Pictorial by Dan Sarto

Our final studio tour this year is DreamWorks Animation, a bustling campus that serves as HQ for the company's ever-growing global operations.  Having released two features, Kung Fu Panda 2 and Puss In Boots, since our last visit, both of which are nominated for an Oscar this year, the studio continues to expand its slate of productions.  The recently announced plans for a studio in China serve as further illustration of these expansion efforts. 

Each year on the Oscar Showcase Tour, our day at DreamWorks is always great.  The studio goes out of its way to provide a full day of demonstrations, a great lunch with executives and a packed screening of the nominated shorts.  Of all the stops on the tour, DreamWorks always shares the most detailed and intimate look at films in progress, which for an assembly of animation directors and producers, is always a welcome treat.  This year was no different.

The Madame Tutli-Putli team - director Maciek Szczerbowski, exec producer David Verrall, director Chris Lavis and producer Marcy Page. © 2008 AWN Inc.

Each year Alain Dudoit, the Consul General of Canada, Los Angeles, hosts a star-studded event to celebrate the Oscar nominees from Canada. Check out who the Madame Tutli-Putli and I Met the Walrus filmmakers got to meet.

Watch It On AWN TV!

ILM artist Mark Siegel talks with I Met the Walrus director Josh Raskin about John Lennon.

With the screenings so tightly packed, once My Love ended at Skywalker Ranch and the final film Peter and the Wolf began, a sedan raced off with our bags and the prints for the first four films to deliver them in time for the PDI/DreamWorks screening later in the day.

Bob Nicoll (closest to tree) talks about the EA facility while Maciek and Chris take a rest on the steps. © 2008 AWN Inc.

With the screenings so tightly packed, once My Love ended at Skywalker Ranch and the final film Peter and the Wolf began, a sedan raced off with our bags and the prints for the first four films to deliver them in time for the PDI/DreamWorks screening later in the day. After wrapping up the Q&A at Skywalker, the tour crew hopped into the van and headed to EA, where a screening in digital projection had already began. I Met the Walrus‘ Josh had planned to head to New York the next day for the Academy screening there, but the pace of the tour made him reconsider the extra flight, especially upon learning that he was the only one going, considering instead to stay behind and take a relaxing ride down the coast to L.A.

Oscar winner Torill Kove at the Canadian consulate general's luncheon. © AWN Inc.

I just had to write a congrats post to Torill and all the nominees.

Shane Acker at Skywalker Ranch. © AWN Inc.

For young animators, no story from last year’s Oscars was more inspiring than Shane Acker’s tale. His student film, 9, not only earned him an Academy Award nomination, but a feature production deal at Focus Features with Tim Burton and Night Watch director Timur Bekmambetov producing. The feature is now in production at Luxembourg-based Attitude Studios and the voice cast includes Elijah Wood, John C. Reilly, Christopher Plummer and Martin Landau. I really enjoyed 9 and I look forward to seeing the feature, which looks to be something potential unique in the world of 3D animation.

The third day of the LA Oscar tour actually began with a morning stop at CAA in Century City before a small gathering of agents and producers in their lavish screening room. However, the most memorable part was discussing animation over coffee with the directors. Bastien Dubois (Madagascar, carnet de voyage) divulged that he rotoscoped himself for the various characters, and how he came upon the idea of shooting stop-motion for the cars section after discovering a group of small kids playing with toy cars. He then hit the toy store and set up a course for them to play in while he shot two cars per kid. Meanwhile, when I asked Jakob Schuh (The Gruffalo) what he's learned from his studio visits, he divulged that the 3-D demo at DreamWorks made him rethink the whole concept of stereoscopic moviemaking. If they could make a photograph dramatically pop out, then there are some definite possibilities worth exploring, he suggested.

Time to take a quick trip back in time for some great additional pics from the Pixar visit in the Bay Area last week.

Oscar-winner Hugh Welchman, producer of Peter and the Wolf, chats with DreamWorks exec John Tarnoff after lunch. © 2008 AWN Inc.

On Thursday, Feb. 24th, the Oscar Showcase tour pulled into DreamWorks. View the fun we had there.

The filmmakers pose for a pic at the final screening location on the tour. © 2008 AWN inc.

With a late 5 o’clock screening at ICM, many of the nominees couldn’t make it to the Q&A. Peter and the Wolf producer Hugh Welchman, Madame Tutli-Putli producer Marcy Page and her exec producer David Verrall were able to meet the agents. I Met the Walrus director Josh Raskin and his producer Jerry Levitan arrived right after the agents left because they went to the old ICM address by mistake.