The tour swings into the famed MGM studio lot.

written by Rick DeMott

The L.A. leg of the Oscar Tour kicked off at the Sony lot. For the first time in the tour's history the participants, who include The Lady and the Reaper's director Javier Recio Gracia, producer Raul Garcia, and exec producer Enrique Posner, and Granny O'Grimm's Sleeping Beauty's director Nicky Phelan and producer Darragh O'Connell, received a tour of the legendary MGM Studios.

Stops included the Thalberg Building where the studio showcases its Best Picture Oscars, as well as the offices of Sony's top execs including Amy Pascal. For the game show fans out there, the nominees got a chance to see the sets of Jeopardy and Wheel of Fortune. The legendary Stage 30 was being used as a commissary for Adam Sandler's new film, The Pretend Wife. But most of the time, the stage is known for housing the largest water tank where films such as The Curious Case of Benjamin Button were filmed. The nominees were treated to the stages were Wizard of Oz and Married with Children were filmed, and there was some debate with our tour guide Tony on whether Oz is the most beloved movie in America or not. Along our walk through the backlot, we had the chance to see the art department building a New York city street set for the upcoming film Burlesque.

The nominees start their day with a tour of the Sony lot.

written by Rick DeMott

The Los Angeles leg of the tour picked up on Tuesday, Feb. 22 at Sony. Jakob Schuh and Max Lang were back for the second round; while Bastien Dubois, the director of Madagascar, Carnet de Voyage, his producer Ron Dyens, and Michael Rose and Martin Pope, the producers of The Gruffalo, joined them for the first time.

The day began with a guided tour of the studio lot. The nominees had a chance to see the 12 Oscars the studio has won over the years, as well as the backlot and stage for Wheel of Fortune (which was less impressive to the European crowd.) On one of the soundstages, we saw a crew diligently constructing a sewer pipe set for a secret project filming pyrotechnics later in the week.

The Paramount Studio tour begins. (From left to right) Brandon Oldenburg, Bonnie Thompson, Patrick Doyon, Marc Bertrand, me, Amanda Forbis, Ron Diamond, Sue Goffe, Grant Orchard and Wendy Tilby.

Pictorial by Dan Sarto

Paramount Studios is one of the oldest and most venerable of the big Hollywood studios.  Founded in 1912, the studio has been home to some of the greatest films in movie history, including The Godfather franchise, The Ten Commandments and Read Window.  While the studio has been distributing animated films for some time through its relationship with DreamWorks, only announced last July it announced it was getting back into the animation production business.  Our group spent the entire day on the lot and were not disappointed.

The Bart Simpson topiary stands proudly in front of The Simpsons production offices on the Fox lot.

By Dan Sarto

Our day concluded with a tour of the Fox lot and a screening for Fox Feature Animation and the crew of The Simpsons.  Like the Sony and Paramount lots, the Fox lot is steeped in movie legendry.  Used almost exclusively these days for TV production on shows broadcast seemingly on every network, the lot includes stages used for shows like Bones. Glee and How I Met Your Mother.  Home to the worldwide headquarters of Rupert Murdoch’s News Corp, the lot also houses facilities used for Fox’s NFL broadcasts.

We did a fast walk past a number of enormous sound stages, as well as snaking in and out of a number of buildings within the famous New York City building facades used in practically every show and commercial known to man.  We also managed to get a fast glimpse at The Simpsons production offices, complete with a cool Bart Simpson topiary and statue of a hand holding a donut that decorate the front yard.

Boba Fett and Darth Vader join the filmmakers in the ILM lobby for a photo op.

ILM had a photographer follow the Oscar tour around their facilities and we'd like to share some of the great pics.

Tour host Ron Diamond (l) and Lavatory Lovestory's Konstantin Bonzit.

Nine of us gathered in the lobby of the elegant Sofitel Hotel in an industrial park in San Carlos, California somewhere south of the San Francisco airport, to begin the Bay Area leg of the Oscar Tour.

The nominees at this first meet and greet were: Kunio Kato, age 31, the director of “La Maison en Petites Cubes;” Konstantin Bronzit, age 43, the director of “Lavatory Lovestory;” and three “Oktapodi” directors, Olivier Delabarre 28, Quentin Marmier 26, and Francois Xavier Chanioux 26.

At the ILM dinner, animation supervisor Hal Hickel, who was nominated for Pirates of the Caribbean: At World’s End, talks with Madame Tutli-Putli director Chris Lavis about motion-capture and the importance of eyes in animation.

During our visit at Pixar we shot a great deal of wonderful pics with Pixar characters and employees, including Brad Bird and Ed Catmull.

I sent out six questions to the nominees and producers of the nominated shorts. I’m hoping everyone will have time to answer them before the Tour begins, however I know how unbelievably busy they are at the moment. Marcy Page, producer of Madame Tutli-Putli and Oscar Tour alum, has written back and here is what she had to say about the Oscar experience, as well as the eye-catching stop-motion film that she worked on. (Okay, that was a pun I couldn’t resist).

Well, we have safely arrived in San Fran. Ron and I happened to be on the same flight with Little Matchgirl director Roger Allers, who waited for us to get off the plane. Sadly, he’s battling a bad cold and was more worried about infecting others than his own discomfort. So Roger and producer Don Hahn (who had to stay at a different hotel then the rest of us,

because ours was not an approved Walt Disney lodging) decided to stay in this evening to rest up for our busy day tomorrow. I was surprised to receive a phone call from Don in my hotel room giving his regrets for not coming to dinner with the rest of us. It’s not too often I get a call on my cell from the producer of legendary films and former president of Disney Feature Animation saying he’s sorry that he won’t be making it to dinner because he’s just getting over bronchitis. I didn’t even know he had my number. I must say, both Roger and Don are so kind and welcoming

, not a shred of Hollywood self-importance at all.