A funny thing happened on the way to my Facebook page.  A handful of professional contacts refused to be my friend, not because they didn’t like me, but because they weren’t on Facebook.  The interesting thing was that they seemed to take pride in not being on Facebook.  This reminded me of something I’ve noticed over my career, an odd anomaly about many writers and artists: They don’t like to promote themselves.  Not a good idea!  Here's why...

Special Guest: OIAF Animators' Picnic 2011 - Part 1

Joel and Alan bother legends of international animation as they try to eat, drink, and be wary at the Ottawa International Animation Festival 2011.

Legend of the Guardians.  (C) 2010 GOG PRODUCTIONS PTY LTD. Courtesy of Warner Bros. Picture.

You’ve probably heard about the Uncanny Valley: not a geographical location, but the precipitous drop in peoples’ comfort level when they come across something that’s almost human… but not quite (like the replicants in Zemeckis’ mocap movies). Well, in Zack Snyder’s Legend of the Guardians you’ve got owls – dozens and hundreds of owls who look almost like real life owls… but not quite. It’s that quest for the absolutely perfect replication of wind rippling the tiniest hairs in their feathers or the way light glints and reflects off their wide eyes: Guardians achieves it – at the expense of the audience they’ve just tossed into the Valley.

The main case of model figures from the Tippett foyer.

Written by Dan Sarto

Tippett Studio is a well-known cg studio that specializes in feature film visual effects and creature animation.  Legendary founder Phil Tippett is the creative force behind some of the most iconic animated creatures and characters in cinematic history, including the miniature chess scene in the first Star Wars movie, the animated robots in RoboCop, the breakthrough animated dinosaurs of Jurassic Park, the deadly arachnids of Starship Troopers and the transforming werewolves of the Twilight movies.  The studio is located in Berkeley, California, housed in a collection of small buildings nestled within walking distance of each other.  Our second day ended with a screening and highly anticipated tour of their main production facilities. We were not disappointed.

Self promotion turned out to be the hottest topic yet on my blog.  My three posts on the subject are approaching 6,000 reads! 

I have received dozens of comments, both on the blog and at LinkedIn, over 95% of which were in agreement that self-promotion is vitally important. 

You get it!  That's good!  Here's what I got...

A few posts ago, someone asked me if I thought Sylvain Chomet’s The Illusionist would have been a better film if it had more dialogue.  At the time, I had not yet seen it and couldn’t give an opinion.  It finally opened in Chicago, I saw it and am ready to discuss it. Unfortunately, the film is a frustrating near miss.  The lack of dialogue is not the biggest problem. More significantly the girl’s character is not fleshed out.

Special Guests: Tim Finn and Lorelei Pepi 

Author, animator, and 80's cartoon voice reenactor, The Definitive Tim Finn, stops by to discuss coffee-table books, animation based on colors, and 3D Chess. Joel and Alan then engage Tim in a very brief but colossal battle of capitalism in FFAF's newest radio game, "Two Minute Monopoly".  All is then put classier when the beautiful, the insightful, and the ever effervescent Lorelei Pepi reveals her unorthodox recipe for Italian Wedding Soup, her thoughts on animation and art, and why FFAF's other newest radio game, "Brain Cloning", is a good excuse to beat up on Joel's face.

Check Out Clips

This endlessly clever short is one of the best produced by Pixar. Teddy Newton’s film features two 2D characters with a CG world alive in their bodies. One represents day and the other night. When Night sees the beautiful women sunbathing by the pool inside Day, a howl of jealousy bellows from him. He tries to take what day has, but every attempt shows that things that go on in the light are not the same in the dark.

For the most part, the short takes its setup and runs with it. The gags fly by at a clip. Just to get a taste, the short starts with a rooster crowing and Day waking. After a series of perfectly paced gags about his morning routine, the sequence ends with a stream appearing in a relieving place on Day’s body. What starts as an adversarial relationship between Day and Night turns toward the end as Night realizes that Day doesn’t have everything. The short ends up being a classic great short in the way it gets into its premise quick, keeps the pace fast and ends with a note of poignancy. At six minutes, it is driven by action, but the action reveals the personalities of the characters and even allows for growth.

On a technical note, the use of stereoscopic 3-D to create physical depth within the worlds inside the characters’ bodies is ingenious. For once, 3-D was actually used for a story purpose.

Still image from Cowboy Bebop.

“Adventure Time” as seen through the eyes of guest writer Shawn Edrei.