element no one will miss is the LFE channel because it booms during explosions.

Read my original SHUTTER ISLAND review

Martin Scorsese’s psychological thriller comes to Blu-ray in a rich transfer. The color range is quite impressive as muted dank colors mix with vibrant flashes. This is never more evident then when Leonardo DiCaprio’s Teddy Daniels first arrives at the prison where the grays of the patients’ uniforms are in stark contrast to the lush greens of the yard and deep purples of the flowers. Likewise, in the dream sequences, the bright colors of Michele Williams’ dress radiate off the screen, spotlighted by the dark ash raining down. The blacks are crisp especially in the scenes in Ward C where Robert Richardson’s shadowy cinematography meets its peak. The clarity of the picture brings out the lines on DiCaprio’s face more fully as he sinks deeper into the labyrinth of the story.

The DTS-HD MA 5.1 lossless soundtrack shows off Scorsese’s mastery of sound and music. The LFE track vibrates as ominous tones set the stage as the marshals arrive at the institution. As the storm descends on the island, the audience is enveloped in the torrential rain. Good use of directionality comes into play during the Ward C moments as well. What violent patient might be lurking in shadows? The dialogue is clear throughout, which is absolutely essential for the closing scenes.