Search form

Rick's Flicks Picks on AWN

Blogs

GNOMEO & JULIET (2011) (***)

A little gnome comes out at the start of this film and tells us straight out that we've seen this story before. This sets the tone for the entire film. This animated musical rendition of Shakespeare's most well known tale has fun with the plot of the romance and it also has fun with garden-themed gags.

Neighboring garden gnomes have been at war. Gnomeo (James McIvoy, X-MEN: FIRST CLASS) is the heir of the Blues. He is in a one-upmanship battle with Tybalt (Jason Statham, SNATCH), who is the heir to the Reds. One night on a secret mission to infiltrate the Reds' lawn, Gnomeo meets Juliet (Emily Blunt, THE DEVIL WEARS PRADA), the daughter of the Red leader Lord Redbrick (Michael Caine, THE DARK KNIGHT), who is own her own secret mission to snatch a rare orchid from a neutral garden. Well it's love at first sight.

Blogs

CONTAGION (2011) (***1/2)

This film is a germaphobe's worst nightmare. You'll finish watching this movie and want to wash your hands. There have been other disease outbreak films before, but none have been this realistic, which of course makes it more frightening.

Beth Emoff (Gwyneth Paltrow, SHAKESPEARE IN LOVE) comes back from a business trip in China and she's sick. At first she thinks it's just the flu, but before she knows it she's having convulsions and her husband Mitch (Matt Damon, GOOD WILL HUNTING) is taking her to the hospital. The disease spreads fast and within a month Mitch and his daughter Jory (Anna Jacoby-Heron) are virtual prisoners in their home as Minnesota becomes like a scene out of a zombie flick.

Blogs

COLD WEATHER (2011) (***1/2)

You don't need a star cast or a huge vfx budget to make a quirky Sherlock Holmes-inspired tale. Just watch Aaron Katz's indie mystery comedy and you'll know why. His film starts out like a meditative indie about finding one's self, but transforms into a detective tale that is as funny as it is suspenseful.

Doug (Cris Lankenau, QUIET CITY) is the Sherlock Holmes wanna-be in this tale. He has been studying forensics and has decided to go back home to take a break for a while. He moves in with his sister Gail (Trieste Kelly Dunn, UNITED 93), who, as he observes, doesn't have any friends. He gets a job at an ice factory where he meets the aspiring DJ, Carlos (Raul Castillo, TADPOLES). Doug spends his days reading and taking in the sights of Portland. When he goes to have coffee with his ex, Rachel (Robyn Rikoon), who is in town on business, he doesn't seem too interested in getting back together with her one way or the other. He just seems fine just floating along doing what he wants.

Blogs

RED STATE (2011) (**1/2)

Kevin Smith's horror thriller has more to admire about it than to like. The end result of his first venture into the genre highlights his weaknesses and his strengths. Thematically the film is written wonderfully with solid dialogue. But when it comes to pacing, which is so crucial to the genre he is working in, he gets murdered.

In the long tradition of horror films, three horny high school boys venture out to have sex. They've found Sara (Melissa Leo, FROZEN RIVER) on the Internet and she is willing to have sex with them all. This however is just a trap. She is a member of the church run by radical preacher Abin Cooper (Michael Parks, KILL BILL), who believes it is his calling from God to kill all sinners.

Blogs

MOOLAADE (2004) (****)

This political statement was the last film of Ousmane Sembene, the father of African cinema. He tackles the issue of female circumcision with a skilled touch. This isn't a story fueled by melodrama, but life. There is actually a great deal of humor as well as pain in this tale of empowerment.

In the film’s Burkina Faso village, girls are taken by the elder woman to have their clitoris removed. Colle (Fatoumata Coulibaly) doesn't want her daughter Amasatou (Salimata Traore) to go through the procedure, which often makes sex painful for a woman. As a result of her stance, four girls about to have the procedure flee to her house and ask for protection. As part of their customs, Colle calls a moolaade, a protection spell over her house symbolized by a colorful rope across her doorway that forbids anyone from coming into her compound to take the girls.

