The creator, Tom Schroeder has done some fine work since Bike Ride, but perhaps none better than his latest, Marcel King of Tervuren. It's kind of a beautiful Bukowski/Sophocles tale with roosters. Best short animation of 2013 thus far. You should see it at many festivals. If not, those festivals should have their eyes shot out.

We all have been charged with picking up the sword to fight the good fight whether we are drawing the battle lines or not.  It’s always a good idea to have a plan in the event that you are called into action lest you be caught off guard.  This strategy applies whether you are fighting a health scare, personal loss or a change in your career.  It’s always good to know what propels you into battle before the appropriate boundaries are drawn.

By  Dan Sarto

For some reason, every time I attend the festival in Ottawa, something happens along the way to remind just how fun it can be to visit this last great bastion of politeness and public drunkenness.   This trip was no exception.  Against my better judgment, breaking a solemn vow I made back in 2002, I flew through Toronto.  Back in 2002, the last year of my mullet phase, I was stopped by security at the airport in Toronto and held for close to an hour.  Whether it was my sunny disposition or dreadful hairstyle that put me on someone’s watch list, I’ll never know.  Some junior G-Man barely old enough to shave grilled me for 45 minutes, asking me the same set of questions over and over, as if I’d finally break down sobbing and divulge where Bruce Willis should go to find the nuclear device.   I kept thinking that Chris Robinson was somehow behind the interrogation, because this agent kept going into another room and coming back with more ridiculous questions about animation. It made me chuckle, which made my inquisitor even more annoyed, which probably attributed to the length of the grilling.  However, upon my release, I swore I’d never fly through Toronto again, a vow I upheld until Tuesday.

 

By Nancy Phelps

When I last left you I was on a bus from Pristina, Kosovo headed to Belgrade, Serbia where I was planning to meet my old friend Rastko Ciric and attend the first edition of the Festival of European Student Animation that he had organized.  It was supposed to be a six hour trip.   I knew that Serbia did not recognize Kosovo as a country and people travelling on a Kosovo passport could not cross this border but I had been assured that I would not have a problem since I was travelling on a United States passport.

By Ellen Besen

Social flow is particularly important at animation festivals- we all spend too much time alone at our desks communicating mostly with ourselves and really look forward to the camaraderie 5 days at a festival promises.

All this only made the NAC-less years that much more frustrating. The beauty of the NAC has always been its excellent lobby, a large inviting space big enough to accommodate the market, with plenty of room for productive milling about.  Back in the day, you could count on everyone showing up well before the evening screenings for an unscheduled cocktail party and lingering long after the screening before moving on to other venues. And that meant your chances of seeing everyone you hoped to see through the course of the festival and finding someone worth talking to on any given evening were very high, even for the shyest among the crowd.

By Dan Sarto

The Southern California leg of Acme Filmworks’ and AWN’s annual Oscar Showcase Tour kicked off with a screening Monday night at Woodbury University, sponsored and organized by ASIFA-Hollywood.  Frank Gladstone brought boxes of cookies, containers of coffee and his unflappable and eternally upbeat demeanor.  The cold wind and threat of rain did nothing to damper the crowd, which filled the Fletcher Jones Theatre almost to capacity.  After he introduced me, sharing the fictional story of my childhood spent roaming the streets of India, I then regaled the audience with the story of the first time I met Frank, literally bumping into him within a huge room at the castle overlooking Annecy’s old town, stuffed wall-to-wall with people celebrating the release of DreamWorks’ Spirit: Stallion of the Cimarron.  I told the crowd, as I tell you now, the next time you meet Frank, ask him to tell you the “Seamus” joke.  And be prepared.

After the screening, John Kahrs (Paperman), David Silverman (Maggie Simpson and “The Longest Daycare”), Tim Reckart and Fondhla Cronin O’Reilly (Head Over Heels) took the stage for a 45 minute Q&A.  Some of the highlights:

IBM says it has made the tiniest stop-motion movie ever — a one-minute video of individual atoms repeatedly rearranged to show a boy dancing, throwing a ball and bouncing on a trampoline.

 

The VIEW Conference has announced the European premiere of Pixar Animation Studios’ latest short film, Partysaurus Rex, to be presented by award-winning director, animator, actor, storyboard artist and writer Mark Walsh.

Walsh graduated from the California Institute of the Arts (CalArts) in 1997, winning a Student Emmy for his animated short film, Extra Crispy. At Pixar, Mark became part of a group of fellow actors and stuntmen, animating on such films as A Bug’s Life, Toy Story 2, Monsters, Inc., the animated short Presto, and the Academy Award-winning feature The Incredibles.

 

By Nancy Phelps

Arriving in Changchun, China for The International Animation, Comics, and Games Forum was a very abrupt switch from my previous weeks in Kosovo and Serbia.   Any thoughts of long, leisurely meals with friends and watching good animation went out of my head when I was handed my schedule.

When I last visited the Jilin Industrial Park 2 years ago it was still under construction.  The multilevel media school was completed but I had no idea that that the final project would be so massive.   On this visit all of the tall building were completed and seemed to be full of activity and the grounds were fully landscaped.

I begin to suspect that this is like trying to write the perfect pre-nuptial, and wonder that perhaps it can’t be done!  I chew on this for a bit before I start to realize that the problem that is stymieing me, needs to be included in the definition.   After all, if art can’t be clearly defined wouldn’t that need to be part of its definition?  I also thought of what Elbert Hubard said, “Art is not a thing, it is a way.”