Written by Dan Sarto

No Oscar Tour would be complete without the famous Nominee Cake!  As the 2011 Tour winds down, so do the nominees and assorted guests, at least for one evening.  Held again this year at Ron's house, the party was fun, intimate and warm, despite the rainy weather outside.  And of course, we all got sugared-up feasting on the nominated films - literally!

 

 

Written by Dan Sarto

The final day of the 2011 Oscar tour was the busiest of all – morning at the Disney ARL, lunch, 2 screenings and several tours throughout the afternoon, followed by the AWN-Acme Oscar party Friday evening.  You could sense the animators were getting a bit antsy, greeting the same questions with the same answers for the umpteenth time, their smiling faces showing traces of exhaustion and anxiety as they silently counted down to the Oscars on Sunday.  No rest for the weary however as things really were just getting started.

The third day of the LA Oscar tour actually began with a morning stop at CAA in Century City before a small gathering of agents and producers in their lavish screening room. However, the most memorable part was discussing animation over coffee with the directors. Bastien Dubois (Madagascar, carnet de voyage) divulged that he rotoscoped himself for the various characters, and how he came upon the idea of shooting stop-motion for the cars section after discovering a group of small kids playing with toy cars. He then hit the toy store and set up a course for them to play in while he shot two cars per kid. Meanwhile, when I asked Jakob Schuh (The Gruffalo) what he's learned from his studio visits, he divulged that the 3-D demo at DreamWorks made him rethink the whole concept of stereoscopic moviemaking. If they could make a photograph dramatically pop out, then there are some definite possibilities worth exploring, he suggested.

 

 

Written by Dan Sarto

Every year for more than a decade we’ve toured DreamWorks’ expansive Glendale campus with either the Animation Show of Shows, our Oscar Showcase tour, or both.  We’re always greeted with open arms and we’re always shown tasty morsels of upcoming films – last year, for example, Simon Otto showed us 20 minutes of How To Train Your Dragon well before it was released.  This year did not disappoint.  We scampered about all over the newly built-out animation building, over 100K square feet of offices, high-res monitors and talent.  Talking to people here, you can’t help but sense their enthusiasm as they discuss their work, the studio and DreamWorks’ string of successful films.  From Jeffrey Katzenberg’s lunchtime visit to our jaunt through the new motion-capture studio, our afternoon at DreamWorks left a tremendous impression on our assembly of animators and producers, and myself as well.

written by Rick DeMott

The Los Angeles leg of the tour picked up on Tuesday, Feb. 22 at Sony. Jakob Schuh and Max Lang were back for the second round; while Bastien Dubois, the director of Madagascar, Carnet de Voyage, his producer Ron Dyens, and Michael Rose and Martin Pope, the producers of The Gruffalo, joined them for the first time.

The day began with a guided tour of the studio lot. The nominees had a chance to see the 12 Oscars the studio has won over the years, as well as the backlot and stage for Wheel of Fortune (which was less impressive to the European crowd.) On one of the soundstages, we saw a crew diligently constructing a sewer pipe set for a secret project filming pyrotechnics later in the week.

 

 

Written by Dan Sarto

If it’s Friday, it must be Pixar.  And as most would attest, a visit to Pixar is pretty special.  In no particular order, we met John Lasseter, crawled around the infamous Love Lounge, drank Scotch with Andrew Gordon in the Lucky 7 Lounge, met up with Oscar-winner Ralph Eggleston and his mending broken finger, had lunch with Roger Gould, screened the nominated films for 235+ staff, saw concept art, original models and other visual goodies from several films and talked to Bob Peterson.  And, we bought Girl Scout cookies in the Pixar lobby.  Quite the day indeed.

If it’s every animation fan’s dream to visit Pixar, then at the conclusion of our Friday visit, the fan in all of us was ready to die and go to heaven.  The pouring rain outside did little to dampen our enthusiasm as we piled out of the van and into the lobby.  There, our host, Michelle Radcliffe, coordinator for in-house education at Pixar University, greeted us warmly and after a few introductions, patiently marched us all over the main building, answering all our silly questions and making sure we had a good time. 

 

 

Written by Dan Sarto

Tippett Studio is a well-known cg studio that specializes in feature film visual effects and creature animation.  Legendary founder Phil Tippett is the creative force behind some of the most iconic animated creatures and characters in cinematic history, including the miniature chess scene in the first Star Wars movie, the animated robots in RoboCop, the breakthrough animated dinosaurs of Jurassic Park, the deadly arachnids of Starship Troopers and the transforming werewolves of the Twilight movies.  The studio is located in Berkeley, California, housed in a collection of small buildings nestled within walking distance of each other.  Our second day ended with a screening and highly anticipated tour of their main production facilities. We were not disappointed.

 

 

Written by Dan Sarto

Day 2 of our tour started exactly as Day 1 ended – everyone sleeping snugly in their rooms at the Skywalker Ranch Inn.  Each room at the Inn is named after and designed in the style of a noted celebrity – I was in the Frank Lloyd Wright room, Ron was in the Norman Rockwell room, others scattered within Orson Wells, Ella Fitzgerald, Lillian Gish rooms, to name a few.  A fast breakfast of bagels, yogurt and sugary, creamy, caffeiny Starbucks’ coffee drinks, followed by a mad dash to load the car without getting soaked and we were off in the pouring rain towards Redwood City and PDI/DreamWorks. Our stay at the Inn was way too short, but I can honestly say it was truly cool with a capital K.

 

 

Written by Dan Sarto

Like intrepid but warmly dressed explorers venturing into mysterious but GPS-identified territory, our group set forth into the crisp morning air in search of our first tour stop, the new Walt Disney Family Museum.  We caught a break – the rain had stopped, at least for a few hours, leaving behind a beautiful sunny sky.  No traces of the hail that had pounded our motel earlier that morning. Max Lang, Jakob Schuh, Geefwee Boedoe, myself, Ron and his daughter Sara (who is also my niece and our photographer) all drove together.  Teddy Newton drove separately and met us later in the day at Skywalker Ranch.