Blogs

THE PERFECT STORM (2000) (***)

Director Wolfgang Petersen takes a similar approach to this film as he did in his classic DAS BOOT. We watch people doing their jobs. When dealing with one of the most dangerous jobs in the world the drama can be high. This is a grand "man vs. nature" action flick that pits humans against what the title suggests. Nature doesn't care that George Clooney is the captain here.

Clooney plays Billy Tyne, the captain of a fishing boat that has been having a rough year. He is determined to make up for it with one risky late season run to a location further out then he's ever gone before. His boat is populated with classic blue-collar movie types. Bobby Shatford (Mark Wahlberg, THE FIGHTER) is Tyne's first mate and he has a beautiful girlfriend named Christina (Diane Lane, SECRETARIAT) back on shore who doesn't like his job. Murph (John C. Reilly, CHICAGO) is a fishing vet, who lost his wife over his job. He has a beef with Sully (William Fichtner, DATE NIGHT), a last minute replacement crewmember, over his ex-wife. Bugsy (John Hawkes, WINTER'S BONE) is an awkward fellow who tries to get a date right before they head out to sea. Alfred Pierre (Allen Payne, TV's HOUSE OF PAYNE) is the youngest member and adds diversity to the white crew.

Blogs

I SAW THE DEVIL (2011) (***)

There were several sayings that came to mind while watching this Korean shocker. The first was — battle not with monsters, lest ye become a monster, and if you gaze into the abyss, the abyss gazes also into you. The other — don't kick hornets' nests. You'll see more than the devil in this bloody and twisted serial killer thriller.

On a snowy night, Joo-yun (Oh San-ha) waits for a tow truck to fix her flat tire. Her secret agent fiancee Kim Soo-hyeon (Lee Byung-hun, G.I. JOE: THE RISE OF COBRA) tells her to lock the doors and stay where she is then hangs up with her. Big mistake. Along comes Kyung-chul (Choi Min-sik, OLD BOY) and asks to help. When the young woman says no, he smashes her window and the rest is not nice either.

Blogs

COP OUT (2010) (*1/2)

I'll defend JERSEY GIRL. I even find MALLRATS entertaining. But I can't defend this. The best thing I can say about Kevin Smith's buddy cop comedy is that it's not all his fault. The project is his first as a hired director. He didn't write this one; Robb and Mark Cullen did. So part of the blame is on them. It's like a nine year old was hired to remake 48 HOURS and all the nine-year-old has ever read his entire life is the backs of Garbage Pail Kids cards.

Jimmy Monroe (Bruce Willis, DIE HARD) and Paul Hodges (Tracy Morgan, TV's 30 ROCK) are longtime partners. After a botched stakeout, they are suspended without pay. This causes a dilemma for Jimmy because he has to pay for his daughter's wedding and now he's broke. His plan is to sell his top baseball card in order to finance the event, so he doesn't have to swallow his ego and let his ex-wife's new husband Roy (Jason Lee, MALLRATS) pay for it. Guess what? The baseball card get stolen.

Blogs

CITY OF EMBER (2008) (***)

From time to time a standard story can be lifted up by a great performance. Oscar nominee Saoirse Ronan gives that performance in this Orwellian sci-fi adventure from MONSTER HOUSE director Gil Kenan. She makes the standard plot points seem new, because she makes us see them through her character's fresh eyes.

Ronan plays Lina Mayfleet, a new graduate eagerly awaiting her assigned profession. She lives in an underground society where the government randomly selects jobs for its grads. She is hoping to become a messenger, who runs notes from person to person. I guess they forgot to preserve email in the future. Unfortunately she gets assigned as a pipe worker. Luckily, Doon Harrow (Harry Treadaway, CONTROL) gets messenger and is willing to trade. He has an agenda behind wanting the lowly job.

