Drawing on Knowledge

David Maas is an illustrator and animator with a recurrent itch to take the reins in various forms of management - first as a creative in advertising, then as production manager for animated films. He also has a passion for education and generally sharing of knowledge and has taught at numerous institutions of learning, most recently at the Institute of Animation at the Filmakademie Baden-Wuerttemburg. He's passionate about the opportunities offered by such diverse disciplines as non-photorealistic rendering, sketch crawls and paleoart.

“I take a look beyond the glory disciplines of character design and animation, revealing no less fascinating jobs and opportunities throughout the medium of animation. I talk about such complex and interdependent issues as look development, team building, techniques and technology, spread sheets, time trackers and education. And sometimes I just ramble.” Feel free to feed the author with suggestions, comments and - if you're a student - films for critique.

Cinemetrics; film analysis gets beautiful


If you’ve inherently suspected that there’s a structural difference between a soccer match, a space odyssey and your favorite porno but never been able to put your finger on it, cinemetrics is for you. It beautifully lays out a film like a flower of pencil shavings, colored according to the film’s palette and oscillated according to amounts of screen movement. Stunning… and informative. Compare genres, director’s oeuvres or remakes… its a beautiful step back from the cinematic experience.

Tracking Time, Managing Your You

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Time-tracking is often viewed as the one most singularly evil impulse between you and your creative energies.  For good reason? David Maas gives a first-hand impression.

Learning from Pina

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Wim Wenders has made a film for Pina Bausch, about Pina Bausch and about her journey into dance and the meaning of movement.

Arte interviews David O'Reilly

The German/French station Arte interviews David O'Reilly, who takes the opportunity to talk candidly about the materiality of 3D graphics, the idiocy of an unnamed American producer, the creative energies of Berlin and many of his films.

The External World; David OReilly

David Oreilly's "The External World"

David O'Reilly releases his acclaimed film "The External World".

The Pig Farmer; Nick Cross steps up to the plate

 
Nick Cross releases The Pig Farmer in the same manner that he produced it... boldly, independently and without looking back.

Animation Insiders; a review

 

Imagesample content by Pablo Navarro

 

If you rightly suspect that there's more to good animation than 12 clearly defined principles then the book Animation Insiders is for you. And if you're strapped for cash or a starving artist, well - it's still for you because it's been published as a free eBook at les Shamans under the direction of Patrick Beaulieu.

so... GO GET IT!

Making Urs; Moritz Mayerhofer's student film

Posted In | Blog Categories: Education | Site Categories: Education and Training

 Moritz Mayerhofer shares the long road towards making his Oscar-short-listed graduation film Urs.

2010: the year animation oozed out of the entertainment nische and contributed to society!

Posted In | Blog Categories: Education | Site Categories: Education and Training

 

John Travoltage
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We don't have to travel to some alternative future to look back at 2010 as the year in which animation technologies and talent has spread beyond the film and games industries to make a true difference in education. Its happening now and its pretty exciting.

David Maas takes a look...

Ryan Woodward; the Added Value of Animation

Posted In | Site Categories: 2D
Ryan at his desk
Ryan Woodward's film "Thought of you" offers a great look at what hand animation has to offer, and what an animator and his audience can expect from the medium.