Rick's Flicks Picks on AWN: Blu-ray Screening Room

Blu-ray: RISE OF THE PLANET OF THE APES (2011)

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Read my review of RISE OF THE PLANET OF THE APES

Those damn, dirty apes look quite amazing in this 1080p/AVC MPEG-4 Blu-ray. This is certainly one of the best Blu-ray releases of the year. The picture quality is crystal clear adding great depth and detail. Weta's CG apes really stand out from fur to skin textures to their realistic looking eyes. The color palette is natural and clean with black levels inky throughout. There is a light film grain that runs through the picture, which does not increase during night scenes. Crush in those night scenes is also nonexistent. As for compression issues and other digital artifacts, they are completely absent.

The DTS-HD 5.1 Master soundtrack is just as impressive as the picture. The audio mix never misses a beat either in dialogue scenes or the epic action sequences toward the end. Ape growls and screams rattle the LFE track. Directionality is nicely handled, especially in the action scenes when spears come whizzing by the viewers and apes stampede past. Ambience is also handled wonderfully throughout whether it's quieter scenes in the redwood forest or the loud ape-filled cages of the animal sanctuary. Patrick Doyle's great score also surrounds the audience to great effect in getting the audience wrapped up in the plight of Caesar and his fellow apes.

Blu-ray: ANOTHER EARTH (2011)

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Your appreciation of this AVC transfer relies heavily on knowing the source of this indie sci-fi drama. Filmed with a 720p camera on a next to nothing budget, the picture contains a great deal of grain that increases exponentially under low lighting conditions. One scene in the snow at night really highlights its digital origins. Banding and aliasing often creep up in higher contrasted scenes. Color are muted and natural, which fits the cool mood. But when compared to the DVD version, clarity is greatly increased with the grain issue minimized. All things considered this 1080p release is about as good as this material can look.

The DTS-HD Master Audio 5.1 soundtrack is as minimalist as the film's story. The front speaker heavy endeavor again underlines the indie origins. Sound effects are few and the electronic score drones on throughout on all channels. However, it never drowns out the dialogue, which is always clear. The balance between what elements there are is good.

Blu-ray: CARS 2 (2011)

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Disney continues their winning streak with this showroom quality release. The 1080p AVC-encoded transfer has impeccable detail from the slightest dents and rust on the cars to the vast crowds of vehicles at the races. Color quality is electric, giving viewers vibrant primary colors, especially the neon in the Japanese sequence. Digital anomalies are pretty much absent. With so much red in the palette, the absence of banding and aliasing is impressive.

Sonically the DTS-HD Master Audio 7.1 surround track matches the luxury level of the picture. Combining cars and spy action provides for a great many opportunities to impress and the release delivers. From the engine revving races to the explosions and gunfire of the chase sequences the soundtrack utilizes the full range of the sound field. Races and bullets race from left to right speakers and front and back. The LFE track rumbles as racecars zip by. All the powerful sound effects are balanced perfectly with the dialogue and Michael Giacchino’s classic Bond-esque score.

Blu-ray: ATTACK THE BLOCK (2011)

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While it's not perfect, Sony does bring a handsome transfer of this low budget production, which is destined to become a cult classic. The MPEG-4 AVC encoded Blu-ray is true to its source. The color palette is desaturated and dark due to the low light. This lessens detail in the outdoor night sequences, as well as suffers from limited pixelation, but the picture becomes richer in the brighter indoor scenes. Film grain is natural and unobtrusive. Black levels, however, are inconsistent, but shine in the inky black of the alien invaders, which are meant to look like black holes running across the screen. And boy do the glow in the dark teeth of the aliens pop.

The DTS-HD MA 5.1 lossless track is very well mixed with some genuine dynamic moments. Dialogue is clean and balanced with the score and sound effects well. This is crucial considering the thick South London accents of the characters. Ambience is subtle but effective. Directionality is surprising at times as fireworks rocket from the front to back speakers or the ape wolf aliens leap across the front sound field. The LFE track booms with the dramatic score as the gang returns to the apartment complex.

Blu-ray: WATER FOR ELEPHANTS (2011)

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From Fox comes a beautiful transfer of Francis Lawrence's romantic ode to the circus. The AVC encoded 1080p transfer is a nearly perfect. The color palette is rich and nuanced. The bookend sequences, which have a heavier film grain, have a more natural tone. When the film moves to the Depression era, the saturated colors pop. The lavish red of August's ringmaster jacket. The rustic circus banners. The detail provides that virtual 3-D appeal. Look at the detail of the face of elephant and the vintage costumes. The only blaring problem is pixilation during the scene where Jacob catches the train at night. This is probably due to the scene being shot day for night and digitally rendered dark.

The DTS-HD Master Audio 5.1 soundtrack is full of ambience and detail. Crowds, animal sounds and the closing stampede fill the entire sound field. Especially in the latter example, directionality comes into play as animals race across the soundscape. The mix is spot on, giving dialogue, music and sound effects all their proper due. The LFE track is utilized best during scenes with the rumbling train.