Blogs

THE DEBT (2011) (***1/2)

Before director John Madden went on to direct the Oscar-winning SHAKESPEARE IN LOVE, he directed mysteries for British TV. One of those series was PRIME SUSPECT, which starred Helen Mirren. Now the director and actress reunite to remake the Cold War-set Israeli thriller HA-HOV.

The story cuts between 1966 and 1997. In the 1960s, Rachel Singer (Jessica Chastain, THE TREE OF LIFE), Stephan Gold (Marton Csokas, LORD OF THE RINGS) and David Peretz (Sam Worthington, AVATAR) are Mossad agents assigned the task of entering East Germany, kidnapping the Nazi war criminal Dr. Dieter "Butcher of Birkenau" Vogel (Jesper Christensen, QUANTUM OF SOLACE) and smuggling him to Israel in order for him to stand trial. The mission doesn't go as planned and it has ramifications that last the rest of the agents' lives. In 1997, Rachel (Mirren) has a daughter who has written a book about their exploits and she might get called back into duty for something she thought was over. Stephan (Tom Wilkinson, MICHAEL CLAYTON) is a high-ranking government official who can't let secrets leak out. David (Ciaran Hinds, MUNICH) is a shell of his former self, obsessed with what happened in East Germany.

Blogs

Blu-ray: IN A BETTER WORLD (2011)

This Blu-ray looks amazing. Sony's AVC encoded 1080p transfer is as flawless as you can get. The colors are vibrant and evocative. Toward the end of the film the picture takes on a warm glow, which is fitting in context. There isn't a single digital anomaly due to compression anywhere to be seen. Details are crisp. Even dust kicked up by trucks in the African sequences have nuance. Beautiful is the most fitting way to describe the picture quality. Cinematographer Morten Søborg should be enthralled with the way his film looks.

Blogs

Blu-ray: IN A BETTER WORLD (2011)

Read my review of IN A BETTER WORLD

This Blu-ray looks amazing. Sony's AVC encoded 1080p transfer is as flawless as you can get. The colors are vibrant and evocative. Toward the end of the film the picture takes on a warm glow, which is fitting in context. There isn't a single digital anomaly due to compression anywhere to be seen. Details are crisp. Even dust kicked up by trucks in the African sequences have nuance. Beautiful is the most fitting way to describe the picture quality. Cinematographer Morten Søborg should be enthralled with the way his film looks.

The DTS High Definition Master Audio soundtrack creates a great ambiance for every scene. The packed African clinic. The roar of the warlord's trucks entering the camp. A car explosion booms the LFE track. Directionality is used well across all the speakers. Dialogue is clear and the subtitles are easy to read. The soundtrack really matches the first rate picture quality.

Blogs

IN A BETTER WORLD (2011) (***1/2)

The original Danish title is directly translated as "The Revenge." I feel the American title is more fitting in that it encapsulates the humanistic ideals the film portrays. However, the original title reflects the real world that we live in. Director Susanne Bier puts her main character's ideals up against the harsh realities that he is forced to deal with.

Blogs

IN A BETTER WORLD (2011) (***1/2)

The original Danish title is directly translated as "The Revenge." I feel the American title is more fitting in that it encapsulates the humanistic ideals the film portrays. However, the original title reflects the real world that we live in. Director Susanne Bier puts her main character's ideals up against the harsh realities that he is forced to deal with.

Anton (Mikael Persbrandt, EVERLASTING MOMENTS) is a Swedish doctor who works in a war torn African country. He is confronted with the horrors of Big Man (Odiege Matthew), a warlord who on bets cuts open pregnant women just to see what the sex of their babies are. Back in Denmark where he lives, his son Elias (Markus Rygaard) is being constantly picked on by a bully and his followers. Then Christian (William Johnk Nielsen) moves to his area. His mother has recently died and he is an angry boy who doesn't think the world is fair. He savagely beats the bully. When his well-meaning, but lost, father Claus (Ulrich Thomsen, BROTHERS) asks him why he'd do such a thing, he says, "No one will ever dare touch me now."

