Patrick Davenport explains mo-cap advances at fmx.

written by Johannes Wolters

You know what´s interesting about the fmx?. You stay there in the foyer, in the halls, you have this big accessibility to each and everyone. So I found myself talking to one of the big visual effects designers of this planet.

Kevin Tod Haugs worked on "Quantum of Solace," "The Kite Runner," "Finding Neverland," "Panic Room" and many more. An his opinion about the stereoscopic films is a technical one: “I just find it heartbreaking, that after years and years and years of dealing with resolution, we are finally getting to the point, where its 2k or 4k, we could make choices, its all gonna be fine, we get digital cameras, we get rid of scanning, its all gonna be fine and then we have to make it twice as complicated. Just, when its gonna be easy, we have to make it hard.”

Richard Edlund was a superstar at fmx.

Where to begin? Information overload. Day 2. Fmx09.

The fmx may not be as big as SIGGRAPH, but like an American professional stated, it is superbly organized, which makes it a truly wonderful event throughout the world of Visual Effects, Animation, Games and Digital Media. Steffen Wild presented the work and the developments inside the beloved World of Jim Henson Muppets today. The famous creature shop made it bold steps into the digital realm, carefully keeping the original muppet touch alive. Like Jim Henson told his staff “Have an Idea? We try it out. Never be afraid of failure”. The successful use of digital puppeteering was successful used on the TV-show “Sid the Science Kid”. 40 episodes, together 20 hours had to be put together within only one year. Key to the success: strong characters, the excellent collaboration between the puppeteers, the use of live action disciplines, the clever utilization of new technology and a perfect real-world-compatibility. Just doing digital puppets the muppet way. On the live stage up to six characters can now be handled at the same time datawise. All to create webisodes, commercials, Television shows and direct-to-dvd material at the moment. And of course at some point in the future creating a feature film with a hybrid approach.

Bringing Hollywood to Germany

Cloudy, sometimes rainy. Stuttgart, the capital of the German federal state of Baden Wüerrttemberg is once again for the next four days the global center of animation. The 14. International Conference on Animation, Effects, Games and Digital Media opened its gates to the huge crowds of professionals, students, journalists and all enthusiasts, who are interested in the latest technologies, brilliant developments and in meeting and talking to the leading women and men behind the magic of animation.

fmx/08 is the international center for all creative people working in the visual fields. Courtesy of fmx.

By Johannes Walters

Buzzing clouds of animators, visual effects people and creative artists of videogames showed up last week in Stuttgart, Germany, at the Haus der Wirtschaft (House of Trade), where fmx/08 was held: the annual and international conference on animation, effects, realtime and content. Once again, this four-day event, the brainchild of Thomas Haegele, head of the Ludwigsburg-based Animationsinstitut, the animation school department of the Filmakademie Baden Wüerttemberg, seemed to become the international center of all creative people working in the visual fields.

If you attend fmx and are addicted to this world of creative and artistic visual development, you encounter a nightmare of decisions. At least eight wonderful panels, talks or lectures are given simultaneously. So you have to decide which programs you positively can't miss. And the one you choose, of course, will turn out to be the wrong one, as DreamWorks Animation's Shelley Page commented with her customary dry British wit.

More than 6,000 people attended fmx/08 again this year. And more than 400 speakers from 30-plus countries were invited. So this event is still growing strong both by numbers and by complexity. But this certain feeling of a big, friendly family meeting is still there, the chance to meet and speak to everyone you want to.

By Peter Plantec

Considering the lousy state of the dollar and air travel, I'd think twice about attending any European conference. It comes down to a personal cost-benefit analysis and you must weigh a lot of personal factors. There is one Euro-conference I am going to -- fmx/08, and for good reason.

fmx is by far the most important, forward looking and entertaining media conference in Europe. Heavily funded by the regional government of Baden Wittenberg, Germany, as well as significant industry sponsorships, it represents one of the best values I've seen for people who want to network, be seen, and learn cutting-edge techniques and technology. That said; fmx is also possibly the most fun I have all year.