Sign in foyer outside the screening room announcing the Oscar-nominated animated shorts program. All images courtesy of Dan Sarto.

By Dan Sarto

With a full afternoon planned at Disney Feature Animation, the group wasted no time getting started.  Our host, Stephanie Morse, toured us through the maze of halls, with stops every now and again to check out walls adorned with artwork from Frozen, their upcoming feature set for release this coming November 27^th.  Soon, however, it was back to the screening room for audience Q&A. 

Once again, our filmmakers displayed great patience as they answered mostly the same set of questions they’ve been answering at numerous screenings, interviews and meetings ever since they were nominated.  I enjoy these Q&A sessions because though the questions may be the same, each time a filmmaker speaks, they add something new, share greater details or a new story you haven’t heard before.  You never know what tasty tidbits they may share in a moment of fatigue.

Looking across the Disney Legends Plaza to the 7 Dwarfs holding up the roof of the Eisner building.

Written by Dan Sarto

The final day of the 2011 Oscar tour was the busiest of all – morning at the Disney ARL, lunch, 2 screenings and several tours throughout the afternoon, followed by the AWN-Acme Oscar party Friday evening.  You could sense the animators were getting a bit antsy, greeting the same questions with the same answers for the umpteenth time, their smiling faces showing traces of exhaustion and anxiety as they silently counted down to the Oscars on Sunday.  No rest for the weary however as things really were just getting started.

"We're almost there." I don't remember which nominee said it, but it was very fitting, given that Walt Disney Animation Studios was the last stop yesterday on the L.A. leg. Of course, "Almost There," from The Princess and the Frog, summarizes the hopes and dreams of all the nominees. So, it was also very fitting that Princess and the Frog directors Ron Clements and John Musker were on hand to view the shorts and meet with the nominees.

The Oktapodi crew poses for a pic with their fan, legendary animator Eric Goldberg.

The tour's stop at Disney has an exciting day. This gallery shares some of the highlights.

Oktapodi's Julien Bocabeille and I talked over lunch.

For more than a decade, I’ve been a voting member of the Academy of Motion Picture Arts and Sciences Short Film and Feature Animation Branch. Each year I look forward to our fall screenings where we get to see the finest short animated films from around the world and select the five nominees. It’s like attending the best film festival in the world.

Yesterday, I had the privilege of spending the day with the filmmakers of three of the nominated shorts — "Oktapodi," "Lavatory Lovestory," and "La Maison en Petite Cubes" — as they were welcomed into and toured the “birthplace” of American animation – Walt Disney Studios.

The tour poses for a pic with the Animation Resource Library archivists in front of background painted for a Donald Duck promotional tour.

As the tour swings from San Francisco to Los Angeles, the Oscar Travelogue switches chroniclers from Barbara Robertson to Rick DeMott.

Walt Disney kicks off the L.A. leg. For a touch of morning inspiration, we gathered at the Animation Resource Library. Having traveled with the Oscar Tour for the past two years in both San Fran and Los Angeles, it feels strange coming in midstream. I missed out on the bonding that took place in the Bay Area as the filmmakers from around the globe were getting to know each other. For the "Oktapodi" crew, the tour was the first chance for them to be together since graduating from Gobelins. Julien Bocabeille and Thierry Marchand, who both work for DreamWorks in Bangalore, India, joined FX, Olivier, Quentin and Emud, who already had a taste of the tour last week. Joining the six "Oktapodi" directors were Konstantin and Kunio, who having met for the first time in San Fran, have clearly bonded quickly, despite not speaking the same language.

Tour host Ron Diamond (l) and Madame Tutli-Putli director Maciek Szczerbowski (r) run into John Lasseter on the Disney lot. © 2008 AWN Inc.

On Feb. 20th, the day belonged to Disney on the Oscar Showcase tour. Here is the photographic evidence.

The second day on the Oscar Showcase tour is a day at Disney with a screening for Walt Disney Feature Animation in the morning and Disney TV in the afternoon. Some miscommunication started the day and only the Madame Tutli-Putli team made it to Disney in time, thanks to exec producer David Verrall.

Here it is the long awaited gallery of select pics from Ron’s camera from the Oscar Showcase tour’s swing by DreamWorks, Fox, the Academy, Disney and ICM. There’s also a couple special pics at the end courtesy of No Time for Nuts director Mike Thurmeier.

Officially one week of the Oscar Tour is up and we’re nearing the home stretch. Today was less crazed than yesterday, but still wonderfully eventful nonetheless. The day was a home coming for Roger and Don. Every time we turned a corner someone was ecstatic to see them. After Tenny Chonin, head of artistic development at Disney Features, introduced the screening, Don took us on a special tour of the old animation building across the street from the new animation complex (you know, the building with the big hat on it). On the way, even, someone crossing the street lit up when he saw Don and pleaded him to come back to work soon. He has been like the Zen master of the group. His peaceful nature is just unforgettable. I had thought before that it must be a pleasure to work for him and after today I think many of the Disney employees confirmed my feeling.