Blogs

Getting Buzzed - RFP’s 30 Most Anticipated Fall Films

After a disappointing summer of movies, I’m quite excited about the fall “good movie” season to start this year. With the scheduled releases and the crop of potential releases coming out of the Toronto Film Festival, there could be a lot of the year’s best. But you never know until the credits roll. Nonetheless, here is what is really piqued my interest.

On the Look Out (In Alpha Order)
360
Fernando Meirelles, director of the amazing Brazilian gangster film CITY OF GOD, working from a script by FROST/NIXON writer Peter Morgan, creates a hyperlink drama about love spanning various cities around the globe. Film stars Jude Law, Anthony Hopkins, Rachel Weisz and Ben Foster.

Blogs

DON'T BE AFRAID OF THE DARK (2011) (**1/2)

This remake of a 1973 TV movie has all the classic haunted house qualities. Gothic location. Creaking doors. Dark halls. Secret rooms. Ominous help. Benevolent creatures living aside a family. By putting the youngest of the family at the center of the story, the film develops an inherent tension. The issue is how long can you buy this little girl in peril?

Blogs

DON'T BE AFRAID OF THE DARK (2011) (**1/2)

This remake of a 1973 TV movie has all the classic haunted house qualities. Gothic location. Creaking doors. Dark halls. Secret rooms. Ominous help. Benevolent creatures living aside a family. By putting the youngest of the family at the center of the story, the film develops an inherent tension. The issue is how long can you buy this little girl in peril?

Sally (Bailee Madison, BRIDGE TO TERABITHIA) has been dumped onto her father Alex (Guy Pearce, MEMENTO) by her mother. He is in the process of refurbishing the grand manor of nature artist Emerson Blackwood. He has a new girlfriend named Kim (Katie Holmes, BATMAN BEGINS), who tries to be nice, but Sally doesn't want to be nice back. The situation is bad for everyone. On a walk around the grounds, Sally discovers the house has a basement, which the gruff old caretaker Harris (Jack Thompson, STAR WARS: ATTACK OF THE CLONES) seems very fearful of.

Blogs

WIN WIN (2011) (***1/2)

Sometimes when life is out of control desperate people do things to try and gain back control that just make things worse. Director/writer Tom McCarthy, who made the fabulous THE STATION AGENT and THE VISITOR, presents us with two characters whose lives are spinning out of control. One makes the wrong decision and the other the right decision. It's surprising that a tattooed 16-year-old is in the right.

Mike Flaherty (Paul Giamatti, AMERICAN SPLENDOR) is a lawyer who represents the estates of the elderly. His practice is struggling. He's keeping the financial problems from his wife Jackie (Amy Ryan, GONE BABY GONE). One of his clients, Leo Poplar (Burt Young, ROCKY), is suffering from dementia and has been ruled incapacitated by the court. Mike knows Leo wants to stay in his house so he petitions the judge to allow him to become the old man's guardian and make sure he can stay there. Mike isn't just a nice guy. He gets $1,500 per month for being the guardian and he moves Leo into a home because it's easier on him to watch over him.

Blogs

Blu-ray: WIN WIN (2011)

This Sundance comedy looks crisp and clean in its Blu-ray debut. Details stand out in this beautiful 1080p AVC transfer. Close-ups show the contours of the actors' faces (even wrinkles) and the fabrics on clothing. The colors are natural, but pop at appropriate times. The green of the wrestling team's gym and uniforms for an example. Black levels are solid as well. As for digital anomalies, I ran into none.

The DTS-HD Master Audio 5.1 soundtrack is underutilized, but that can be expected from a dialogue driven comedy. The soundscape is very front loaded even in cases of ambiance. Dialogue is clear and balanced nicely with the score, music and sound effects. Directionality across the speakers is limited though.

Blogs

HORRIBLE BOSSES (2011) (***1/2)

A bad boss can be a life sucking experience. They hold your livelihood in their hands and they can use that against you in so many evil ways. And in bad financial times they even have more freedom to be sick individuals because they know they have you by the throat. Let’s be honest homicidal thoughts are not too far fetched in regards to coping with these types of people.

