To ignite, liberate and empower imagination to its fullest and most potent we need to open our minds to, and embrace, "gravity free and reality independent” thinking. Only then imagination transforms into a limitless, infinite state of a creative mind within which everything is attainable and nothing is unthinkable. Within it creativity roams free, unbounded by time, space, reality, logic, rules, dimension, mental or physical gravity or laws. In this inspiring state of mind imagination acts as a fuel for creativity, ideas, ground breaking innovative concepts or visions of what could be, but only if we dare. 

These days, when technology plays such a significant role in all aspects of our lives, and in much of what we do, there is a strong relationship between “IT” and our imagination: when they are not in balance, technology itself can overshadow imagination and seemingly become the ultimate answer to all. But when they are, technology empowers us, acting as our “magic wand”.

As a crusader for creative self-expression, empowerment and ideation inspired by imagination, I deem it to be the ideal medium for cross-cultural, cross-ideological communication propagating mutual respect, appreciation and understanding. It is a potent, sincere, emotional and, most importantly, physically non-violent platform for an evocative, enlightening and empowering dialogue. For an individual, it seeds, cultivates and shapes an artistic and creative voice for self-discovery, self-identity and self-expression. For humanity at large, as an antidote to aggressions, it can cultivate peaceful coexistence, at least amongst those who deem themselves open-minded.

Whatever the medium, creative expression represents a powerful, poetic, emotional and visual language understandable and felt by all. When fueled by a sincere and deeply felt personal expression such a language can turn into a potent herald of ideals, feelings, aspirations and hopes we all have. Each of us has a message—potent, deeply felt and meaningful ideas—and a great need to share them with others, to make a difference during own, much to brief a lifetime.

 

 

For some time now I have been promising myself a return to organic art. In my case this means line drawing. I love how line fluctuates, swings, cuts, curls, twists, envelopes, stubs, caresses, how it becomes a natural extension of an artist, how its creator can funnel into it the inner thoughts, passions, desires, frustrations or dreams. How such a simple entity can act a echo of the complex one who brings it to being. What a harmonious synergy and mutual dependency, one might say, till death us apart? It is amazing how it carries and projects such an amazing range of emotions, while maintaining its black and white purity and simplicity, even certain integrity, how it can challenge and drive its creator crazy. And so, I loved it back when it and I had such an emotionally fulfilling bond, and hence have been missing it ever since. Now, years later, my desire to rediscover and explore it once again has grown in intense, became eager to be unleashed.

Over the years, I kept on delaying and postponing. But in Japan, maybe due to the quality of calm and stability, of which I had spoken in all the previous reflections, even if for a limited period of time, I found it and regained it. Did I enjoy it? To the fullest! I felt motivated, vibrant and “spirited away” once again. It was amazing to see that the skill, the passion, desire to will a line, to unleash it to life, is not eternally gone. It is reliant on one’s state of mind, and time to reflect.

 

Over the last years I have observed our country, one that stands as the beaker of success, one to which most of the world looks up to, aspires to or wants to alike, change. Political correctness, fear of being painted as insensitive, a chauvinist, a racist, or being too this or too that, or “I’ll sue you”, in my personal view, is killing our free spirit, our sincere openness, ability to dialogue or differ with others on a deeper emotional level. As one who has, not so long ago, personally experienced a good old-Midwestern inquisition, I have strong feelings and beliefs on this topic.

Back to the last blog. It triggered a discussion on whether some restrain, a “black mask”, is called for. I felt that the images left untouched made a mighty statement against their authors, or artists who, in my view, misuse their talents for immoral, even sick, degenerate objectives. Furthermore, I felt that the presence of a “black cover up” actually attracts more attention and causes imagination to spin wild in all the wrong directions. But maybe that’s just me? I would welcome hearing back from those who read the blog. Do comment and share your opinion. Am I wrong?

And before I progress to the topic this blog is dedicated to, I wish to thank the reader who was kind enough to send me an email of appreciation for the series. I would welcome more thoughtful feedback. While praise is always cheered, criticism is helpful as well. Being new to this domain I have much to learn. So feel free to love me, thank me, applaud me, correct or challenge me, even tear me apart, as long as it is done in a civil and intelligent manner. Else a black mask!

I anticipate this may be the last blog in the series dedicated to Japan? In it I wish to pay homage to the complex delicacy, beauty, sensuality and unique simplicity, purity and sophistication of Japanese art, design, craftsmanship, old architecture of ancient temples, shrines, dragons as well as other real or imaginary creatures.

 

 

There are many impressive aspects of and qualities I now associate Japanese people, their ways of lives and their culture with. However, what sets them apart in minds of those who have had a limited exposure to, or those who have never been there, are Anime and Manga, and to a lesser extend a mysterious Geisha.

 Japanese Manga acts as a vast, all encompassing visual, graphic, emotional and storytelling mirror of all of the facets of Japanese life, from conflicts, relationships to all other social and personal issues, everything. There is manga exclusively for girls and there is manga only for boys, there is manga dealing with relationships between the girls only or only the boys, and there is Manga for everyone else. There is Manga for the kids, the teens, young adults and all of those in-between.

    

As I reflected in my previous blog, Japanese are true perfectionists, in all they do. Thus, when it comes to political correctness, over centuries, and elected isolation from the external world, they turned it into an art form, a nature, but at what cost?

Bowing projects a wonderfully charming sense of politeness and respect, but it does not end on just one bow, it goes on, and on. It is very carefully and skillfully choreographed and, as such, not spontaneous. It is the repetitious aspect of this custom, at least to a “greenhorn” that feels over the top, too stringent, too restrictive and, after some time, even seemingly forced. Then, such a mutual need to project this respect appears programed and artificial. It feels like it could be restrictive to any spontaneous yet meaningful substance or observation resulting in deeper interaction and more intellectual, dare I say, intercourse? And having seen some striking, incredibly sensuous and very delicate Kamasutra, while upholding delicacy and refinement, Japanese people can be very explicit.