H5's Logorama.

Every year I think Chris Robinson can't take it any higher. But every year he ramps it up a notch.

This guy is the master of the post-modern introduction.

You had to be there to feel the bizarre energy, to share in the intense, quizzical, weird couple of moments.

Then we were back to reality.

A behind-the-scenes look at Alice in Wonderland was one of the treats of CTN Expo 2010.

The CTN Expo has returned to Burbank for the second year. The conference has expanded a great deal from last year's event. It also has seen an explosion of attendees, which pushed off the scheduled start times of all the events as the eager guest were being registered. This created some bumps along the road for the two-year old event, which is again valiantly put together by Tina Price and her tiny staff with help from a host of volunteers.

Despite its problems, the event once again showed the real reason to attend once you arrived in the panels. First of the day for me was David Schaub, the animation supervisor on ALICE IN WONDERLAND, chronicling the process Sony Pictures Animation went through to develop the mind-bending visual effects of Tim Burton's hit film. Interestingly, the animators had a chance to experiment with the way the characters were to act, ranging from realistic to cartoony. Just goes to show you the leeway a big budget production has to experiment along the way. Burton settled on a stylized realism. In addition to completely animated characters like the White Rabbit, there were many hybrid characters such as the Knave of Hearts. One interesting challenge with that character came in the development of the costume. In all the renditions right up to the start of production, he had a large collar, so for the green screen shoot actor Crispin Glover was given a green suit with a high collar. When the final designs came, there was no collar, so the digital artists had to go in and add digital hair to fill in Glover's long hair that was blocked by the green suit's high collar.

Become a SIGGRAPH Student Volunteer - It's Geek Chic!

Click Here to Signup Online!

Are you science? Are you art? Do you daydream of computations or calculate in creativity? Are you a student? If so, you will find yourself right at home at SIGGRAPH 2012. Science and art will come together in one outstanding international conference to explore computer graphics and interactive techniques from both points of view, and YOU can be a part of it!

The SIGGRAPH 2012 Student Volunteer Program is a unique opportunity for students to meet people involved in all areas of the computer graphics industry while contributing to the overall success of the SIGGRAPH Conference. The industry's future leaders are encouraged to apply: students who demonstrate leadership, service, and a passion for computer graphics and interactive techniques.

My cat Steven, doing his impression of the look the waiter gave me at lunch Monday when I told him the salad dressing had too much Dijon mustard.

By Dan Sarto

Since I’m finding time so scarce this week, I have not yet finished any of my formal write-ups.  So for now, I'm posting some initial images from the first couple days of the festival.  I apologize in advance if I don’t name everyone, or if I messup a name.  My memory has been dulled by too much cheese.

One of the really smart people who presented a 60 second synopsis of their research to an audience filled with people like me, who are not smart and who had no possibility of understanding what was being said.

By Dan Sarto

Yesterday evening, I sat through the SIGGRAPH Technical Papers Fast Forward presentation. The official program description is as follows: 

The Fast Forward is an entertaining, illuminating summary of SIGGRAPH Asia 2011 Technical Papers in one exciting, fun-filled hour! Authors are allowed a little less than a minute to wow the crowd with their results and entice attendees to hear their complete paper presentations later in the week. 

 What the official description should really say is:

We are smart – you are not.  Get over it.

This was not your typical gathering of wily-old geezer scientists in smocks and meerschaum pipes, ruefully rubbing their beards while thoughtfully using 10 sentences to explain things where one sentence would completely suffice. This tech paper presentation, for the most part, was a gathering of kids (I learned this form of categorization from my dad, who at age 90 would call 80 year olds “Junior”), certainly few older than I, all dedicated academics, researchers, scientists and scholars, doing research in areas of computer graphics and visualization I can’t even pronounce, let alone understand.

There was no way I could comprehend anything being said.  And I was OK with that.

Rob Cook.

Rob Cook’s featured speaker keynote took us on a journey behind the scenes of a Pixar production. Interestingly, Rob is the Vice President of Advanced Technology at Pixar Animation Studios, yet he hardly spoke about technology. He talked about story, story, story, and art. It might just be that he is so humble to rather highlight other folk’s contributions to Pixar’s final products, but it surely is connected with Pixar’s secret recipe to success – their stories.

Picture of the Don't Take Pictures screen before the Dead But Not Buried screening.

By Dan Sarto

I know it must be Ottawa Animation Festival time because it’s been roughly a year since my last verbal manhandling by an airport customs agent. Happy Anniversary! I seem to be a magnet for every disaffected flak vested agent looking to brush up on their 12-step time mismanagement drill.  My path through customs at the Ottawa airport was no different this year.  It must be my Vans.  The checkerboard pattern is on some secret watch list.  Or, maybe it’s because I’m Jewish.  Despite my feeble compliance, I couldn’t help but wonder if, sans sidearm, multiple 13 round clips, taser, pepper spray and truncheon, this fellow dissecting my passport was any match for me.  Yah, my ego whispered, I could take him.  If I wanted to.  But I don’t want to.  Lucky for him. And so starts my 2011 visit to Ottawa.

The Terrible Thing of Alpha-9!

OIAF is a huge event, with lots of activities in numerous venues. As the festival came to a close on Sunday night, it was a pleasure to be able to sink down into the seats of the ByTowne Theatre and watch the Best of the Fest – the award-winning animation shorts.

In my humble opinion, the quality of the animated entries surpassed 2008. Perhaps it is the passion and vision of young student filmmakers that freshened the fare.

The Adobe Prize for Best High School Animation was awarded to Did U See That? by Yuri Rhee, Ha Jung Kim, Paul Kim and Hyun Jung Lee, Korea Animation High School, South Korea. The black-and-white lines of this animation were simple and the story was too – about a young boy haunted by the appearance of a menacing sea turtle and flying hogs. The teen goes to the authorities to report what he’s seen, and is promptly locked up in the loony bin. However, his psychiatrist soon discovers that pigs do fly.

The Best Undergraduate Animation prize went The Terrible Thing of Alpha-9! directed by Jake Armstrong, School of Visual Arts, USA. This short had real comic-book space adventure sensibilities in its design and storytelling. It was also an engaging shaggy-dog story, with the shaggy dog being a goggle-eyed alien monster instead of a mutt.

The Best Graduate Animation award was given to Lebensader, directed by Angela Steffen, Filmakademie Baden-Wuerttemburg, Germany. This beautifully rendered animation makes bold use of brilliant, flowing colors as a child regards a leaf and witnesses the interconnection of all living things. The animation design has strong kinship Canadian native art styles – simple at first glance but increasingly complex as the eye takes in all the nuances of the presentation.

Tom Wujec presenting at VIEW Conference 2011.  Tom will be back presenting at the 2012 conference.

With topics ranging from fighting robots to animation, product design to sound design, character creation to camera mapping, and game design to storytelling, VIEW 2012 offers professionals and students a remarkable chance to learn from some of the leading directors, animators, artists, storytellers, and designers in the world. Some sessions limit the number of participants, so conference organizers suggest early enrollment to ensure a guaranteed seat.

sex, lies, and videotape director and cast celebrate the 20th anniversary of their landmark indie feature.

I am sitting in the filmmakers lounge at Sundance headquarters watching the historic inauguration of Barack Obama. I am amongst a crowd of filmmakers, and there is a clear sense of hope and relief that this day has arrived. Cheers and boos accompany politicians as they show on TV (take a wild guess who gets the boos). It’s an event that rightfully will overshadow the Sundance film festival but fitting when thinking about the 20th anniversary screening yesterday of sex, lies and videotape, by Steven Soderbergh, as a celebration of the 25th anniversary of Sundance.