Conversation was brief on the ride over to PDI/DreamWorks. With the tour winding down, I think we were all winding down as well. When we arrived at the studio, the screening was already in full swing. With a bit of down time, we mingled around the lobby and cafeteria, where the draw of more ping-pong was irresistible for I Met the Walrus‘ Josh and James, who said that ping-pong is needed for animation productions to work.

With the screenings so tightly packed, once My Love ended at Skywalker Ranch and the final film Peter and the Wolf began, a sedan raced off with our bags and the prints for the first four films to deliver them in time for the PDI/DreamWorks screening later in the day.

With the screenings so tightly packed, once My Love ended at Skywalker Ranch and the final film Peter and the Wolf began, a sedan raced off with our bags and the prints for the first four films to deliver them in time for the PDI/DreamWorks screening later in the day. After wrapping up the Q&A at Skywalker, the tour crew hopped into the van and headed to EA, where a screening in digital projection had already began. I Met the Walrus‘ Josh had planned to head to New York the next day for the Academy screening there, but the pace of the tour made him reconsider the extra flight, especially upon learning that he was the only one going, considering instead to stay behind and take a relaxing ride down the coast to L.A.

With the screenings so tightly packed, once My Love ended at Skywalker Ranch and the final film Peter and the Wolf began, a sedan raced off with our bags and the prints for the first four films to deliver them in time for the PDI/DreamWorks screening later in the day.

With the screenings so tightly packed, once My Love ended at Skywalker Ranch and the final film Peter and the Wolf began, a sedan raced off with our bags and the prints for the first four films to deliver them in time for the PDI/DreamWorks screening later in the day. After wrapping up the Q&A at Skywalker, the tour crew hopped into the van and headed to EA, where a screening in digital projection had already began. I Met the Walrus‘ Josh had planned to head to New York the next day for the Academy screening there, but the pace of the tour made him reconsider the extra flight, especially upon learning that he was the only one going, considering instead to stay behind and take a relaxing ride down the coast to L.A.

Once arriving at Skywalker Ranch’s breakfast area, after much more sleep than I had on my last visit, many of the tour members were already having a bite to eat before starting the hectic three-screening day. Madame Tutli-Putli’s Chris and Maciek had already enjoyed the Ranch’s bikes, cycling around the beautiful grounds on the brisk February morning. Peter and the Wolf’s Suzie and Hugh took advantage of the one site fitness center. Hugh had a change to be rescued by a fireman from the Ranch’s private fire station when he accidentally locked himself out of the gym in his bare feet. With a 9 am screening set, we headed out to the tech building around 8:30. Some of the late risers like Josh and James used the courtesy bikes as a way to get some exercise and catch up with the group.

At the beginning of our long ride to Skywalker Ranch, Marcy learned that the Oscar nominated shorts were written up in an extensive article in The New York Times. The piece was in conjunction with Magnolia’s theatrical release of the Oscar shorts in theaters. Josh said that Magnolia have been awesome, stating that they were willing to take the legal liability if rights issues were not worked out with the Lennon estate. In the future, Josh and James hope to turn their film into a book that goes into more detail about how Jerry Levitan made the Lennon recordings. Their idea is to make intricate handmade books that feature a DVD of the film. Hugh shared the advertising he had printed for the feature film he produced called Free Jimmy, which has been making the festival circuit and chronicles the adventures of a circus elephant that has heroin sown into its stomach. With Skywalker Ranch on everyone’s mind, the conversation turned to the animated Star Wars: Clone Wars, which it was just announced will be coming to theaters as a feature first before arriving on Cartoon Network in the fall. Chris coined the phrase inter-quel to describe it. Along the way, Hugh had us introduce ourselves for a video diary he is doing for Channel 5 in the U.K., which airs on Friday. So if you’re in England, set your TiVos, we want copies.

Like last year, a pattern of the same questions being asked at the various screenings continues. Of course the first question was to Chris and Maciek about the human eyes on the puppets in Tutli-Putli. Marcy said one of the difficulties of working with the eyes was timing out shots. Chris and Maciek found that the performance via the eyes sold some scenes quicker than when it was cut using the eyeless puppets. Josh was asked about the audio footage of John Lennon used in his film, which he said had never really been heard before they made I Met the Walrus. A first for the tour, but most likely not a first for the Madame Tutli-Putli team was about their enigmatic ending. Maciek explained that the intention of the film was less about plot and more like a poem where one scene doesn’t dictate the next, but informs the preceding scene. Chris added that the work of Carl Jung was also influential in setting the mood for the film. A little tidbit about the title is that in Hindi it means puppet, as well as delicate woman, which is a fact that the directors did not know before they were informed of it by a Hindi speaking member of one of their audiences.

With everyone attending the San Fran leg of the tour together, ILM’s Danielle O’Hare greeted us in the lobby and treated the filmmakers to a tour. Having taken the tour last year with our gracious host Kate Shaw, this year we learned some of the same history with a sprinkling of some new facts. For instance, on the wall is ILM’s last matte painting from Die Hard 2. At the time of its creation Jim Henson had just passed away, so as a tribute, the artists painted Kermit faces on the side of the trucks featured in the wide shot of the snowy tarmac at the close of the film. Hugh inquired what has happened to the traditional matte painters and Danielle said that many have transitioned over to CG, while James joked that the others having transitioned over into driving cabs.

The tour has begun. And what a way to begin – a screening at ILM. As Ron Diamond, host of the tour and publisher of AWN, and I pulled up to Sofitel hotel, I Met the Walrus director Josh Raskin, Walrus illustrator James Braithwaite and Madame Tutli-Putli director Maciek Szczerbowski were standing outside. Having toured with the Animation Show of Shows, all three enthusiastically greeted Ron, like a reunion of old friends. As we made our way into the hotel to check-in, we were greeted by Oscar tour veteran Marcy Page, who traveled around with us last year for the Oscar-winning film The Danish Poet. This time I was able to engage in an “old friend” reunion myself. Last year’s event was such a wonderful bonding experience that I feel so excited to share with the others about the things we have in store.

Well, it’s that time of year again when AWN and the Animation Show of Shows hosts the Oscar Tour, where the animated short film Oscar nominees travel to the various studios in San Fran and L.A. on a whirlwind tour leading up to Oscar night. Above is my favorite picture from last year’s tour and it brings back a lot of great memories. That’s me in the upper right hand corner. Marcy Page (in the upper left hand corner) is coming back this year as the producer of Madame Tutli-Putli. We talked about returning to the tour and both agree that there will be no faking required when it comes to getting excited about the adventure.

I just had to write a congrats post to Torill and all the nominees.