Day 3 of the View Conference was a fantastic day for me, highlighted by presentations from Isaac Kerlow, Glenn Entis, Roger Guyett and Michael Giacchino.
Too much work, too little sleep. So many friends, old and new. Amazing things flying on the big screen. This is VIEW Conference 2009. But everything has a price, like not being able to make it for the first session in the morning.
The sparkling energy behind VIEW is Maria Elena Gutierrez who is driving a group of partner institutions, private and public sector, in investing in innovation and knowledge-sharing in the field of Technology and Creativity.
In my humble opinion, the quality of the animated entries surpassed 2008. Perhaps it is the passion and vision of young student filmmakers that freshened the fare.
Exhibitors including Walt Disney, Rainmaker, Nelvana, Pipeline Studios, Starz and Studio B, as well as such schools as Algonquin College, Mel Hoppenheim School of Cinema, Sheridan College, Carleton University Interactive Media and Design, Vancouver Film School and Durham College made the AniMarket a huge part of Day 4.
Coraline director Henry Selick and the annual Animator Picnic / Pumpkin Carving Contest highlight Day 3 at the Ottawa Animation Festival.
"The Simpson's Movie" director David Silverman spoke to a packed house on Day 2 of the Ottawa International Animation Festival.
Day 1 of the 2009 Ottawa International Animation Festival got off to a brisk start with the Television Animation Conference (TAC) plus 41°F weather.
The 20th annual Cartoon Forum took place September 22-25 in the beautiful town of Stavanger, Norway. Always marked by a convivial atmosphere, the event in this milestone year had an especially positive and cohesive vibe, with attendees seemingly enjoying simply being together to share their common enthusiasm.
AWN's Editor in Chief Bill Desowitz walks us through Day 5 of his SIGGRAPH 09 adventure.The key word is 3-D
Press reports have attendance at about 10,000, which is extremely low, of course. But, as I previously noted, it's resulted in a very appropriate quaintness. You can tell that the people who have come here are very passionate.
Naturally Autodesk had some big announcements, including 2010 versions of Maya, MotionBuilder and Mudbox and along with new suites for digital entertainment creation and new education initiatives.
Day 2 of the animation competition kicked off at 9am with a loud drumbeat and Afro Brazilian performers. The sound drew a large crowd in to watch the performances. The animation teams had worked through the night on their films so the very lively dancers lent some much needed energy to the competitors.
Monday nights' Evening Theater began with the introduction of host Miles Perkins, senior staff at Industrial Light and Magic. He kicked off the award ceremony by paving the way for Scott Farrar, visual effects supervisor at Industrial Light and Magic.
SIGGRAPH's Fjorg! competition, created by Patricia Beckmann as an Iron Animator event challenges the competitors to create a short film (15-45 seconds) from concept to finish in the short time span of thirty-two hours. To make the task more demanding, distractions are scheduled throughout the day to entice them away from the film making process.
The buzz so far? Aside from stereoscopic 3-D, GPU for film, with ILM's collaboration with NVIDIA for the amazing fire sim on Harry Potter and the Half-Blood Prince the talk of the show, thanks to the mainstream coverage in The Wall Street Journal and the tech paper and panel on the topic. But more about that later...
Well, there’s been a lot of anticipation and curiosity about SIGGRAPH returning to New Orleans (or Nola), not only since this marks the first major conference since Katrina but also because of the severity of the downturn.
San Diego Comic-Con 2009 continued to astound audiences daily as the Hollywood studios debuted their most prized properties for public consumption. Friday was Disneyâ€™s animation showcase day in Hall H - The major coup was Disney/Pixarâ€™s John Lasseter welcoming Japanese Animation legend Hayo Miyazaki to the con for a panel on his upcoming release Ponyo.
The first official day of San Diego Comic-Con 2009 was a doozy for animation and visual effects aficionados, with sneak peeks at the most anticipated 3-D films set to release in the next year. Imagi’s Astro Boy, Disney’s Alice in Wonderland and Tron Legacy, Sony’s Cloudy with a Chance of Meatballs and the mother of them all, James Cameron’s Avatar all debuted footage in 3-D to rapt audiences.
A wonderful surprise waited for me Saturday morning, when I went seeing the boys. Richard M. and Robert B. Sherman had been with me through my entire life. I listened to their songs, from Winnie the Pooh and Jungle Book, from Mary Poppins through to Aristocats.
Stop the printing machines! Hold everything! I have seen the film of the festival. Sorry, but I am still under heavy shock and I think my feel-good hormones are still busy on the merry-go-round called my brain. And this happens only, when I see a truly overwhelming film.
Sorry for writing so late. But yesterday evening I suffered from severe animation illness, information overload and heavy small talk. After seeing the commissioned film program filled with commercials and music videos up to the brink – sitting next to an equally tired Ron Diamond – I hardly reached my apartment and went into dreamland seconds later.