I have been fortunate to shape academic programs dedicated to exploration of imagination and ideas, these igniting powerful, meaningful and often deep personal stories expressing the inner soul, or inspiring unique original concept designs that probe not just what is but what could be. In all such I strive to shape a system that will challenge the students to take risks, to probe, to test, to experiment, to find themselves, to discover what make them unique, who they truly are deep inside, not on the outside. I challenge them to expose themselves, not physically but spiritually. I call upon them to “take the condom off their head”, have an unsafe idea, for life is too short and precious for following in someone else’s steps, make your own path through an untapped space.

Spending time, living in and discovering a foreign country is exciting and enlightening to me. But rich life requires contrasts. Without such, we cannot appreciate diversity of our world. In my belief, life without contrasts, good and bad, is dull, restrictive and narrow in exposure, perspectives, understanding, and open mindedness. All such are crucial to cultivating tolerance and respect for contrasting ways of live, thinking, ideas and beliefs.

And so, on this particular occasion returning to the “New World” proved to be more of a sobering experience than usual. As you read on, you will realize that it actually tested and contested my own tolerance and open mindedness.

I deem that every people, whether fulfilled bluntly oppressed or subtly manipulated by own rulers, or puppet masters, or pacified by the covertly preselected candidates to “democratically elect” from, sooner or later will awake. As history has proven repeatedly, it is then that they rise, rebel, demand a role in the way their lives and futures are being shaped. We have seen such awakening in Yugoslavia, Czechoslovakia, Poland, Russia, Iran, Tunisia, Egypt, Libya and, to a tiny extend, on Wall Street. Many such revolts are hastily taken advantage of by those who shrewdly manipulate such prospects to clench control for their own benefits or, worse yet, those interests that are vigilantly hidden behind them.

If countries, judged by many as undeveloped, are nonetheless capable of higher ideals, struggle for true freedom, than why we, who deem ourselves as the most advanced, the leaders of the “free world”, avoid to look the truth in the eye and admit to ourselves that we are lost in a desert of consumerism, disposability and materialistic excess, blown every which way by the gusts of shortsighted greed?

Once upon a time, a long, long time ago, it was 1985 in fact, the SIGGRAPH Electronic Theater thrilled me by selecting “Nick Brew”, my first ever CGI animated project, for its eminent annual screening of the best of computer animation from around the world. For me it was a foreword to the world of 3d computer animation.

I do admit, technologies utilized today by computer animation are simply breathtaking. Prospect such powers unveil are truly arousing. They made me itch for the chance to harness them, to will them to accomplish my imaginative feats, make my dreams come true. The insanely realistic modeling, texturing, shading, lighting and rendering are truly astonishing. Synthetic actors, their dynamics, the gestures and facial expressions are almost life like. Today it takes an experienced eye to differentiate a synthetic actor from a real live one. It is amazing. It's a genuine achievement. So what is wrong with this?

Being an outspoken individual I am often asked to project a vision of what I foresee in the near future, what lies ahead for media arts, or new media, or a creative palette of artistic expression? How do we anticipate the future and what will be the role for artistic individuals in its shaping? What kind of creative canvases will the future offer us? How will technology, sciences and their fusion with arts impact our creative powers? How will imagination fit into this brave new world?

I guaranty that there are as many answers to these questions as there are those individuals who are willing to risk sharing their answers to them. Hence I shall speak for myself and no one else. In recent years entertainment has become progressively more immersive and also, what is often referred to as 4D, aimed to impact us through all of our senses, make us experience it with our whole bodies. This is exciting! As interactivity is being injected into these experiences, the visitor, or the user, will progressively be empowered to play an active, creative role in own experience.

Take a look at the astonishing developments, architectural, cultural, entertainment or city planning initiatives arising in China, under the very political and ideological system our “New World” had branded as the red peril (or whatever the lexis was), the foe of the “free” world (just in case you are confused, or do not know, that’s us), the Communism we had fought against for decades. And look now? Where would our “New World” be without their newly found affluence? Watch their booming economy, ambitious expansionism and clear aspirations for the very role we have played until now, the leadership and dominance of the world, the “Old” and the “New”.

However tempting, I shall refrain from spiraling into politics. This is not the topic of this blog. Nor am I endorsing communism. I have tasted its grip while growing up back in Eastern Europe, the “Old World”. I had my share, thank you. This reflection is devoted to the spirit of imagination, innovation, ideation and invention, and for the focus of this particular blog: how these precious values are reflected through the architectural realizations of the country called the “New World”. In my humble perception, something has gotten lost in translation. Are we slipping, losing it?

On one side of the infinite spectrum, imagination represents the Origin of it all. On the other side, it signifies the power to look into the future, which some gifted humans do have. In the case of the later, I am referring to the grand future in the concept and design of which human existence represent only a minuscule spec. Yet, by the power of our imagination and determination, we can now alter some of it. From our very origin humanity has been striving to unravel and unveil the grand design, the very scheme by which this vast Universe, and all within it, works, and the ingenuity by which it all begun, as well as where it is all evolving to. In this pursuit, as history has shown, we have wasted a lot of time seeing ourselves as unique, the center of it all, the ones around whom everything revolves. But now, that we have come to our senses, at least some of us, we have realized how insignificant we are in the vastness extending out there, and that our perception of reality might represent only one of numerous and parallel layers of realities shaping what is out there, and directly all around us. Humanity has posed for itself this vital assignment: to seek and discover the truth governing this complex puzzle, to cut through this Gordian knot. It is the power of imagination that will act as the very sward enabling us in distillation of the truth.

Upon awakening I started to walk around the house within which I just became a visitor. Thus I came across this amazing sculptured scene contained within a small, simple box. As I swung open its flimsy doors, it unveiled to me an astoundingly fantastical realm hidden within its tiny confinements. Its thoughtfully choreographed scene bloomed with magical stories exploding with imagination and fantasy. It rightly took my breath away.

As I gazed into this enchanted world of an unknown to me artist, my mind immediately flooded with impressions of stories being spun by the horny “blue” goat seated amongst the two females, all behind a table set for what looked, one could almost smell it, like an irresistibly delicious feast, just about to begin. And so, as the ladies began to pour drinks and serve delicacies, I, as an expected visitor from outside, felt graciously invited. And thus totally transposed into my imaginary mind, I left my large clumsy human body behind to join the magical gathering within the tiny wooden boxed world of infinite possibilities.

 

Nature’s unsurpassed poetic, imaginative, intricate and glorious artistic ingenunity, the range of infinite design resources through which it is able to express its ideas and experimentation, are never captured visualized as magnificently as in astoundingly delicate designs Nature never seems to run out of, be shy about, or short on alternate renditions of its explorations, all in its perpetual strive for utter perfection.

As I began to ready for the forthcoming series of creative workshops and presentations, it also dawns on me, why not dedicate a singular blog to this very topic? And so, this is the one. I shall attempt to express why such workshops are so imperative, impactful and, at least in my personal conclusion, simply fundamental. As always, reader’s comments are welcome.

The process that propels my creative workshops is an outcome of a distillation of both my artistic, creative and production experiences and the academic initiatives and mentoring. It is not simply dedicated to creative ideation, imaginative storytelling or innovative concept designs but also the process of defining one’s personal, individual essences, which in turn inspire the kind of “ideas worth fighting for”. It is why my creative workshops are designed to ignite self-search, self-discovery and empowerment arousing evocative self-expression.