Nick Hendricks (Jason Bateman, HANCOCK) kisses butt and eats crap in hopes of it all paying off one day in a big promotion. But he works for Dave Harken (Kevin Spacey, AMERICAN BEAUTY), a man who prides himself on paying mind games on his employees. Nick’s friend Dale Arbus (Charlie Day, GOING THE DISTANCE) is engaged to be married and loves his fiancée dearly. But his boss Dr. Julia Harris is a dentist with an uncontrollable ache for sex. She doesn’t simply harass him, but sexually blackmails him. Nick and Dale’s other friend Kurt Buckman (Jason Sudeikis, TV’s SNL) actually has a great boss named Jack Pellit (Donald Sutherland, KLUTE), who is grooming him to take over the business. Kurt’s problem is with the boss’s son Bobby (Colin Farrell, IN BRUGES), a balding, cokehead, karate-obsessed douchebag.

Blogs

SUCKER PUNCH (2011) (*1/2)

This is one of those movies that baffles the mind. Based on the visual excitement in the previews and track record of director Zack Snyder, I eagerly anticipated his first original enterprise. After seeing it, one hopes he sticks to faithful adaptations of other people's work. It's epic for sure. An epic fail.

The film beats us over the head right from the start. Baby Doll (Emily Browning, LEMONY SNICKET'S) is a 20 year old woman living at home with her mother and stepfather (Gerard Plunkett, EIGHT BELOW). When her mother dies under suspicious circumstances, she fears for her and her young sister's life at the hands of their stepfather, who doesn't inherit the family wealth unless the girls are dead. A series of events transpire that leads the stepfather to have Baby Doll institutionalized and set up for a lobotomy. One has to give it to Snyder to tell his entire first act without dialogue, but it's done like an aggressive music video and robs the viewer of any emotional connection with the characters and their plight.

Blogs

THE LINCOLN LAWYER (2011) (***)

Brad Furman's crime thriller can comfortably be described as a yarn. While this is at feature length, this is the kind of detective story that fans of LAW & ORDER will like. What makes this a bit more theatrical and less procedural is the central character, played smarmy and charmingly in equal doses by Matthew McConaughey.

When he's not a soon to be tamed womanizing romantic lead, McConaughey is in a suit playing a lawyer. Here he is Mick Haller, a defender of all sorts of lowlifes. The counselor works out of his classic Lincoln and since getting a DUI has Earl (Laurence Mason, THE CROW) chauffeuring him around. Bondsman Val Valenzuela (John Leguizamo, MOULIN ROUGE!) usually forwards him the scum he represents, but he has a choice client for him this time. Louis Roulet (Ryan Phillippe, CRASH) comes from money and they have a family lawyer. So why would he want Haller to get him out of a battery charge for which he insistently claims he is innocent of?

Blogs

RED RIDING HOOD (2011) (*1/2)

With HOODWINKED TOO! and this film, the Little Red Riding fairy tale has inspired two of the worst films of 2011. Catherine Hardwicke embraced campy romance to some degree in the original TWILIGHT film, but she has a whole forest of sap here. The only bright spots are the always-good Amanda Seyfried and her crimson cloak.

Seyfried plays Valerie, a young woman who is in love with the lowly woodcutter Peter (Shiloh Fernandez, DEAD GIRL), who in between chopping wood must spend the rest of his time in the salon to maintain that perfect "Team Edward" coif. Unfortunately she has been set up in an arranged marriage with Henry (Max Irons, DORIAN GRAY). Their village made a truce with a werewolf years ago, but the beast is back and has killed Valerie's sister.

Comedy Blogs

HOODWINKED TOO!: HOOD VS. EVIL (2011) (*1/2)

Narratively the original HOODWINKED was a mess, but there were moments of general inspiration within cliché and tired routines. The sequel is just cliché and tired routines. The original was done independently on the cheap and looked it, but this one feels cheaper because it has no purpose other than to cash in on the surprise success of the original.

Pages