For me the New Year really starts when I go to ANIMA Brussels each year in the beautiful, historic Flagey. For ten days it becomes the center of the animation world.
AniFest celebrates the centennial of Czech puppet Master Jiří Trnka with the dedication of AniFest 2012 to the magic of film puppets.
The Annecy festival has announced their 2012 shorts and television competition selections as well as revealed their official 2012 poster.
Part musical, part action, all comedy, A Monster in Paris is a fun, yet convoluted, Disneyesque animated feature.
If you asked me whether the Annies had become irrelevant a few years ago, I, and many in and around the animation industry, would have quickly said, yes. But see what a few years have done. The Disney boycott really forced the hand of ASIFA and put them into a position to fix the problems many had been complaining about for years. Moves such as keeping Annie voting to professionals and forming the member's favorite category for the larger membership have gone a long way in bringing a sense of legitimacy back to the long running awards show.
To get the most out of KidScreen, you need to set up as many meetings as you can ahead of time and on the fly with other delegates and/or companies. In order to have meetings, you need to have something to talk about and that's usually a property you'd like to pitch or an idea of what you'd like to option with which you'd like to partner. The opportunities are there, but dance cards fill up quickly.
Join us for the Annies Awards - watch the live stream from Royce Hall on the campus of UCLA, in Los Angeles, California - 7 pm PST on Saturday, February 4th, 2012!
Are you science? Are you art? Do you daydream of computations or calculate in creativity? Are you a student? If so, you will find yourself right at home at SIGGRAPH 2012. Science and art will come together in one outstanding international conference to explore computer graphics and interactive techniques from both points of view, and YOU can be a part of it!
For five days every year the historic town of Fredrikstad, Norway becomes the center of Nordic/Baltic animation. The festival brings in an illustrious roster of names from the international animation community and this year was no exception.
If you’re from South East Asia, China, Japan or Korea, Singapore’s modern architectural skylines may not wow you as much as a Westerner. And I imagine, if you are from the region, the proliferation and impact of Asia’s animation production isn’t news to you either. After all, Asia’s “animation moon” has been full and shining brightly for many years, decades even for some countries.
If you wish further evidence of your own lack of smartness, sit through a SIGGRAPH technical paper Fast Forward presentation. This was not your typical gathering of wily-old geezer scientists in smocks and meerschaum pipes, ruefully rubbing their beards while thoughtfully using 10 sentences to explain things where one sentence would completely suffice.
18 hours in planes, 8 hours in airports, 2 hours in shuttles, all in the quest for a chance to meet some of Asia’s brightest computer graphic technologists and to once again eat roast pork overlooking the majestic Hong Kong harbor. A worthy goal, I must say.
In Ukrainian, KROK means “step”, but to animators, KROK means watching animation, making music, dancing and meeting friends, both old and new. For me KROK is summer camp for animators and the best ten days of my life every year.
CTNX is for the young and hungry, boasting a crowd of current students and the recently graduated, who are looking at an angle into their beloved, but notoriously tough, contemporary animation industry. There’s no doubt the event will keep on drawing in professionals, studios, and students, but it remains to be seen whether it can live up to high expectations. Seeing young talent engage with their idols, and feeling their way into a field they are clearly passionate about, is where CTN truly shines.
Now in its third year, CTN Expo has gotten over some of its growing pains. Gone was the hectic chaos that was last year's event, replaced with the efficiency that so impressed in its inaugural year. Los Angeles has been in need of a quality animation gathering and this fills the bill nicely.
ANIMATION VOLDA is a unique festival run by animation students at Volda University College in Norway. Volda is a town of roughly 7,000 people of which 3,000 are students and the festival is primarily for students and festival guests.
Weta Digital’s Wayne Stables, Digital Domain’s Eric Nash, Pixar's Sharon Calahan, ILM's Scott Farrar, ILM's Roger Guyett, DNeg's Gavin Graham and PDI Founder Glenn Entis are some of the speakers slated to present next week at VIEW, Italy's largest computer graphics conference.
In a surprise addition to an already powerful roster of speakers lined up for the VIEW Conference, October 25 to 28, overall visual effects supervisor Erik Nash from Digital Domain has chosen to give the world’s first presentation of that studio’s work at VIEW Conference.
Coming November 18-20, 2011 to Burbank, California, CTN brings you a variety of business, creative, technical and inspirational presenters from various walks of life to reaffirm that CTN-X as that jewel in the crown, that "one of a kind" show where we get to rise out of the production trenches for 3 whole days to experience visual stimulation, fantastic connections and powerful inspiration.
Wayne Stables, visual effects supervisor at Weta Digital for Steven Spielberg’s The Adventures of Tintin has chosen to give the world’s first presentation of that studio’s work on the film at the VIEW Conference in Turin, Italy.
Last Saturday the VES hosted its third annual Production Summit, this time at the quaint Montage Hotel in Beverly Hills. Despite all about VES 2.0 and the Bill of Rights to help facilitate quality of life improvements for artists and VFX companies, the purpose was to address the paradigm shift going on and to discuss better biz practices.
An upbeat Cartoon Forum, recently ended September 16th in Sopot, Poland- seems to have made a tremendous impact on the European animation business scene.Sixty-six new animation series from 19 European countries were presented to over 800 participants at this year’ three-day event. “The best Cartoon Forum in years” reverberates in post-Forum conversations with broadcasters, co-producers, distributors, investors and creators. It’s unanimous. Everyone loved Poland, and has had little time to go home and catch their collective breaths before heading to Cannes, France.
The festival brings together everything uniquely interesting about the animation industry. Art, commerce, tattoos, the best and worst of kids cartoons, unintelligible films from Asia, alcohol, great student films and big studios walking hand in hand with little studios, agreeing they'll refrain from poaching talent except at the parties. The Ottawa festival brings together big and small, have and have not, legend and newbie together in a unique way - cozy, intimate, unpretentious, inviting.
Another OIAF Grand Prix gets awarded, another Phil Mulloy feature takes top prize, another grumbling voice can be heard complaining about the winners. Much like the start of Ontario’s moose hunting season, which I watched in awe Sunday on a TV at the back of a bar, as the Nelvana Grand Prix is announced, "second-guessing the judging" season once again begins in the province. Hopefully, you won’t see too many animators hanging upside down, suspended from a crane over the bloody bed of a pickup truck. But you never know.