Backlot Stage 20.

By Zoe Chevat

Wednesday afternoon found the Oscar shorts nominees at 20th Century Fox's sprawling backlot, located in the heart of Century City. After checking in at the Little Theater, used by the studio for on-site screenings, it was off for some behind-the-scenes looks at one of television's biggest studios.

The campus itself is sun-lit and greenery-filled, dotted with elaborate topiary that resembles horses, elephants, and, in the case of the bushes in front of The Simpsons offices, Bart Simpson. But, though things were relatively quiet when we were there, we know that behind soundproof doors the truth is quite the opposite. With dozens of on-site and off-site productions going at once, Fox's soundstages currently house the permanent sets for many of their TV network's long-running hits, including Bones and House. We were lucky enough to be taken through the Bones set, where shooting is down for the season, but there are plenty of autopsy tables, fabricated cadavers, and chemical bottles still around. Large sets for multi-season hits like Bones, which cost millions of dollars to construct, will stay intact for the duration of the show's time on air, until final cancellation.

Every year the day before the big event offers two annual events that allow the nominees to take a chance to relax with fellow members of the animation community. Check out this year's pics.

(From left to right, top row) Carol Frank, Ron Diamond, Lampton Enochs, William Joyce and Marc Bertrand. (From left to right, bottom row) Patrick Doyon, Brandon Oldenburg and Bonnie Thompson, outside PDI/DreamWorks.

By Lauren Brown

This morning we visited PDI/Dreamworks in Redwood City. Victor Fusté, our host, greeted us at the entrance. Victor currently works in the pre-visual development training department. The lobby area of PDI had a life-size model of our favorite Kung Fu master, Po the panda, and it was a big attraction for a couple of the filmmakers. Patrick Doyon, Marc Bertrand, and Bonnie Thompson took pictures with the life-size Po. Bonnie Thompson said “it was a must” in order to impress her grandkids.

Once arriving at Skywalker Ranch’s breakfast area, after much more sleep than I had on my last visit, many of the tour members were already having a bite to eat before starting the hectic three-screening day. Madame Tutli-Putli’s Chris and Maciek had already enjoyed the Ranch’s bikes, cycling around the beautiful grounds on the brisk February morning. Peter and the Wolf’s Suzie and Hugh took advantage of the one site fitness center. Hugh had a change to be rescued by a fireman from the Ranch’s private fire station when he accidentally locked himself out of the gym in his bare feet. With a 9 am screening set, we headed out to the tech building around 8:30. Some of the late risers like Josh and James used the courtesy bikes as a way to get some exercise and catch up with the group.

Here’s the first photo gallery from the 2008 Oscar Showcase tour. Witness the nominees posing for pics with the many wonders on display inside the doors of the premiere visual effects studio.

No lounge is complete without the means to dispense fine adult beverages.

Pictorial by Dan Sarto

Our final studio tour this year is DreamWorks Animation, a bustling campus that serves as HQ for the company's ever-growing global operations.  Having released two features, Kung Fu Panda 2 and Puss In Boots, since our last visit, both of which are nominated for an Oscar this year, the studio continues to expand its slate of productions.  The recently announced plans for a studio in China serve as further illustration of these expansion efforts. 

Each year on the Oscar Showcase Tour, our day at DreamWorks is always great.  The studio goes out of its way to provide a full day of demonstrations, a great lunch with executives and a packed screening of the nominated shorts.  Of all the stops on the tour, DreamWorks always shares the most detailed and intimate look at films in progress, which for an assembly of animation directors and producers, is always a welcome treat.  This year was no different.

The second and final Friday of the Oscar Showcase tour began with a screening at Sony Animation. In an effort to get up a new photo gallery before I left, I didn’t leave enough time to get to screening, only making my journey a chore. I ended up arriving just as The Danish Poet was ending. I wouldn’t go as far as saying that I’m sick of the films after seeing them so many times in a short span of time, but a trial separation might be good. Roger Allers said he can’t watch Little Matchgirl anymore. Like No Time for Nuts directors Mike Thurmeier and Chris Renaud, he keeps seeing things he wishes that he could change.

I thought I was going to have Thursday morning to catch up, but I was wrong. Wednesday night Ron invited me to be his guest to the Canadian consulate general’s home for a lunch the next day. I’ve been to two previous Oscar functions at the Canadian consulate general’s beautiful house in Hancock Park and couldn’t pass up the chance to go again. The luncheon took place in the lovely courtyard in back by the pool. They were prepared for the rain and had tents and heaters set up, making it comfortable on the rainy L.A. day.

The second stop on the L.A. leg of the Oscar Showcase tour was on Tuesday, Feb. 19th at 20th Century Fox. So here are some more pics.

At the Sony Pictures Animation lunch, Madame Tutli-Putli director Chris Lavis talks about how they worked with actress Laurie Maher to inform their stop-motion animation and provide the eyes for their puppets.