Blu-ray: WINNIE THE POOH (2011)

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Read my review of WINNIE THE POOH

Disney proves once again why Blu-ray is so great for animation. This 1080p/AVC-encoded transfer of the new WINNIE THE POOH feature shows off the richness of the hand drawn animation. Line quality is detailed throughout. The watercolor backgrounds are painterly. Colors range from the subtle to the striking primaries used for Pooh's shirt for instance. Blacks are inky and consistent. Digital compression issues are nonexistent. The picture is about as flawless as it can get.

The DTS-HD Master Audio 5.1 soundtrack isn't as dynamic as the picture, but that's the nature of the film rather than the quality of the mix. Dialogue, music and sound effects are mixed clearly. The rear speakers are chiefly utilized for the music. The LFE track is used minimally, but effectively when needed such as the Backson sequence. Directionality is subtle as bees buzz or Tigger bounces across the soundscape. Ambience brings in the sounds of the Hundred Acre Wood across all the speakers.

Blu-ray: BATMAN: YEAR ONE (2011)

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Visually this is one of the better looking DC Direct animated titles. The 1080p/AVC-encoded transfer contains a muted color palette that sets the somber mood. Neon signs pop, while not creating digital interference. Banding issues that have been on all of the DC Direct titles are reduced and are only visible if you're really looking for them. The 2D animation is cleanly presented, but the integration of cel-painted CG does stick out because of the sharpest (and movement). Other digital problems are minor and like I said of the banding, you really have to be looking for it.

The DTS-HD Master Audio 5.1 soundtrack is a solid mix of dialogue, music and sound effects. These direct-to-DVD features never have the cinematic score of a theatrical feature, but this one used the entire soundscape pretty well. City ambience is brought into the rear speakers, which helps create a realistic setting, an important element of the film. Gun shots, heavy fist smashes and explosions utilize the LFE track in dynamic fashion. It makes you pay attention. The only real disappointment came in an iconic moment where a swarm of bats flies over Batman and take over the screen. The swoosh of the creatures doesn't wash over the viewer as much as it could by keeping the back speakers focused on the score.

Blu-ray: THE TREE OF LIFE (2011)

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Certainly one of the very best films of the year, now is one of the very best Blu-ray releases of 2011. Fox's 1080p/AVC-encoded transfer captures every nuance of Emmanuel Lubezki's poetic cinematography. Shot in both 35 and 65mm, the picture has the filmic grain expected for a film that was made with natural light. The noise, however, is light and never dampens details. Colors are are a heightened natural feel, almost painterly. Blacks are deep and rich. The big bang sequence shines with an even richer color palette. The lava explosions glow with rich reds. The CG dinosaurs blend perfectly into the soulful imagery. Digital issues are non-existent.

A disclaimer plays before the film stating that the filmmakers suggest to play the volume loud. They deliver on their suggestion. The lossless DTS-HD Master Audio 7.1 uses the entire soundscape effectively. Dialogue, voice over, the haunting piano music and the big and subtle sound effects are brought together perfectly. The score is surrounds the viewer drawing them into the film and fades into the background to allow poignant ambience to emerge. Once again the big bang sequence rocks the soundscape as well. Explosions boom and rumble on the LFE track.

Blu-ray: DUMBO (1941)

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This restoration of the Disney classic is brought to Blu-ray in a 1080p/AVC-encoded transfer exquisitely. Unlike some restorations, this one doesn't turn the hand drawn feature into something that looks like TV animation. The subtleties remain, especially in the watercolor backgrounds, where the artists' touch really pops in hi-def. Color is a huge element in this film and the range is kept under control in that nothing seems unnaturally bright. Black levels are inky. Digital anomalies are absent from the release as far as I saw, but others have pointed out some ringing.

The soundtrack is presented in DTS-HD Master Audio 7.1. This surround mix doesn't over do it. The rear speakers are used sparingly, especially noticeable in the storm and elephant tower sequences. Dialogue is clear and balanced well with the music and sound effects. The songs and score have a tinny quality but that is a source issue not something wrong with this transfer. For purists, the disc also has a nicely restored 320kbps Mono track as well.

Blu-ray: INCENDIES (2011)

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Mostly filmed using natural light, this Oscar nominated film benefits greatly from the detail of this 1080p transfer. Andre Turpin's cinematography could have come off dim and murky in a bad transfer or heaven forbid DVD, but this first rate job has keep its visual integrity. The color palette is natural and the black levels are solid. The natural lighting does dampen the crispness of the image, but that doesn’t mean details don’t pop.

The soundtrack is presented in French: DTS-HD Master Audio 5.1. The film is a dialogue driven film, but there are moments where war takes over the soundspace. Gunfire whizzes across the sound field. A burning bus rages in the back speakers. Street scenes bring an immersive quality to the scenes. For the most part, the elements are balanced nicely. The Radiohead song used seems to be overpowering at times though.